Faith and Childhood in the 20th Century: Insights from Stephen Harrigan

Stephen Harrigan, best-selling novelist and non-fiction author, is a veteran of book-talks. As such, he was able to manage a less-than-smooth moderated discussion of “Sorrowful Mysteries: The Shepherd Children of Fatima and the Fate of the Twentieth Century,” while still providing humor, interesting anecdotes, and his usual graciousness to a full house at First Light Books.

This audience included some impromptu stop-ins by authors Bret Anthony Johnston and Elizabeth Crook, as well as the moderator Sarah Bird, herself a novelist. Following a brief introduction….

…Bird described Harrigan as a “famously moral person,” before asking “an unfair, unanswerable question: ‘on balance, has Catholicism been good or bad for humanity?'”

Harrigan did an admirable job answering the unanswerable. While noting the good and the bad–emphasizing there was a lot of both–he indicated that asking what things would be without religion is something like asking what life would be without the weather. It’s just a part of humanity, even if a person is, like Harrigan, a non-believer.

The strongest parts of the discussion involved Harrigan describing his Catholic upbringing, while drawing parallels to the three Portuguese children who believed they saw the Virgin Mary in Fatima in 1917. Harrigan emphasized how young the children were (they were 7, 9, and 10), noting that they were at impressionable ages.

He tied that to his youth, when he was regularly instructed to “duck and cover” underneath desks, armed with the illusion that such actions could save his life in the event of a nuclear war. Of course, this fear of the apocalypse alternated with soothing lessons of the Virgin Mary’s powers and beneficence. It could be, Harrigan implied, a confusing time.

Mixed in were some discussions that were less relevant to the book. Bird asked not once but twice about the Catholic Church’s “shift to the right,” and she brought her confirmation dress to the event, and she hung it from a speaker at the front of the room.

This prompted an audience member to ask, during the Q & A, whether Ms. Bird “wore underwear with her confirmation dress,” surely one of the stranger questions Harrigan has heard at one of his book discussions.

On this question, Harrigan prudently remained silent. On others, he deftly responded by offering interesting anecdotes, exploring big topics, and mixing the personal with the universal in a manner that is as appealing in person as it is in his writing.

Elizabeth Crook: Texas Writer (Awardee)

More than 100 authors descended on Austin this past weekend for the Texas Book Festival, but only one was there to receive the 2023 Texas Writer Award. That author was Elizabeth Crook, and her session at the Festival was, in many respects, the highlight of the weekend.

Hannah Gabel, the Literary Director for the TBF, introduced her…

… and on hand to lead the discussion was her friend, Stephen Harrigan–the Texas Writer Award winner in 2011. They discussed the literary life, their writing processes and their work on “The Which Way Tree,” a screen adaptation (optioned by Robert Duvall) of Crook’s 2018 novel of the same name.

Crook’s latest novel, “The Madstone,” features the lead character in “The Which Way Tree,” Benjamin Shreve. And in both novels, Shreve offers what Harrigan calls “one of the most distinctive and appealing characters in all of fiction.”

That distinctive voice comes from a lot of hard work, as well as an ear for speech. Crook is a relentless researcher. While writing her first book, The Raven’s Bride (published by Jackie Kennedy at Doubleday), she travelled to different cities in Tennessee; to Huntsville, TX; to the cemeteries where Houston and Eliza Allen are buried; and talked to dozens of historians and family members of the subjects. For Madstone, she followed a similar approach, and she and Harrigan laughed about her efforts to ascertain accurate stagecoach schedules to and from Texas towns. Put simply, she wants historical fiction to be accurate history.

And that history is almost always set in Texas. “I love Texas,” she says. “Texas is home for me.” But she also relies heavily on imagination to create characters and scenarios, and it is this creative world–rooted in reality–that draws comparisons to Charles Dickens, Mark Twain, Cormac McCarthy, Larry McMurtry, and Stephen Harrigan.

And once you read The Which Way Tree and Madstone, you’ll understand the comparisons–and her deserving win of the Texas Writer Award.

Note: Ever wonder what tangible “trophy” the Texas Writer Award winner receives? Well, according to Stephen Harrigan, it “used to be a bookend, one resembling a gravestone.” No longer. It is a pair of boots, individually fitted!