The Sidewalks of New York
by Chrissy Biello
On our first day in New York City, we decided it would be a good idea to explore the area and familiarize ourselves with the surroundings, including the subway system. It turned out to be a great decision, as we encountered many fascinating and exciting sights along the way!
As we began walking through the city, Professor Yawn noticed our proximity to the historic Prince Street. Along this notable street stands the first Richard Haas mural, which Olivia enthusiastically recognized and pointed out as we approached.
The mural, gracing 112 Prince Street since 1974, features intricate details that have been thoughtfully added over the years. But even as an early work, it reflects Haas’s artistic and architectural sensibilities, as well as his ability to transform a space through art.
Haas, who lives in New York, once spent a summer working for Frank Lloyd Wright, before embarking on a successful career as what the New York Times referred to as an “urbanologist.”
Thanks to the work of Linda Pease, Haas brought his Urbanology to Huntsville, TX, where he has completed 15 exterior murals–the most of any city. Thus, despite being strangers in the strange land of New York City, we felt oddly at home.
Continuing our walk, Chinatown emerged as a fascinating destination; its narrow streets offered an authentic glimpse into this vibrant New York neighborhood.
To our delight, we found the New York City Hall, a magnificent French Renaissance Revival structure still bearing the inscription “New Amsterdam;” a beautiful reminder of the city’s Dutch origins.
Next on our route was Federal Hall, which was erected in the 19th century as a Customs House. Prior the construction of the present building, however, the site hosted many milestones in the formulation of the United States government. The US Congress, such as it was, met here in the 1780s, when the (semi) United States of America was governed under the Articles of Confederation, and even as the US Constitution was written to supersede the Articles, the First Congress met on this site–and the Bill of Rights was first proposed here. More relevant to our current trip, George Washington was inaugurated on the balcony of the old Federal Building–the first-ever US Presidential inauguration! Standing on this site, therefore felt particularly resonant, considering we will be witnessing the 47th presidential inauguration in DC on Monday!
Approaching the Brooklyn Bridge, we began to make the long way up; winds from the surrounding waters grew increasingly cold.
This suspension bridge, one of the oldest in the United States, goes over the East River and connects Manhattan and Brooklyn.
When we reached the top, the spectacular view, however, made the chilly walk (the wind chill was in the teens) entirely worthwhile!
A shift in the atmosphere became apparent when we visited the 9/11 Memorial. The names etched in bronze, the twin waterfall pools, and the One World Trade Center made us all feel reflective. Saturday, we will get the chance to visit the museum, something we are greatly looking forward to as it will allow us to educate ourselves more on that disastrous day.
Before heading back to prepare for our evening of theater (Hadestown and Sunset Boulevard), we stopped at Zuccotti Park to observe Mark di Suvero’s “Joie de Vivre.” The 70-foot red steel sculpture definitely stands out against the Financial District backdrop, with its modern design creating an interesting contrast with the surrounding area.
Finally, we returned to the subway, hoping our earlier experiences had made us experts. Despite our optimism, we still struggled to navigate the system (particularly myself), but successfully made our way back to the hotel to prepare for an evening of theater.
Katz’s Deli
Although our time in NYC is short, we hope to squeeze in as many quality (and affordable) restaurants (and coffee shops) as possible. Thus, amidst our rambles on New York’s sidewalks, we espied Katz’s Deli, which was rated as the “Best Deli” in the Big Apple by Zagat, while also regularly appearing in the New York Times’ various “best of” lists. It is also notable for the many films that have set scenes in the Deli, including Donnie Brasco, We Own the Night, The Sidewalks of New York, and most famously, When Harry Met Sally.
Being new to the place, we weren’t familiar with the unique ordering system of Katz’s. When you enter, you are handed a ticket, which you then take to a counter where one of approximately 15 “cutters” are stationed. The cutters, so named because they cut the meat in front of you, offer suggestions and samples, and so it was that Professor Yawn ordered Pastrami…
…and Olivia ordered a Reuben.
Chrissy, for her part, took a different approach, veering from the “I’ll have what she’s having” custom at Katz’s. To hear Chrissy tell of her upbringing–an upbringing that changes upon retelling, depending on her energy level and degree of coherence–she was fed baloney, almost exclusively, for the first six or seven years of her life.
If we followed this narrative correctly, this prompted her to order “soft salami.” Despite gentle nudges from the cutter to consider the pastrami, Ms. Biello remained obdurate, insisting on the salami. The cutter, clearly disappointed, complied, although his look of disappointment was palpable.
Just because we ordered separate foods, however, doesn’t mean we actually ate separately. Chrissy shared in both the pastrami and the Reuben, while all of us sampled all the food at our table.
While we can’t compare Katz’s to other NY Delis, we were in general agreement that we don’t get Pastrami or Corned Beef as good in Texas…and we have a full appreciation for why the New York Times called this institution–in business since 1888–the “king of New York delis.”
Hadestown on Broadway
by Olivia Discon
After spending the day exploring New York, Chrissy and I ended the night with a Broadway show—Hadestown at the Walter Kerr Theatre. Watching a production in this historic venue was an incredible experience, and Hadestown lived up to its reputation as one of Broadway’s best.
Written by Anaïs Mitchell, Hadestown is a retelling of the ancient Greek myth of Orpheus and Eurydice. The story follows Orpheus, a musician, and his journey to the Underworld to rescue his love, Eurydice, from Hades. The story covers some heavy hitting subjects while successfully executing a modern day retelling of the tragedy.
Chrissy and I both thoroughly enjoyed the set design.
The stage featured three spinning circles that worked like a treadmill, adding fluidity to the choreography and creating a sense of constant motion. This small but awesome detail elevated the performance and made every scene feel dynamic and alive.
The live jazz band, positioned on stage, was another highlight. Their presence both in song and in sound effects elevated the entire experience. It sort of reminded me of the live band that played at the first play I saw with LEAP, Chicago!
For Chrissy, Hermes (played by Malcolm Armwood) was the standout character, while I loved Persephone (played by Allison Russell). Both actors were incredibly talented and brought vastly different elements to the production. This cast can sing!
Seeing Hadestown has been a dream of mine for years, and getting to experience it with LEAP made it even more special. It’s a night I’ll cherish for a long time.
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