The mission of the LEAP Center is to provide unique learning opportunities and implicit in this mission is the idea of learning about new cultures and disciplines. Cross-cultural and interdisciplinary learning were certainly central to our Houston “Arts and Parks” tour.
We began our 2nd day of the trip with a visit to the Herrman Park Japanese Garden.
We also marveled at an Isamu Noguchi residing in Ms. Moody’s guest room. Perhaps this recurring motif lead us to choose Azuma Sushi and Robata Grill for dinner.
We found this as a great opportunity for some of the students to try new things. For some of the LEAPsters, this was their first time to try sushi. We ordered an array of sushi rolls, noodles, and other traditional Japanese plates so that everyone would have a chance to fulfill their culinary curiosity.
More curiously, it was Makayla Mason’s first time to try ribs. We all ignored the fact that this Texas life-long resident had never had one of the state’s most iconic meals and recognized her adventurous accomplishment.
Empowered by this adventurous spirt, we took a drive down Houston’s still-roaring roads to visit the Houston Police Officer’s Memorial. Designed by Jesus Moroles, the memorial resembles a Mezo-American pyramid with its geometric outline and elevating levels. Rising in the middle the field, the structure commemorates the lives of fallen Houston police officers. Under the twinkling skyline of the city, we climbed the memorial to get a better view of the mesmerizing vista.
Such added adventures made for a late night, but with rain in the forecast, we were promised a late morning start, allowing us to get ready for a continuation of our multi-cultural adventure.
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Continuing a Cultural Adventure, Kaitlyn Tyra
Well rested and eager to leap into the day’s adventures, LEAP Ambassadors embarked on the final leg of our Houston Arts and Parks Tour. To begin our day, we drove to the Asia Society Texas Center. Established in Houston with the help of former First Lady Barbara Bush, the center provides community engagement for Houston residents of Asian heritage and those wanting to learn more about the culture.
Before entering the art gallery, we admired the architecture of Yoshio Taniguchi, a Japanese architect, and learned about the design.
Both inside and outside, Professor Yawn emphasized the horizontal lines traditional to that of Asian architecture while the building’s vertical lines incorporated American design into the structure. This was designed by Taniguchi to bind the American and Asian cultures together.
The first floor of the Asia Society houses a café, theatre, and art gallery. The gallery included numerous paintings by . Born in India, he earned his Masters in Fine Arts from Indiana University and now teaches at the Maryland Institute College of Art (MICA). Majumdar created works of abstraction. But unlike other artists specialized in this discipline, Majumdar depicts the convergence of cultures through his art work.
A prevalent motif is also theatre, as he has experience in this profession and uses it as inspiration. His paintings allude to this trade, and depict images of performers getting ready for a play or the proscenium of a theater.
Craving a more realistic representation of theatre, we entered the Brown Foundation Performing Arts Theater, adjacent to Majumdar’s art work. With walls lined with cherry wood panels and seats designed by Poltrona Frau, leather seat maker for Maserati and Ferrari, the acoustically rich theatre was spared no expense in order to achieve an excellent viewing experience. We had a chance to play around on the front stage and bounce on its Appalachian white oak floors.
And even though the ever present use of wood in the building’s walls and floors is an aesthetic pleasure, nothing compares to the beauty of the artwork we were about to see.
Upstairs in the Sarofirm Gallery, we had the opportunity to learn about modern Japanese bamboo art. A new form of art for many of the LEAP Ambassadors, we were amazed by the craftsmanship in every piece.
These artists, some of which come from families dedicated to this craft for generations, have mastered the technique to shape bamboo into whatever form they please.
The process requires a developed taste for perfection and a precision to delicately weave one of nature’s strongest natural substances.
Interestingly, many of these pieces had a functional purpose. For example, one of the artists made his piece so that it could function as a fruit bowl, while another crafted the bamboo to use it as a vase.
It left us with much to ponder.
It also capped off the Asian theme of our trip. Having seen work by Naguchi, visited the Japanese Gardens, eaten at an Asian restaurant, we now had an extensive exploration of Asian art and architecture. It wouldn’t be our last exploration of the trip, but it was one of our most fulfilling!
