Art in the Nation’s Capital: The National Gallery of Art

With an open day in the Nation’s capital, we opted to tackle the National Gallery of Art (NGA), which was conceived in the 1930s and completed in 1941. The brainchild of Paul Mellon–who served as Secretary of the Treasury to four Presidents–the NGA has grown to be one of the largest in the world. Not counting the six-plus acre sculpture garden, the NGA has two discrete wings, with a total of more than a quarter million square feet of gallery space. Nonetheless, we saw it all, taking some six hours to do the entire tour, and coming to a better understanding of why the NGA is the most visited art museum in the United States.

Olivia Discon

There wasn’t a single gallery in the National Gallery that didn’t elicit an audible gasp of admiration within our group. The loudest of these gasps was emitted by myself when I saw Rodin’s “The Thinker”.

While this piece is famous, I have a particular affinity to Rodin’s work. To my pleasant surprise, there was a gallery entirely filled with his work!

I also had the chance to view some of my favorite artists from particular art movements. Among the Renaissance artists, I saw Albrecht Durer…

…Sir Anthony Van Dyck, and remarkably, Leonardo da Vinci, whose “Ginevra de Benci,” is his only work on display in the Americas!

We also saw Rembrandt’s famous self-portrait!

I saw some of Jean Honore Fragonard’s work in the Rococo style…

…and among the Surrealists, I saw works by Max Ernst, Rene Magritte…

… Francis Bacon, Yves Tanguy…and Salvador Dali. It may be only March, but it felt a lot like Christmas!

The NGA also had an entire gallery devoted exclusively to Mark Rothko, which I thoroughly enjoyed.

Rothko’s art, similar to many of his contemporary counterparts, are considered controversial in the art world. His simplistic style of colored canvases is not necessarily meant to capture an engaging moment, but instead serve as an engagement between the art and the viewer.

Interestingly, many of the paintings on display were never completed or shown during Rothko’s lifetime. This gave us the rare opportunity to see new Rothko’s work, while also exploring works in various stages of completion. We even saw the giant easel he used to do his art work!

While many may recognize this signature style, we also had the chance to view some of his earlier works, including some landscape and portraits.

Especially interesting was the inspiration for some of his earlier work, which was primarily drawn from famous Impressionist paintings.

While some of us may have enjoyed this exhibit more than others, I believe that everyone was able to take something away from the work that spanned the course of his life.

Michelle Cardenas

In preparation of this trip, I did a bit of “homework,” including watching the documentary, “Dorothea Lange: Grab a Hunk of Lightning.” I undertook this knowing we would be seeing a special exhibit exclusively devoted to her work. So, it was with much excitement that I explored the NGA’s special exhibit, “Dorothea Lange: Seeing People.”

Lange’s photography was technical proficient, but she also took photographs to make social statements. In fact, she used her technical skills to make people more aware of the economic, cultural, and social issues occurring across the United States and the world. The exhibit featured some of Lange’s most famous photographs, among them my personal favorite, “Migrant Mother.”

I saw many of the photographs I had learned about in the documentary, including “White Angel Bread Line,” “Ex-Slave with Long Memory,” and “Children of the Weill Public School.” We also saw a photograph she took in Bryan, TX, as well as some of her less famous works taken on her international travels in the 1950s and 1960s.

Of course, the Museum’s permanent collection was just as exciting for me. And while I am always interested in learning about a new artist, I remain drawn to the painters associated with the “Hudson River School,” such as Albert Bierstadt…

…Thomas Moran, and Thomas Cole.

So it was exciting to see many of their works on display, and I particularly enjoyed “Lake Lucerne” by Albert Bierstadt…

…and “Green River Cliffs, Wyoming” by Thomas Moran.

Cinthia Villarreal

Knowing I have had little exposure to art, I decided to do a bit of research prior to visiting Washington, DC. That research consisted of drilling down on the Impressionists such as Monet, Cezanne, Braille, Renoir, and Degas. I did this knowing that the NGA is famous for its Impressionist paintings in its permanent collection.

So it was with great interest that I approached these areas of the NGA, examining these artists’ works characterized by large brush strokes, often unmixed paint, and vivid colors. Among these, Monet is perhaps the purest example, and I was able to see “Japanese Footbridge,” one of the most famous of his paintings and one he returned to throughout his life.

We also got a large fill of Edgar Degas, and not only his paintings, but also his sculptures. Most famous among these is his “Little Dancer, Aged Fourteen,”

…which was featured prominently in the sculpture gallery, surrounded by other versions of the “Tiny Dancer.”

He used clay, metal, beeswax, and other materials to make his sculptures, and he often then added adornment in the form of silk ribbon or cotton fabric to add to the realism of the work.

Also in that gallery was “Veiled Bust,” one of the artworks we all liked. Interestingly, the Museum is not certain who did the piece, noting only that it was possibly based on a model by Giuseppe Croff. Whoever it was, it was a fascinating work, with the artist somehow making marble look delicate and gossamer.

Concluding Thoughts

The sheer number of artists we saw was staggering. We saw many of artists we already knew, such as Georgia O’Keeffee…

…Jackson Pollock…

…Seurat…

….Childe Hassam…

…Mary Cassatt…

…and some old favorites from a different perspective.

We also had a chance to see the largest Calder we’ve ever seen, as well are more Calder than we’ve ever seen.

But we also had a chance to see artists we weren’t familiar with, such as George Bellows…

…Saint-Gaudens…

…Leo Villareal…

…and Katarina Fritsch, famous for her giant blue chicken, which split the group into very different feelings…

The idea of a national gallery, which was initiated by Paul Mellon, was for a repository of the greatest art works ever created to be made accessible to the general public–and free of charge.

It would be, as President Roosevelt noted when he dedicated the building in 1941, “a living institution…[for] the use and enjoyment of the people of the United States.”

That was certainly true for us today. We had access to art we would never be able to see if it weren’t for Museums such as NGA, and it gave us the opportunity to learn more about history, art, and beauty in one place.

On The Turquoise Trail to Santa Fe

The second leg of our trip is focused on activities and individuals in Santa Fe, NM, and it was to this destination that we set out early Sunday morning. Armed with coffee (and muffins) from Que Suave, we stopped by the Old San Miguel Mission in Socorro as a way to learn more about New Mexican culture…

…but also to practice our skill at architectural photography.

San Fancisco de Assisi, Golden, NM

Leaving Socorro for Santa Fe, we opted for the “Turquoise Trail” rather than simply taking the quickest route. This allowed us a more scenic drive, while also giving us the chance to stop in some smaller towns along the way. One of these towns was Golden, NM, where we stopped to see another Church: The St. Francis de Assis Catholic Church. It’s a beautiful church, surrounded by the graves of parishioners.

We also stopped in Madrid, NM, a wonderful little town that is as charming as it is unusual. We purchased more than two pounds of chocolate at Shugarman’s. Olivia and Cinthia were not expecting to buy chocolate, but after sampling some of the intriguing flavors (e.g., Hibiscus Flowers with Lemon and Ginger), we were hooked.

Indigo Gallery

by Olivia Discon

One of the first places we visited in Madrid was the Indigo Gallery, owned by artist Jill Shwaiko. It seemed to have been the perfect day to stop in, because the artist herself was in the gallery and ready to share some of her work with us! Her work commonly features a thought-provoking goat/sheep motif, along with inspiration from the petroglyphs of indigenous people.

Ms. Shwaiko strives to capture emotions such as perseverance, strength, and frailty in her art, and this is apparent when looking at her work. She also uses vibrant colors, and she even provided us with a mini-lecture on color theory! Her work brought forth many new perspectives, and her lessons resonated with me. Most of all, she encouraged us to experience life, not just survive it. On a special, fun-filled trip such as this, what better advice could one have? We all left Ms. Schwaiko’s gallery excited for what other excellent experiences we have in store.

Olivia, Cinthia, and artist Jill Shwaiko, in Madrid, NM

Finally, we stopped by the Mine Shaft Tavern for our daily fix of food that includes green chile, a semi-must while we are in New Mexico. We had green chile stew, green chile chicken pizza, and the green chile cheeseburger–the latter of which won “the green chile burger smackdown.” The food was excellent!

Santa Fe

When we arrived in Santa Fe, we immediately went to the Plaza. The Plaza is rich with history and many other attributes, so it was a nice way to begin our Santa Fe journey. Our first stop was the Palace of the Governors, where Native Americans are given exclusive rights to sell their products as long as they meet certain requirements (one of which is that the work must be hand-made). 

We bought a total of three pieces of art/jewelry from different vendors, and we very much enjoyed learning about the program and the lives of the artists.

Olivia Discon, Cinthia Villarreal, and artist Jeremiah Herrera

New Mexico Museum of Art

by Olivia Discon

To continue our pursuit of immersing ourselves in the New Mexican art scene, we stopped by the New Mexico Museum of Art on the Santa Fe Plaza. Here, we were able to discern several familiar names which we have grown accustomed to while on our tour of the southwest, especially John Nieto, Jesus Moroles, and Allan Houser. But we also had the opportunity to learn more about New Mexico through some artists we hadn’t yet familiarized ourselves with. In my case, I took to a painting by Joseph Henry Sharp, titled “The Stoic”. The size of the piece would be sufficient to capture one’s attention, but it was also captivating in its composition. 

“The Stoic,” by Joseph Henry Sharp

Interestingly enough, Sharp was one of the first  Americans to visit, and remain in, Taos, New Mexico, and he is regarded as the ”spiritual father” of the Taos Art Colony.”

An artist that was new to Cinthia and me was Fritz Scholder, and we saw his work in various locations and on various media. At the New Mexico Museum of Art on the Plaza, we were able to see a few paintings of his, the most interesting of which was a self portrait. 

Fritz Scholder, “Self Portrait”

A close second for the group was a totem of his in the sculpture garden!

Fritz Scholder, “Totem”

The New Mexico Museum of Art on the Plaza also has an auditorium that resembles a chapel, with beautiful murals lining the walls. My personal favorite mural was “The Apotheosis of St. Francis”; a scene that personifies the humanities. Art, religion, literature, philosophy, and society can be seen as gifts of St. Francis to humanity. It was particularly enjoyable to decipher which personification matched which discipline (I implore the reader to guess themselves).

In all, this museum was the perfect place to learn further about New Mexican art, along with reinforcing some of the art that we have come to know and (mostly) love.

The Georgia O’Keeffe Museum

by Cinthia Villarreal

In case it has gone unnoticed, art is an essential part in LEAP’s interdisciplinary philosophy.  Learning about different artistic styles, media, eras, and artists contributes to our broadened horizons and cultural awareness. With that, it was essential that we visited the museum of renowned artist Georgia O’Keeffe, who spent her later years in New Mexico. Not all of us are huge fans of work, but even the doubters found many works to enjoy and much to learn about.

To our surprise, the museum provides visitors with an audio tour O’Keeffe’s thought process and life happenings behind several of her works. The art works were divided by different stages throughout her life, which were seemingly different from one another.  This helped us watch how she grew alongside her art. One of Olivia and my favorite pieces ended up being a watercolor painting done by O’Keeffe at just 16 years old!

Of course, O’Keeffe is specifically known for her abstracts of flowers and landscapes using bright New Mexican colors;

….nonetheless, she proved her versatility and resourcefulness by painting the skyscrapers and night sky of New York with unusual colors for her palette. 

Another period in her life that really resonated with us was when she moved to New Mexico after the death of her husband, Alfred Stieglitz. The artist intensely expressed herself by using dark, ominous abstracts.

As she settled in the new state, she noticed the lack of flowers in the deserted environment around her and decided to change her portrait subjects by collecting skulls and bones. This interesting and unique idea set her apart from the rest of the artists in her time for, again, her creativity and originality.  

Olivia’s favorite art work from the museum was “Black Place I”  because of its looming gray landscape with some hinted red hues along the bottom of the painting. This is O’Keeffe’s depiction of the American Southwest, which she described as “a mile of elephants”.

Professor Yawn enjoyed the ‘Church Steeple,” and…

…I enjoyed the colorful abstract, “Pelvis.”

Interestingly, O’Keeffe only did three sculptures in her life, and we had the chance to see two of them. The first we saw at the New Mexico Museum of Art–a large sculpture of a spiral shape.

That shape, we learned from the O’Keeffe Museum was actually inspired by a ram’s horn…

…and it’s a figure she also painted…

The other sculpture we saw was a small, semi-abstract.

As our minds expand to appreciate and understand art from a more mindful perspective, we left the museum, but not before stopping at the gift stop for something to remind us of this great endeavor.

It was enriching day, filled with learning, new experiences, and the beauty of Santa Fe. As we left the Museum and re-crossed the Plaza, the sun set, leaving us in the “blue hour,” and it began to snow. With the remaining light of the sun’s glow, reinforced by the Christmas lights on the Plaza, we took a final photo of the day.