Category: Art

Experiencing Creole: PCAS/ACAS Day Three

Our third day in New Orleans offered a unique look at the melting pot of Creole culture. Creole, as the name suggests, grew from the city’s status as a global port, blending the best parts of nearly every nation and state, including customs, traditions, and ideas. Today, we took a deeper look at that concept, experiencing the city’s cultural blend with the rest of the world.

History at the National World War II Museum

Written by Robin Houghton

We started our Saturday by taking a taxi to the National World War II Museum, the largest of its kind in the United States. Spanning seven acres, the museum is so expansive that it offers two-day passes to see everything.

Our visit began in the Pacific Theatre, since we were less familiar with that side of the war. Given less attention both during the war and in teaching about it afterward, there was a lot we learned about this area for the first time.

The museum was jam-packed with artifacts, most frequently artillery and an impressive collection of uniforms. We especially found the nurse’s uniforms fascinating!

One thing we found interesting was the Allied strategy of island hopping. After landing in Guadalcanal, the Allied powers devised a strategy to continue advancing in the Pacific by “hopping” over heavily fortified islands — isolating Japanese-occupied islands and moving closer to Japan. This strategy was crucial to the Allied powers’ victory in the Pacific.

Near the end, we found ourselves in a replica of the room Anne Frank and her family stayed in while in hiding. Being able to immerse ourselves in the life of the Franks allowed us to experience the routine they had during their time in hiding.

Although we did not spend the two days needed to explore the museum in its entirety, the National World War II Museum gave us plenty to learn, and even more to be excited for if we come back to New Orleans!

A Look into Society and Film

Written by Ruthie Passmore

Our last session of the weekend was a deep dive into film and how it reflects society. First hearing from Chair Daniel S. Traber about Trainspotting, then Kathleen Hardesty about Social Services as the Villain, and lastly from our very own Professor Mike Yawn, speaking about The Manchurian Candidate.

Daniel Traber opened by evaluating Trainspotting through a lens that captured addiction through layers. He reflected on the film’s portrayal of addiction through a combination of surrealism and realism. This helps contribute to a more overarching theme of addiction, the main character’s drug addiction allowing audiences to draw parallels to alcoholism, nicotine addiction, gambling addiction, interpersonal dependency, and consumerism.

Following Traber’s research on addiction, Kathleen Hardesty presented on the portrayal of social workers in film. She began by studying adoption in film, noting that the language surrounding adoption in these works is usually negative. She observed multiple different children’s films that portray social work in a negative light: Mrs. Doubtfire (1993), Despicable Me (2010), Lilo & Stitch (2002), and The Willoughbys (2020). In most of these movies, social workers are being painted as the “bad guys.” Hardesty argues that children’s movies play an important role in the narrative of social work and adoption, and that finding more positive ways to refer to social workers in media may reduce stigmas and biases surrounding adoption and social work.

We might be biased, but saving the best for last, we got to hear from Professor Yawn, who gave a reflection on free will in The Manchurian Candidate. He mentioned the Oresteia Trilogy, arguing that there is a narrative structure similarity between the 1962 film and the Greek tragedy. Justifying this argument requires examining how Orestes, in the Oresteia Trilogy, and Raymond Shaw, in The Manchurian Candidate, both face moral dilemmas that force them to choose between family loyalty and moral responsibility. Like Orestes, who must choose between protecting his mother and avenging his father, Raymon struggles between loyalty to his mother and carrying out her orders to kill for her personal vendetta. Together, these works help display the complex relationship between The Manchurian Candidate and free will.

It was a striking ending to a very insightful conference. The LEAP students all agreed that this session was our favorite.

Blending India and Louisiana at Saffron Nola

Written by Ruthie Passmore

We ended the day by indulging in delicious Indian cuisine at Saffron Nola in uptown, near the Garden District. We started with appetizers: garlic and truffle tandoori naan, breads and spreads, and tandoori squash, which our waiter recommended. We all thoroughly enjoyed the starters, describing them as rich and savory, with a perfect balance of spices.

While waiting for our entrees, we had the delight of speaking with Chef Arvinder Vilkhu, who couldn’t have been kinder. He even shared how his son wrote the business plan for Saffron. After chatting with him about the restaurant and its delicious food, he was nice enough to allow us to take a photo with him.

As for our entrees, we ordered four distinct large plates and two small plates. Allie chose the Duck Confit Masala, Isis opted for the Chicken Biryani, and Robin selected the Pork Vindaloo. Meanwhile, Professor Yawn enjoyed the Curried Seafood Gumbo, Stephanie went with the Homestyle Seafood Bisque, and I tried the Grilled Pepper Steak. I would describe my steak as being juicy, tender, and all-around delectable, especially being soaked in the coconut white Malabar sauce, but every dish was spectacular.

For dessert, we got to try five different dishes: English Bread Pudding, Kiss From a Rose, It’s Not Even Your Birthday Cake, Ginger Creme Brulee, and the Peach Seasonal Ice Cream. Robin and I were particularly fond of the Peach Ice Cream. The flavor was perfectly balanced, subtle and delicate, rather than overwhelming. It was topped with peach chutney, which added a savory and tangy depth to the taste. Others enjoyed the Kiss From a Rose, which included ice cream, vermicelli, rose, and pistachios, describing it as floral, in a good way, but sweet at the same time.

This was the perfect way to wrap up the day. It was such a pleasure to hear from the Chef and gain a little insight into how he started the restaurant and his background. His personal touch and willingness to share a little bit about his story with us made it even more worthwhile.

Conclusion

Throughout our stay, we had the opportunity to learn not only from the conference speakers, but also from the city itself. New Orleans has a way of bringing together different histories, cultures, traditions, and ideas, creating something that feels entirely its own. Our last full day was a fitting reflection of that spirit, leaving us with plenty of new memories, new ideas, and a deeper appreciation for the city and the people who make it what it is.

LEAPing into New Orleans Culture and Cuisine: PCAS/ACAS Conference Day Two

Exploring the Southern Gothic

Written by Ruthie Passmore

We started off the second day strong by attending our first session, which was about Southern Gothic Transformations and Reimaginings; the conversation was led by Chair Stephanie Graves, who was accompanied by Rachel Pittman, Anne Bertram, and Jennie Lightweis-Goff. We got to hear about Appalachian Gothic Cinema, Southern Gothic within social media, a piece discussing the film adaptation of Midnight in the Garden of Good and Evil, and research discussing the differences between the three adaptations of Cape Fear.

First, Rachel Pittman presented her paper, “Deep in the Bone,” which explores Gothic themes in Appalachian literature and highlights the region’s historical economic lag. From her findings, I interpreted Appalachia in literature as fundamentally isolated and decaying, a key part of the Southern Gothic. I found it very interesting how literature seems to interact with the culture and folklore of a place with such a rich history.

Anne Bertram then discussed the impact of the Southern Gothic on popular culture. By sharing various TikTok videos, Bertram demonstrated how the genre is depicted online, highlighting artist Ethel Cain and the film Sinners as key reasons why it keeps growing. Additionally, she emphasized the irony that the vast majority of people interested in Southern Gothic online are young, teenage females from Russia, though the genre emphasizes its location in the South United States as a defining feature.

Moving forward, we heard from Jennie Lightweis-Goff, who covered John Berendt’s novel, Midnight in the Garden of Good and Evil. She noted that the story takes place in Savannah, Georgia, where the main character Jim Williams kills Danny Hansford. Since this novel is based on a true story, it led her to discuss modern true crime, claiming that much of today’s true crime coverage is fraudulent, and that true crime capitalizes on tragedy itself, turning real loss into a profitable trend.

Finally, Chair Stephanie Graves shed light on the three different adaptations of Cape Fear, first examining the 1962 version, moving on to 1991, and lastly the new series that came out in 2026. Across all three iterations, one thing remains constant: Max Cady remains the antagonist. She went on to explain that the differences among the three alter the central Gothic relationship. For instance, in the 1991 movie, Bowden represents Cady as his criminal defense attorney, unlike in the 1962 film, where he is not his attorney. This complicates the conflict in the story, giving Cady a motive for his crime, because in this adaptation, Bowden suppresses evidence that would have been able to lessen Cady’s sentence.

Though I was previously unfamiliar with these works, it was a wonderful opportunity to gain new insights, and I thoroughly enjoyed attending!

Sports & Video Games

Written by Robin Houghton

Isis and I decided to sit in on the panel discussing Games, Fans, and Fandoms for our conference session. Led by chair Vlada Botoric, all three panelists discussed the use of media, mostly video games, in fostering community and culture.

Vlada Botoric began with his presentation on LEGO fan cultures and the concept of peripheral fandom, a term he defined as a subordinated fan community experience, where members are deprived of access to their objects of fandom.
Botoric explained that although material conditions and accessibility of LEGO products affected creativity, across cultures such as Japan and Mexico, they still managed to create unique cultural expressions with LEGO products.

Next, Cheryl Briggs presented on digital communities, particularly through the VR exercise game Supernatural. Supernatural is unique from most exercise media as its VR platform allows the user’s body to produce the experience, rather than simply being a passive participant. The formatting creates a workout experience that turns exercise into play — but it was its multiplayer feature that turned Supernatural into a way to develop community. Briggs detailed how scheduling routines with people through Supernatural also turned the platform into a community of friends that also helped keep her and thousands of users motivated to continue exercising.

Finally, Dr. Tom Attah presented on how culture, particularly of the American South, can be depicted through video games. Using the game South of Midnight, Dr. Attah discussed how, compared to most media, video games turn a cultural witness into a performer of the culture, using the characters as functions to tell a story. Players gain agency when experiencing the cultures represented that could be otherwise inaccessible without the means to travel to those locations. Attah concluded that video games should be treated as a form of cultural expression similar to music or literature. With more and more people regularly playing video games, the cultural impact of the games people consume can no longer be ignored.

We found the session to be an enlightening discussion on the connection between community, video games, and fandom that left us more curious about the ways we connect with individuals and cultures through technology.

Lunch at Cafe Reconcile & Hansen’s Sno-Bliz

Written by Allie Plunk

Following the morning’s sessions, we had time for a little fun and food! We had initially planned to eat at Cafe Reconcile, a restaurant known for its community outreach and internship programs for disadvantaged youth. Facing an hour-long wait, we decided to eat dessert first, and headed to Hansen’s Sno-Bliz!

Hansen’s Sno-Bliz was unlike any snow cone shop we’d been to. The ice that made up the core of the “snow-bliz” was soft and fluffy, almost the texture of ice cream. The flavor choices were unique too, offering selections that ranged from cardamom and ginger cayenne to cream of chocolate and coffee.

We all tried different combinations of flavors, though our favorite was probably Stephanie’s ginger and cardamom snowbliz, topped with condensed milk. Some other delicious combinations were strawberry and chocolate cream, banana and chocolate cream, and cardamom and chocolate cream with ice cream.

After dessert, we headed back to Cafe Reconcile for lunch, where we enjoyed a variety of dishes! I had the Reconcile Cheeseburger, which featured a massive onion ring atop a classic cheeseburger. A few other favorites were the fried chicken, the red beans and rice, and the portobello po’boy.

Overall, it was a wonderful experience and a delicious lunch that allowed us to try new things, as well as twists on familiar favorites.

Experiencing Culture at the New Orleans Museum of Art

Written by Isis Hollis

Following our delicious lunch, we had the opportunity to visit the New Orleans Museum of Art. We were able to explore some of the major forms of art LEAP typically sees, such as impressionism, expressionism, and modernism, in addition to some of Louisiana’s characteristic folk art!

With three floors to explore, we started on the second with Professor Yawn as our guide. Something we don’t see often in the museums we visit is decorative art. Many people know this as Tiffany lamps or floral vases, but we were able to see this in various forms. The Eames chair, most popularly known for its modern look, is one of the many decorative art pieces we saw. One of my favorite decorative art pieces was a Tiffany vase adorned with intricate flowers. It caught my attention specifically for its variety of colors in the glass and its unique shape. Another notable piece was an intricate stair railing by Louis Sullivan, who’s credited with designing the first-ever skyscraper!

Another highlight from the second level was impressionist art. Many of us particularly like the impressionist style and the range of moods that it can encompass. My favorite piece, In the Garden, Giverny by Frederick C. Frieseke, is an American impressionist piece depicting a woman walking through a garden with flowers and a wall of greenery behind her. One of my favorite features was the cool-toned colors and pops of white throughout the painting.

On that same floor were pieces by Jackson Pollock, Picasso, and Monet.

What was perhaps our favorite exhibit was a life-sized cabin titled America, by Will Ryman. Created entirely out of symbols of American industrialization, such as iPhones, bullets, lightbulbs, and even chains, it proved to be an incredibly thought provoking piece that asked us to reflect on the impacts that rapid industrial growth have had on America.

After our guided exploration, we got to view the other parts of the museum on our own! Allie, Ruthie, and I looked at the Asian art, including Japanese, Indian, and Chinese pieces. Allie and I liked many of the Japanese pieces, specifically the Byobu art. Byobu pieces are traditional Japanese folding screens, often painted with intricate landscapes, portraits, or animals.

Overall, the museum strengthened connections between the artists we’ve seen before and gave us a better look into art throughout different times in different parts of the world.

Press Street Train Stop and Heard Dat Kitchen

Written by Allie Plunk

As a conclusion to our busy day, we ordered delicious meals from New Orleans hidden gem Heard Dat Kitchen! While our food was being prepared, we paid a visit to the Press Street Railroad Yards, the site of the train stop made famous withthe arrest of Homer Plessy. This culminated in the court case Plessy v. Ferguson, which established the “separate but equal” ruling that was later overturned by Brown v. Board of Education, 1954. There was a beautiful mural in honor of the amazing steps towards civil equality that have been made over the years, featuring figures like Ruby Bridges.

After our train “pit” stop, we headed over to Heard Dat Kitchen, eager to eat. Sitting outside at tables while we enjoyed our food provided a New Orleans atmosphere that paired well with our meals.

Some of our dinnertime favorites were the creamy Superdome, a blackened fish dish with mashed potatoes and lobster sauce, and the Heard Dat Pasta, a crawfish pasta topped with fried shrimp and green onions.

Following our deliciously seasoned meals, we enjoyed bread pudding, many of us trying it for the first time! The delicious, nutty dessert was well-liked by all the LEAP students and provided an excellent close to an excellent day.

Conclusion

Our second day in New Orleans gave us the opportunity to experience the city from several different perspectives. From exploring Southern Gothic literature and the cultural communities surrounding video games to enjoying New Orleans cuisine and examining art from around the world, we continued to discover how culture can be expressed through many different forms. Each experience gave us something new to consider and helped us better understand the history and creativity of the city around us. After such a busy and exciting day, we are all looking forward to seeing what our next day in NOLA brings!

Presentations, Popular Culture, and Pavlova: PCAS/ACAS Day One

Presenting at PCAS

Written by Allie Plunk

Our first day in New Orleans began late, but with plenty of excitement! I was going to present my paper, Modernism in Billy Collins‘ Poem “Forgetfulness,” at the PCAS/ACAS conference.

As soon as we arrived at the Conference Hotel, I checked in and found the room in which I would present. While waiting for my session to start, fellow presenter Richard Vela introduced himself. He was very friendly and said he was excited to present. A former professor at the University of North Carolina–Pembroke, he was sharing his research on Hispanic poet Julia Alvarez. Though we were supposed to have a third presenter, it ultimately ended up being just the two of us.

Professor Vela acted as Chair for the room, introducing our topics as well as the overall theme of the session: “Poetry and Postmodernisms.” His presentation was first, and his insight into Julia Alvarez was intriguing! I had never read any of her work, but his presentation was well thought out and ended up tying neatly into mine, as we both addressed Postmodern poets and the intersection of memory and identity.

Though there were some technical difficulties that resulted in me being unable to display my slides, I did my best to read my paper as interactively as possible. The lack of slides definitely threw me off, but I was delighted to hear afterward that no one could tell I was bothered!

Following my presentation, we had a brief Q&A, during which we were able to discuss some key features that might not have made their way into our presentations, such as more of the key factors of postmodernism and how they likely affected Alvarez’s work, and the presence of mythology in Collins’ poem.

Overall, it was an incredibly impactful experience, and I am very grateful to have had the opportunity to present at my very first academic conference. It was a wonderful opportunity to share my research, meet another scholar, and experience what presenting at an academic conference is actually like. I hope it will be the first of many.

(Professor’s Note: Allie did a wonderful job. Following the session, an attendee came up to me and said, “She has a great future!”)

Exploring Southern Culture at PCAS/ACAS

Written by Ruthie Passmore

After the first session, we moved on to a session discussing Southern Gothic, a theme much covered during this conference. This particular session covered folklore, masculinity, and southern decline, led by Chair Grace Becker, and included presentations by Lauren Butte and Kerbie Addis. All three speakers explored how the region’s anxieties refuse to stay buried, shifting from the monstrous myths of local cryptids to the slow violence of environmental and psychological decay.

Grace Becker opened the floor by interpreting William Faulkner’s The Sound and the Fury. She gave a depiction of how the novel captures misogyny and toxic masculinity through Jason’s actions in the story, focusing on the femininity and repressed sexuality seen in characters like Caddy and Quentin. I found it interesting to see how these ideas could be explored through the relationships between the characters and the expectations placed on them.

Lauren Butte then began talking about the “Alabama White Thang,” explicating the folklore in a way that was very comprehensible. She explained that sightings began in the early 1900s, with the most recent being August 2026. Being described as anywhere from seven to eight feet tall, white, cat-like, and elusive, the “White Thang” certainly sounded like an intriguing beast. Her presentation showed how folklore can continue to exist and evolve even as the culture surrounding it changes.

Kerbie Addis proceeded to give a brief analysis of literature, cinema, and digital media, exploring Jesmyn Ward’s acclaimed novel Salvage the Bones, the movie Beasts of Southern Wild, and the video game Norco. She focused on the environmental aspects in the Southern Gothic and how this is transcribed across different media platforms. I especially liked seeing how the same concerns can be expressed through different forms of storytelling, rather than being limited to traditional literature.

Shifting to the last session of our day, we got to hear about Vampire Literatures as Decolonizing Practice from three professors from Louisiana State University of New Orleans. The chair and one of the presenters was Lisa Verner, along with colleagues Robin Werner and Elizabeth Lewis, who deconstructed three different texts in an analysis of minority representation in vampire literature.

Robin Werner started by discussing Certain Dark Things by Silvia Moreno-Garcia, and I liked how she focused on the idea of identity in the book. Elizabeth Lewis then talked about The Black Vampyre and shared how her students reacted to it. Lisa Verner wrapped things up by looking at Indigenous literature through Stephen Graham Jones’s The Buffalo Hunter Hunter.

Ultimately, the speakers all shared a common goal: presenting their research, asking for feedback, and ensuring that the books they teach leave a lasting impression on their students. Even though the presentations covered very different subjects, each one demonstrated how literature and other forms of storytelling can be used to examine larger cultural anxieties and give readers new ways of understanding them.

Creole Delights at Arnaud’s

Written by Robin Houghton

Feeling pretty hungry after a busy day at the conference, we visited Arnaud’s, which specializes in Louisiana Creole cuisine. We started boldly with Oysters Arnaud, a collection of baked Oysters: Bienville, Kathryn, Ohan, Rockefeller, and Suzette, as well as Escargots en Casserole—baked snails with a flaky pastry top. The escargot’s earthy taste received mixed reviews; however, the oysters were agreed to be one of the best dishes of the night.

To experience Creole cuisine in its brevity, we chose a wide variety of entrees: a fittingly-shaped Crabmeat Karen, flavorful Chicken and Andouille Gumbo, and a delicious bowl of Turtle Soup. We all loved Arnaud’s savory Crab Cakes, as well as the Shrimp Creole. We even had the opportunity to try Frog Legs Provençale!

For dessert, we had the Chantilly Pavlova, Baked Alaska, and a New Orleans staple: Bananas Foster. The latter two desserts — which were served flamed — were a highlight of our meal. Arnaud’s was a wonderful introduction to Louisiana Creole, and we left full and happy, a satisfying conclusion to our day.

Conclusion

Our first day at PCAS/ACAS was a busy one, but it was also an incredibly rewarding experience. From presenting our own research to listening to scholars discuss poetry, Southern Gothic literature, folklore, and decolonization, we were able to see just how many different perspectives can come together at an academic conference. Beyond the presentations themselves, getting to experience New Orleans added another layer to the day. Between the conference sessions and our exploration of New Orleans, our first day at PCAS/ACAS was a great beginning to what would become an unforgettable conference experience.

From the Capitol to the Canvas: LEAP’s Austin Adventure Comes to a Close

Written by Brittlyn Jackson and Kayla Fleming

To wrap up an exciting and informative weekend in Austin at the Texas Tribune Festival, LEAP students visited the Blanton Museum of Art. Founded in 1936 and located on the edge of the University of Texas at Austin’s campus (with an astonishing view of the Texas State Capitol), Blanton houses more than 22,000 pieces from a variety of cultures, time periods, and artistic styles.

Professor Yawn pointed out many great artists throughout our visit, including one of his personal favorites, Jerry Bywaters. Bywaters was a Texas regionalist, and his piece, Oil Field Girls, gave us a view of the West Texas landscape and conditions during the 1940s.

We also learned about Thomas Moran and Albert Bierstadt, important artists associated with the Hudson River School who created paintings depicting the American West. Their paintings, The Golden Hour and Indian Canoe, allowed us to see how Americans viewed the West in the late 1800s. The warm tones of what appeared to be a setting sun, along with the beautiful landscapes, made these paintings visually striking and compelling.

We also encountered art pieces from the Spanish Americas, many of which had unknown artists. I noticed a lot of the Spanish art consisted of religious paintings and sculptures. We also came across another Texas native and Latino artist, Luis Jiménez, whose fiberglass sculpture, Border Crossing [Cruzando el Río Bravo], immediately caught my attention. The sculpture itself stands around 4ft tall and features bright neon colors. The sculpture, like most of Jiménez’s work, features bright colors he associates with Mexico, making it all the more captivating.

We then got to see examples of Pop Art, including Andy Warhol’s painting, Farrah Fawcett. We also viewed artists who specialized in cubism and abstraction. One of the most well-known artists we saw was Pablo Picasso, who had two paintings on display when we visited.

We also got to visit Ellsworth Kelly’s chapel, titled Austin, located outside the museum. The Chapel was solid white with geometric designs and colorful stained-glass windows that looked stunning in the light, a staple of Kelly’s work.  

My favorite piece personally was Madam C. J.  Walker by Sonya Clark, a portrait of Madam Walker made entirely out of hair combs. I really liked how the individual combs came together to create the portrait. I also enjoyed the creativity and symbolism behind using the combs, especially because Madam Walker rose to fame in African American hair care products.  

After the museum, we had the chance to drive by the Elisabet Ney Museum on our way home. It was built in her former home and art studio in Hyde Park, standing out because of its limestone castle-like structure. We were especially interested due to our tour of the Capitol, where she has two prominent statues in the South Foyer. They are of Sam Houston and Stephen F. Austin, two prominent figures in Texas History.

The museum was a perfect way to end an exciting and educational trip. LEAP students learned a lot and enjoyed their time there tremendously. From exciting panels sparking new ideas to culinary adventures like Skipjack Oyster, it was a trip to remember. We are excited to take our lessons and newfound ideas back to Huntsville, where we can use them in our everyday lives.

Here’s Looking at You, LEAP: A Night with Casablanca

Written by Allie Plunk

Last Thursday, LEAP Ambassadors got the chance to step back in time and experience the classic film Casablanca at River Oaks Theatre!

Once we arrived, we quickly found our seats and settled in for the show. Before the film began, Robert Saucedo, River Oaks Theatre’s Artistic Manager, shared a few brief remarks before introducing film critic Joe Leydon. Leydon dedicated the screening to his late wife, Anne Leydon, and shared a touching message about how people live on through the things they love. For Anne, that was Casablanca.

Released in 1942, the romantic drama follows American expatriate Rick Blaine (Humphrey Bogart), the owner of a nightclub and gambling den in Casablanca, a city in French Morocco that has become an important stopping point for refugees fleeing the German occupation. For many refugees, Casablanca is a necessary stop on the journey to Lisbon and, eventually, freedom in America.

Rick, however, has no interest in leaving. Content to remain neutral in the war, he seems determined to look out for himself and avoid getting involved in anyone else’s problems. That changes when Ilsa Lund (Ingrid Bergman) unexpectedly walks back into his life.

Rick and Ilsa had once shared a passionate romance in Paris before the German occupation, but their relationship ended abruptly when Ilsa left Rick without explanation just as they were supposed to escape the city together. Now, Ilsa is married to Victor Laszlo (Paul Henreid), a resistance leader being pursued by the Third Reich. With Ilsa back in his life, Rick is forced to confront the conflict between his desire to remain neutral and the love he still has for her. The result is a story full of romance, tension, and unexpected twists that kept all of us guessing until the very end.

On the car ride home, we had plenty to discuss. One of the biggest topics was Rick himself. We talked about how he is an objectively morally gray character—especially for a protagonist from a film of that era—and compared him to the morally complicated characters we see so often in modern movies.

All in all, Casablanca gave us plenty to think about, and it was a fun opportunity to experience one of Hollywood’s most iconic films together!

LEAP Fall Retreat: Sights and Meals

Written by: Robin Houghton, Jacob Wessels, Allie Plunk, and Olivia McCaughan

The LEAP Ambassadors kicked off the fall semester with a retreat to Houston, where we spent the day exploring the city, trying new foods, and making memories together. From gourmet twists on familiar favorites to cultural dishes from around the world, our meals gave us plenty of opportunities to discover something new. In between bites, we explored Buffalo Bayou Park, admired Houston’s art and memorials, experimented with photography, and even caught up with some LEAP alumni.

The Kitchen

To begin our retreat, we stopped by The Kitchen, located in The Woodlands, which gives a gourmet twist to classic foods. We started off with their rich Truffle Mac & Cheese Gratin, Parmesan Truffle Fries, and our personal favorite appetizer: Crispy Brussel Sprouts. We also tried their Dirty Chai Shake and the Strawberry Banana Smoothie, which were the perfect refreshments during the hot August evening. 

One of the highlights of The Kitchen is their ability to put interesting twists on familiar dishes, and this strength was proven true as all but one of the Ambassadors ordered a steak/beef dish. Isis and Jacob ordered the Steak Bowl: tenderloin served over flavorful farro and fragrant vegetables; Allie ordered the Tenderloin Cobb Salad and found the inclusion of palm hearts to be a welcome surprise. Kayla ordered the Blackened Salmon Salad, Robin enjoyed the Cowboy Burger, and Olivia had the American Burger. While the sauce on Olivia’s burger wasn’t a personal favorite, we all agreed the steak was wonderfully cooked and perfectly tender, regardless of what we ordered. The Kitchen delivered a delicious balance between comforting, healthy, and elevated that made the restaurant a place to remember.

Buffalo Bayou Park

During our time exploring Houston, the ambassadors visited the Houston Police Memorial, which honors the brave officers who lost their lives while serving and protecting the Houston community. The memorial gave us a chance to slow down and appreciate the sacrifices made by those who dedicated their lives to keeping others safe. The architecture of the memorial was incredibly notable: a layered pyramid, with almost perfect symmetry. We were surprised to find grass growing on each layer! At the very top was a plaque, listing the names of the fallen officers. It was a meaningful stop and an important part of our time exploring the city. 

Afterward, we stopped at Buffalo Bayou Park for what we thought would be a short pit stop. However, we quickly learned just how vast and beautiful the park really was. Our first stop was the Johnny Steele Dog Park, where we watched some pups run around and play. It was really fun watching them splash through the water and chase each other, although at times I was worried their roughhousing might turn into a brawl! 

We then continued down the street and saw Tolerance on Harmony Walk by Jaume Plensa. Made up of the letters of eight different alphabets, formed like people, these pieces showcased the diversity of people from different languages, cultures, and backgrounds. It was a great reminder of how our differences can come together to create something beautiful.

After that, we walked across to the overpass and noticed that there were locks attached to the bridge. The locks were an homage to the famous love-lock tradition seen on bridges around the world. We then tried to take slow-shutter photos of the cars passing underneath us to get an idea of how the shutter speed can affect the look of a photo.

Using a similar technique, we even managed to make one of the ambassadors look like a ghost (or, more like a ghost than usual)! 

In the end, Buffalo Bayou Park turned out to be an amazing place to spend time, enjoy nature, and get out and explore! 

Post Market

Our first dinner in Houston was spent at a familiar favorite: Post Market. The food hall offers a variety of cultural cuisine, with options varying from African to Asian meals. We also met up with a few LEAP alumni for the night, sharing the meal with Ademide Adedokun, Quinn Kobrin, and Justin Bieser and his wife, Chelsea.

After scoping out the options, we ordered our food from a variety of restaurants, most of us opting in for ChopnBlok‘s west African cuisine. A few of the most popular dishes among the LEAP Students were the Motherland, a delicious blend of rice, curry, vegetables, and a similar dish called the Trad, made with chicken, jambalaya, vegetables, and plantains. We were certainly not disappointed with our selections, finding the unique blend of spices and flavors delicious. Robin decided to explore some of her own cultural heritage, opting for a Filipino meal from Soy Pinoy. After ordering the Lechon, a dish made of deliciously seasoned pork and atchara, she was pleasantly surprised to find that they included the crunchy, roasted skins! Robin was not the only one to branch out, however, Olivia enjoyed Asian food from Nikubol, ordering the Truffle Beef Cube bowl, a delicious mixture of vegetables, beef and sauce.

Our new adventure at Post Market allowed us to delve into culture on our retreat! We were thrilled to get to enjoy the rich variety of cuisine offered in Houston.

Cochinita & Co.

Since the LEAP Ambassadors were in Houston, we couldn’t help but stop at the new location of one of our favorite restaurants, Cochinita & Co., to see if it held up to the original, and we were not disappointed!

This time, we started our meal by sharing elote and guacamole with totopos. It was the perfect way to begin lunch while we discussed some events for this coming up semester. Allie, Isis, and I got the Pollo Adobado tacos with rice and beans. We agreed that the chicken was very tender with a great flavor, while Jacob and Kayla chose the shrimp tacos. Robin tried the Tinga de Hongos tacos, giving us plenty of different dishes to enjoy around the table.

We also made sure to save room for dessert! We shared a concha, marranitos, and a chocolate chip cookie, ending our meal on a sweet note.

From delicious meals to unexpected adventures, our Houston retreat gave the LEAP Ambassadors plenty of opportunities to explore, learn, and spend time together as the new semester began. Whether we were trying new foods, discovering Houston’s art and history, experimenting with photography, or simply enjoying each other’s company, every stop gave us something to remember. We’re excited to bring the energy and ideas from our retreat back to SHSU and can’t wait to see what the upcoming semester has in store!