A Treat of a Retreat, with LEAP

With the fall rapidly approaching, LEAP Ambassadors gathered together–along with alumni and friends–for some entertainment, food, and planning. It was our quarterly(ish) get together with alumni for theater entertainment and a meal, combined with our planning retreat. And when the Houston Post Market and the Alley Theatre are involved, you know it’s going to be fun.

As has become something of a tradition, we began at the Houston Post Market, a suggestion once made by Bryan Phillips (thank you!), which offers something for everyone and a great view from the top. The food hall offers more than 10 types of ethnic foods, plus other ice-cream, coffee, and juices. Orders tended to cluster among the Italian, West African, and Mexican options, and no one was disappointed.

Meanwhile, we also had the opportunity to spend times with “friends of LEAP,” such as Maggie Betancourt, Katherine Burnett, and Victoria Medrano (and Victoria’s mom, Sandra), and the chance to catch up with alumni Victoria McClendon (and her amiable fiancée Nick Cardenas), newly-minted alumna Morgan Robertson (and her long-suffering boyfriend Tommy Ward).

Professor Yawn even brought a gift for Morgan, who in her years in LEAP, distinguished herself as a klutz of the first order, often impersonating a pinball, bumping into angle, corner, wall, or furniture item within a stride’s reach. She is safer now, thanks to a bright yellow wrist-band reading “Fall Risk.”

This should alert safety personnel that an emergency is imminent, and it should warn passersby to give wide berth, for Morgan’s safety and their own.

After making Morgan feel at home, as though she had never left the LEAP fold, we headed off to the ostensible main attraction, our annual attendance at the Alley’s “Summer Chills,” where our group was joined by alums Bianca Saldierna and Quinn Kobrin and his fiancée, Jessica Madry. With an assist from the Alley’s always-helpful Laura Perez, we had 17 tickets for “And Then There Were None,” a suspenseful, fun, and–at times, frightening–adaption of the Agatha Christie classic.

The plot is familiar, but largely because Christie’s work has spawned so many conceptual copy-cats.

Ten people are invited to an isolated island under false pretenses, and then they are killed off one-by-one until “there were none.” The play, a type of locked-room mystery, is a technical masterpiece, and the Alley’s professional staff did a great job of pulling it off with freshness and humor and with a moody atmosphere that occasionally raised goosebumps.

And while the play was wonderful, the real treat was spending time with new students, the LEAP Ambassadors, and alumni. In many respects, these outings embody the LEAP approach to learning–fun, education, and long-term relationships rolled into one event.

It is a formula we hope to repeat throughout the fall–er, autumn (sorry, Morgan)–and, indeed, for many autumns to come.

Dial “LEAP” for Entertainment

For the first weekend of the summer session the LEAP Ambassadors gathered with alumni and friends to attend another of the Alley Theatre’s wonderful productions, this one “Dial ‘M’ for Murder,” the Hitchcock classic adapted to the stage by Jeffrey Hatcher.

As is our norm, we met friends at the Houston Post Market for dinner. This venue allows everyone to try something new, while also providing for a diversity of taste options.

And the Post Market also provides a wonderful view–from the rooftop!

Although a casual dinner, it was celebratory. Not only was it a wonderful way to spend time with friends, but it was also the Spencers’ birthdays! Yes, they share the same birthday of June 1.

Following dinner, we zipped to The Alley Theatre, where we settled in for “Dial M for Murder.”

We were able to see some familiar faces, regulars from the Alley’s professional cast, such as Dylan Godwin (from SHSU) and Todd Waite. But we were also able to see some new (to us) talent, including Teresa Zimmerman, Geena Qintos, and Brandon Hearnsberger.

We loved the play, with some debate about whether this, “The Nerd,” or “Shear Madness” (at the Lincoln Center in DC) was the LEAP Ambassadors favorite among recent productions.

In broad outlines, the play follows the 1954 Hitchcock thriller, but this production added in more humor, particularly in the second half. There were also a few modernizations and an added twist, ensuring that even those familiar with the film classic will find new aspects of the thriller to enjoy.

All agreed that the sets and lighting were one of the chief assets of the production.

There was less consensus on which of the actors was the best, but everyone agreed that watching Todd Waite is a joy.

It was a wonderful way to spend an evening, precisely how we wished to kick off the summer session–with entertainment, education, and friendship.