An Afternoon of Laughter with LEAP: “Noises Off” at the Alley Theatre

by Michelle Cardenas

This past weekend, the LEAP Ambassadors, along with friends and alumni, took our regular trip to Houston for an afternoon filled with laughter, great food, and a little culture. Our destination: The Alley Theatre to see the farcical comedy Noises Off. These Houston outings have become something of a tradition for us—a chance to bond over good food and great theatre, and this time was no exception.

Before heading to the show, we made our first stop at POST Houston, a spot we frequent for its array of restaurants that cater to every craving. From sushi to burgers and international cuisine, POST has something for everyone. After fueling up, it was time for our traditional rooftop photo with the Houston skyline in the background—a moment we capture every time we’re in the area. The LEAP Ambassadors, a few friends, and alumni joined in for the photo op, including Michelle Lyons and her daughter Katherine Burnett, SHSU alum and former SHAIP intern Ashlyn Rodriguez with her husband, as well as Jacob Wessels and Yajaira Gutierrez. With full stomachs and a great group, we were ready for the play!

For those unfamiliar, Noises Off is a comedy about…well, comedy. It’s a play within a play, following a chaotic theatre troupe as they stumble (quite literally) through a performance. Having some theatre background myself, I was eager to see how close this farce would be to the real backstage antics I’ve experienced. Spoiler alert: it was spot on—and absolutely hilarious.

The play is structured in three acts, each highlighting a different stage of a theatre production.

The first act is the troupe’s final rehearsal before opening night, where the director desperately tries to smooth out the rough edges—particularly the constant confusion over a plate of sardines, which becomes a running joke. The second act gives us a behind-the-scenes look, with the audience seeing the backstage chaos unfold as the actors’ personal issues boil over. Doors are slamming, props are misplaced, and love triangles are revealed. And then, in the final act, we witness the disastrous final performance, where everything that could go wrong does. The actors are left to improvise their way through the script, which by now is nothing more than a series of disconnected lines and missed cues.

It was a joy to see our group laughing together, especially as some of us were familiar with the antics that come with putting on a play. Stephanie, in particular, has long been a fan of Noises Off, and by the end of the show, Yajaira had declared it her new favorite too. It’s no wonder—between the witty dialogue and physical comedy, the play is a masterclass in farce.

As we walked out of the theatre, we couldn’t help but keep laughing about the final performance scene—the sardines, the dropped lines, and the general mayhem. It was a perfect ending to a perfect afternoon. In fact, I think the sardines became their own character in the play! It was a delightful reminder that sometimes, when everything goes wrong, it makes for the best kind of theatre…and memories.

We can’t wait for our next Houston adventure!

A Treat of a Retreat, with LEAP

With the fall rapidly approaching, LEAP Ambassadors gathered together–along with alumni and friends–for some entertainment, food, and planning. It was our quarterly(ish) get together with alumni for theater entertainment and a meal, combined with our planning retreat. And when the Houston Post Market and the Alley Theatre are involved, you know it’s going to be fun.

As has become something of a tradition, we began at the Houston Post Market, a suggestion once made by Bryan Phillips (thank you!), which offers something for everyone and a great view from the top. The food hall offers more than 10 types of ethnic foods, plus other ice-cream, coffee, and juices. Orders tended to cluster among the Italian, West African, and Mexican options, and no one was disappointed.

Meanwhile, we also had the opportunity to spend times with “friends of LEAP,” such as Maggie Betancourt, Katherine Burnett, and Victoria Medrano (and Victoria’s mom, Sandra), and the chance to catch up with alumni Victoria McClendon (and her amiable fiancée Nick Cardenas), newly-minted alumna Morgan Robertson (and her long-suffering boyfriend Tommy Ward).

Professor Yawn even brought a gift for Morgan, who in her years in LEAP, distinguished herself as a klutz of the first order, often impersonating a pinball, bumping into angle, corner, wall, or furniture item within a stride’s reach. She is safer now, thanks to a bright yellow wrist-band reading “Fall Risk.”

This should alert safety personnel that an emergency is imminent, and it should warn passersby to give wide berth, for Morgan’s safety and their own.

After making Morgan feel at home, as though she had never left the LEAP fold, we headed off to the ostensible main attraction, our annual attendance at the Alley’s “Summer Chills,” where our group was joined by alums Bianca Saldierna and Quinn Kobrin and his fiancée, Jessica Madry. With an assist from the Alley’s always-helpful Laura Perez, we had 17 tickets for “And Then There Were None,” a suspenseful, fun, and–at times, frightening–adaption of the Agatha Christie classic.

The plot is familiar, but largely because Christie’s work has spawned so many conceptual copy-cats.

Ten people are invited to an isolated island under false pretenses, and then they are killed off one-by-one until “there were none.” The play, a type of locked-room mystery, is a technical masterpiece, and the Alley’s professional staff did a great job of pulling it off with freshness and humor and with a moody atmosphere that occasionally raised goosebumps.

And while the play was wonderful, the real treat was spending time with new students, the LEAP Ambassadors, and alumni. In many respects, these outings embody the LEAP approach to learning–fun, education, and long-term relationships rolled into one event.

It is a formula we hope to repeat throughout the fall–er, autumn (sorry, Morgan)–and, indeed, for many autumns to come.

Dial “LEAP” for Entertainment

For the first weekend of the summer session the LEAP Ambassadors gathered with alumni and friends to attend another of the Alley Theatre’s wonderful productions, this one “Dial ‘M’ for Murder,” the Hitchcock classic adapted to the stage by Jeffrey Hatcher.

As is our norm, we met friends at the Houston Post Market for dinner. This venue allows everyone to try something new, while also providing for a diversity of taste options.

And the Post Market also provides a wonderful view–from the rooftop!

Although a casual dinner, it was celebratory. Not only was it a wonderful way to spend time with friends, but it was also the Spencers’ birthdays! Yes, they share the same birthday of June 1.

Following dinner, we zipped to The Alley Theatre, where we settled in for “Dial M for Murder.”

We were able to see some familiar faces, regulars from the Alley’s professional cast, such as Dylan Godwin (from SHSU) and Todd Waite. But we were also able to see some new (to us) talent, including Teresa Zimmerman, Geena Qintos, and Brandon Hearnsberger.

We loved the play, with some debate about whether this, “The Nerd,” or “Shear Madness” (at the Lincoln Center in DC) was the LEAP Ambassadors favorite among recent productions.

In broad outlines, the play follows the 1954 Hitchcock thriller, but this production added in more humor, particularly in the second half. There were also a few modernizations and an added twist, ensuring that even those familiar with the film classic will find new aspects of the thriller to enjoy.

All agreed that the sets and lighting were one of the chief assets of the production.

There was less consensus on which of the actors was the best, but everyone agreed that watching Todd Waite is a joy.

It was a wonderful way to spend an evening, precisely how we wished to kick off the summer session–with entertainment, education, and friendship.