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Tag: Museum of Fine Arts Houston

Summer Retreat, Summer 2023 Edition

The time has come for the LEAP Ambassador’s summer retreat! The organization prides itself in its forward-thinking nature, which is done to maximize our education and serve our community with intent and efficiency. This retreat was also something of a microcosm of our larger efforts, stressing broad-based and experiential learning.

Phoenicia’s Speciality Foods

By Ingrid Cuero

With a long day ahead, Professor Yawn, Stephanie Fors, Olivia Discon, Michelle Cardenas, Yvette Mendoza, Morgan Robertson, and I met for lunch to fuel ourselves at Phoenicia Specialty Foods: A Mediterranean market that houses many delicacies, including deli, cheeses, and desserts. It is more of a grab-and-go eatery, so there were many people coming in-and-out as we looked and picked out our choice of foods. This was many of the group’s first time visiting the market, and for some members, it was the first time having middle-eastern food!

Olivia decided to eat a Lemon Chicken Soup with Pasta Pesto Salad. 

Both Michelle and Morgan decided to get the Specialty Shawarma Wrap, Michelle having chicken and Morgan having lamb.

  Yvette decided to get the regular Lamb Shawarma dish with veggie grape leaves as her side. I stayed with the classic rice, beans, and grilled veggies as my side, with an additional zucchini soup to top things off. 

We took the time to catch up after a few weeks of summer break between us, sharing our summer activities and some laughs throughout.

After sharing some pastries, which consisted of baklava, lemon custard, and cookies, planned out the day in a bit more detail, and we were ready to take on our day!

Betty Moody Art Gallery

By Yvette Mendoza

After indulging in Phoenicia’s, our bodies fueled and ready, we set off for our first destination: the Betty Moody Art Gallery. The moment we stepped inside, we were captivated by the awe-inspiring artwork on display…

…and to our delight Ms. Betty Moody was there, and she graciously offered to give us a personal tour. 

Each art piece came alive as Ms. Moody passionately explained the work’s intricacies. As we entered through the main entrance, our attention was drawn to the collection by Andrea Rosenberg. Ms. Moody skillfully unraveled the hidden depths and artistic techniques behind Rosenberg’s floral paintings, revealing the significance of every brushstroke. From the choice of Japanese rice paper to the spontaneity and simplicity that belied years of experience, it fascinated us to discover the immense skill required to create such seemingly effortless abstract flowers.

We witnessed this contrast in two paintings placed on opposite sides of the faller – an exquisitely delicate blossom alongside a vibrant explosion of colors behind a boldly outlined orange flower.

We have learned of Rosenberg’s painting method, using thumbtacks to hang her canvases on the wall at a height convenient for her stature, and then getting to work. Often working quickly, Ms. Rosenberg can fill even large canvasses quickly.

Ms. Moody’s generosity extended beyond technical explanations; she also shared the rich histories behind many of the pieces, some of which she had in her own kitchen and bedroom adjacent to the gallery! Each piece held a profound connection to the past, including sculptures and artwork spanning thousands of years from Roman culture to the present.

Among the treasures was a calamari serving platter crafted from walrus tusk, artfully shaped into adorable seals, each possessing its own unique value. 

As we delved deeper into her collection, we encountered various art styles, from a signed Campbell’s soup can symbolizing the Pop Art style by Andy Warhol, to sketches by her dear friend and talented artist Luis Jimenez, known for his remarkable sculptures of mustangs and his skill in sketching classic cars.

Lastly, Ms. Moody showcased the remarkable silver jewelry crafted by her beloved husband, Bill Steffy, which, while distinct from pop art or drawing, exuded its own allure, featuring beautifully designed metal skulls and silver jewelry that she was wearing.  

Our gratitude to Ms. Moody is such a great amount. Every item she owned or curated in her art gallery possessed a profound meaning, and she concluded our visit by emphasizing that she doesn’t think of art as an investment, but rather simply thinks of it as a way of life.

Museum of Fine Arts, Houston

By Michelle Cardenas 

Our third stop was the Museum of Fine Arts, Houston, which was my first ever visit to a museum! We entered through Olafur Eliasson’s yellow-casted walkway, “Sometimes an underground movement is an illuminated bridge” to begin the experience.

Professor Yawn took Olivia, Ingrid and I on a tour through the museum, highlighting the various art periods, their historical significance, and key artists of each era. Starting with the Realism art movement, we had the opportunity to view a gallery that encapsulated the art world before the invention of the camera; resulting in a desire to capture life in extreme detail and realism. Olivia particularly enjoyed “Sheerness as seen from the Nore” by Joseph Mallard William Turner.

Personally, I was attracted to a Jacques Raymond Brasscassat piece titled “A Bull Fight”. 

We progressed through time and expanded on the influence of technology on art. 

The introduction of photography brought a sense of liberty to artists; allowing them to create works that were a reflection of their personal perspective as opposed to objective relativity. 

Many artists like Claude Monet began to develop new techniques, particularly impressionism.

The Impressionist era was followed by even more new techniques and styles, suggesting that ideas really do beget ideas. And we learned about pointillism and fauvism, which redefined what society considers a masterpiece. A piece that Ingrid enjoyed was “The Bonaventure Pine” by Paul Signac, which features the technique. When you look closer, you are able to see color theory at play!

We then got to the early 20th century, where I got to see my first Picasso painting, “Le Rameur” or “The Rower“.

Both Pablo Picasso and George Braque are accredited for inventing a technique called Cubism, a movement utilizing geometric shapes to create a painting that can be seen from several angles. 

We ended our tour with some American art pieces, many of which focused on the American dreams of westward expansion, highlighted through dreamy landscapes and featuring Native Americans. Here I discovered one of my favorite artists of the museum; Albert Bierstadt. The early American landscapes were breathtaking and captured the allure of the unknown frontier.

Before we left, we had the pleasure to visit Yayoi Kusama’s “Aftermath of Obliteration of Eternity“, an immersive experience in which a subtle, fleeting burst of light comes and goes. Kusama, who is known for her work with polka dots, uses a similar assortment of lit lamps that are infinitely mirrored. The experience was both beautiful and incredibly thought provoking.

Special Exhibits: Impressionism and Post-Impressionism, Pixel Forest and Worry Will Vanish

With the MFAH possessing some beautiful Impressionist-era pieces in their general gallery, Morgan and I were treated with a special exhibit that had both Impressionist and Post Impressionist works on display! We were able to see works by Cezanne, Renoir, Cassatt, and even a Van Gogh, called “The Rocks”. We were both delighted to have experienced such renowned pieces in person. 

We also had the privilege to attend a truly immersive experience: Pixel Forest and Worry Will Vanish by Pipilotti Rist. This captivating installation consisted of crystal-like neon balls hanging from the ceiling, creating a breathtaking visual spectacle through a stunning light show. Stepping into this immersive environment felt like traversing the threshold into an enchanting and surreal realm, where reality blended seamlessly with imagination.

Thanks to the many opportunities the LEAP Center provides to expand one’s cultural awareness, I was exposed to new concepts and artists I was otherwise unfamiliar with. If a trip to the Museum of Fine Arts, Houston taught me one thing, it was that art is extremely reflective of the world events occurring within that time period. It was an excellent opportunity for us to familiarize ourselves with these classic masterpieces!

High Island

By Ingrid Cuero

After experiencing a day filled with remarkable works of art, it was time to hone in on our own craft: photography! A major focal point of our retreat is to ensure that each ambassador has the opportunity to develop a well-rounded knowledge of the world around them, which includes nature. With that, we traveled to High Island in Galveston just before sunset to practice our photography and, we hoped, to spot some wildlife–which we did, almost immediately!

Upon arrival, I saw three bunnies having dinner on the far side of the park. Taking slow steps into their direction, I went to them and captured a few photos before they took notice and fled the scene. Michelle was able to get an even closer photo!

We then walked onto the trail to the lake, where we spent most of our time. Some would say outdoor photography is its own beast, as you must adapt to the unpredictable conditions of nature to get a perfect shot. As many of us on the trip are familiarizing ourselves with the inner-workings of photography, this was a perfect way to apply what we have learned so far.

We had plenty of opportunities, as the landscape was filled with birds, turtles, and alligators, along with a beautiful sunset before us. 

During this time, we tried to educate ourselves about the many species of birds we captured (by camera, of course). A few breeds of birds that we saw included the Roseate Spoonbill, the Great Egret, and the Little Blue Heron. Mating season for these birds is between April and May, so we saw many nests with baby birds secured in them.

Professor Yawn explained to the group some interesting information about male birds in real time! Male birds, we learned, can be very territorial, leading to physical fights against other birds, and we saw many such examples of this type of behavior.

And with that, the LEAP Ambassadors ended a successful first day on their summer retreat! We had a fun-filled day focused on challenging ourselves to take initiative on the concepts we can improve on. 

Unknown's avatarAuthor mikeyawnPosted on June 10, 2023Format AsideCategories Art, Civic Engagement, Food, Fun, TravelTags Center for Law Engagement And Politics, High Island, LEAP Ambassadors, Moody Gallery, Museum of Fine Arts Houston, Sam Houston State UniversityLeave a comment on Summer Retreat, Summer 2023 Edition

Art, Agatha, and The Alley: A Weekend in Houston

The LEAP students embarked on another weekend trip to Houston filled with fun exploration, murder mysteries, and a well-needed reunion with alumni and friends of LEAP. For our first stop, we visited a LEAP favorite, “Cloud Column” By Anish Kapoor.

SHSU, LEAP Center, LEAP Ambassadors, Houston TX, MFAH, Museum of Fine Arts Houston, Anish Kapoor, Cloud Column

Interestingly, Maggie and Ilexus recently had fun experimenting with taking pictures with Kapoor’s most famous work in Chicago: “The Bean”.

SHSU, LEAP Center, LEAP Ambassadors, Chicago IL, Anish Kapoor, The Bean, Cloud Gate

The Museum of Fine Arts Houston- Ilexus 

The LEAP students have visited many Art galleries over the years. However, The Museum of Fine Arts, Houston was a new experience for all but one LEAP student. The first piece we studied was set up in the lobby of the museum. City of Abstracts by William Forsythe was by far the most amusing and interactive piece in the entire museum.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, William Forsythe

This piece displayed an expansive video installation that acts as a mirror. However, the video distorts your image when you create movement. The LEAP students enjoyed turning ourselves into twisting figures.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, William Forsythe

Another interesting piece we saw was James Turrell’s The Light Inside. James Turrell is well known for his use of light and space. This piece included a long tunnel that projects light from both ends. The walls of the tunnel create a space to diffuse the light throughout the room.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, James Turrell

LEAP students have also had the opportunity to experience Turrell’s Skyspace in many cities across the US.

SHSU, LEAP Center, LEAP Ambassadors, UT, James Turrell, Skyspace

Next, we discovered many LEAP Favorites such as Alexander Calder, who is known for his mobile sculptures.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Alexander Calder

Interestingly, LEAP students discovered a Thomas Hart Benton and Jackson Pollock side by side. Jackson Pollock was a protege of Thomas Hart Benton and studied under him as a young artist. It was hard to believe that Man With a Plow was a Pollock…

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Jackson Pollock

…because it is not his typical “drip painting” style.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Jackson Pollock

Furthermore, this piece was a direct emulation of Benton.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Thomas Hart Benton

However, Pollock was not enthused by Benton’s rural American subjects. Nonetheless, the movement and rhythm that Benton created on the canvas continued to influence Pollock’s future work.

Next, we viewed impressionist painters. The most renowned is Claude Monet, who is the founder of French impressionist painting.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Claude Monet

His most known subjects include stacks of wheat, water lilies, and his home garden in Giverny. We were surprised to see that the subject of this piece was a windmill and almost did not recognize that it was a Monet.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Claude Monet

We also spotted the two original impressionist women artist: Mary Cassatt and Berthe Morisot.

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Additionally, we saw work by post-impressionist artist Georges Seurat…

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  George Seurat

whose most famous work LEAP students were able to see at the Chicago Art Institute.

SHSU, LEAP Center, LEAP Ambassadors, Art Institute of Chicago, George Seurat, Sunday La Grande Jette

As we learn more, we recognize more artists, paintings, and art styles at each new museum, making each additional visit more rewarding.  We can now recognize a Picasso, whom we see at almost every Museum we visit…

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Picasso

…and, of course, Mark Rothko…SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Mark Rothko

…Georgia Okeeffe…

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Georgia Okeeffe

…and even when we don’t recognize an artist, we can identify styles such as pointillism….

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Angrand

…or the Hudson River School.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Hudson River School, Thomas Moran, Albert Bierstadt

And we always try to learn new artists, such as Stanton Macdonald Wright.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Stanton Macdonald Wright

….and Luis Jimenez…

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Luis Jimenez

…and Paul Signac…

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX, Paul Signac

Lastly, we visited a special exhibit by Ragnar Kjartanssonon titled The Visitors. This exhibit included a room full of nine projection screens that displayed different musicians. Of the musicians, there was a cellist, a pianist, a banjo player, an accordionist, a drummer, and two guitarists, who are all playing the same song, simultaneously, but in separate rooms and presented on different screens. Just by watching the multiple videos from screen to screen, the audience became “the visitors”. This exhibit was amazing. The harmonies among all of the musicians were captivating.

SHSU, LEAP Center, LEAP Ambassadors, MFAH, Museum of Fine Arts, Houston TX,  Ragnar  Kjartansson, The Visitors

After completing our exploration of The Museum of Fine Arts, Houston and in preparation for our murder mystery play, the LEAP students took a quick stop by Murder By The Book, which is a local bookstore solely dedicated to mystery and crime books. Also, the LEAP Students stopped by The Brazos Bookstore. A few of the LEAP students ended up purchasing a few books.

Following our bookstore stop, we headed to our hotel to prepare for our night with Friends of LEAP and Junior Fellow and LEAP Ambassador Alumni.

Dinner with Alumni – Makayla

All dressed up for the anticipated play, we made our way into Café Express for dinner. Once inside, some of us found familiar faces as we hugged Junior Fellow and LEAP Ambassador Alumni. We made introductions for those who had not met before and jumped in line to order food.

Café Express had a lot of options for us to pick from; everything from soups, salads, and pasta to burgers, Mediterranean salmon, and Spanish chicken romesco.

SHSU, LEAP Center, LEAP Ambassadors, Houston TX, Cafe Express

As we grabbed our seats, we began mingling with the alumni and their spouses. They shared their best memories and reminisced on their time in the organization. It was a great opportunity to get Junior Fellows and LEAP Ambassador Alumni’s insight of their time at Sam Houston. Additionally, we discussed how LEAP and SHSU as a whole has evolved over time. The alumni also told us about their current careers. Megan O’Flaherty, former president of the Junior Fellows, works as the Executive Assistant at Arnold Ventures, formally known as Laura and John Arnold Foundation. Justin Beiser, former Vice President of the Junior Fellows, is an attorney for Shell. Cameron Goodman, former Junior Fellow, is currently the Director of Economic Development for the City of Richmond. Jessica Rodriguez, former Junior Fellow and Austin Intern, is an attorney at Ramsey Law Group. Bianca Saldierna, a former LEAP Ambassador, works at Woodforest National Bank as a fraud investigator. Megan Chapa, former President of the LEAP Ambassadors, is a 3L at South Texas College of Law, and an intern at the Harris County District Attorney’s Office. Alex Galvan, also a LEAP President, served as President of the UH Law School’s Student Bar Association, and is now a 3L, while clerking at a mid-size law firm.  Finally, Christian Bionat is the District Director for US Representative Pete Olson.  Needless to say, our alumni are very successful!

After a great dinner discussion, we piled into our vehicles and made our way to the Alley Theater.

Murder on the Orient Express-Maggie

SHSU, LEAP Center, LEAP Ambassadors, Alley Theater, Houston Texas, Agatha Christie, Murder on the Orient Express

The main event of the evening was a trip to the Alley Theater to watch “Murder on the Orient Express”, based on the Agatha Christie novel, featuring the world-renowned detective Hercule Poirot.

I decided to read the book before attending the play because I was interested in how they would turn a published novel into a stage act. Only having been to the theater once before this event, I wasn’t sure of what to expect. Professor Yawn has recommended Agatha Christie books before and this event gave me an excuse to finally sit down and read about the adventures of Hercule Poirot. The famous novel is about a murder that takes place on a train in Europe, the book was published in 1934, and the book and play are set in that same era.

The novel was the first murder mystery I have ever read and was thoroughly enjoyable. Because the entire novel is set on a train, I was looking forward to seeing how the stage would be set in the theater. I was not disappointed.

The stage had two levels, the bottom being a normal set up where larger scenes took place, and the top resembling the interior of a partial dining car and passenger sleeping compartments.

SHSU, LEAP Center, LEAP Ambassadors, Alley Theater, Houston Texas, Agatha Christie, Murder on the Orient Express

I was pleasantly surprised by the size of the theater and how close we were to the stage, my previous experience having been in the “nose-bleed seats” of another theater.

I also had the chance to discuss the book with John Michael (a guest of Alejandra Galvan), and he described some Christie’s other books that I might want to read (in particular, “And Then There Were None.”)

The play at the Alley reduced the number of characters–probably a space decision–and also injected a great deal of humor.  Also of interest to me was the greater drama that the in-person experience of the stage offers.  Having the chance to see how talented actors imagine a scene or dialogue adds magic to the performance.

Also of note: one of the passengers aboard the Orient Express was played by Melissa Pritchett, a graduate of Sam Houston State University with a BFA in Musical Theater.

SHSU, LEAP Center, LEAP Ambassadors, Alley Theater, Melissa Pritchett

I thought the entire cast did a fantastic job creating suspense and tension on stage, famously resembling the works of Agatha Christie thrillers. Of course, Hercule Poirot was the star, but Shawn Hamilton and Elizabeth Bunch also stood out among the stellar cast.  Poor Chris Hutchison, who played the victim, had to play dead for most of the two-plus hour play.

SHSU, LEAP Center, LEAP Ambassadors, Alley Theater, Houston Texas, Agatha Christie, Murder on the Orient Express

Overall, the play was well worth the trip to the theater and I look forward to reading more novels by Agatha Christie.

Our night of mystery was nothing short of amazing. However, It would not have been a success without the alumni and friends who attended. LEAP would like to thank all of the Alumni and friends of LEAP for coming together to reconnect the current LEAP Ambassadors with those who came before us and friends who give continuous support. We truly appreciate the standard you have set for this organization and will continue to follow that path.

SHSU, LEAP Center, LEAP Ambassadors, Alley Theater, Houston Texas, Agatha Christie, Murder on the Orient Express

 

Unknown's avatarAuthor mikeyawnPosted on July 22, 2019Format AsideCategories Art, Civic Engagement, Food, Law, TravelTags Agatha Christie, Alley Theater, Houston Texas, LEAP Ambassadors, LEAP Center, Murder on the Orient Express, Museum of Fine Arts Houston, SHSULeave a comment on Art, Agatha, and The Alley: A Weekend in Houston

Houston’s Arts and Parks: MFAH

The Museum of Fine Arts, by Karla Rosales

We began our tour of the museum with modern art by James Turrell. We entered the Wilson Tunnel and immediately recognized Turrell’s focus on light in his artwork.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, James Turrell

But with limited time, we stuck with art since 1850, beginning with works by Monet, Van Gogh, and their contemporaries.   We recognized how they used color and form to depict reality in a from alluding to abstraction.

Next, we learned about pointillism art which, somewhat similar to impressionism. Pointillism uses dots of different colors to create an image. We were able to appreciate a more developed form of abstract art with cubism. While pointillism uses color to create its image, cubism uses shapes. The different shapes and colors create different illusions, seemingly showing multiple perspectives simultaneously.

In the modern section, we saw works by Georgia O’Keefe, Alexander Calder, and Jackson Pollock.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Jackson Pollock

Finally, we moved on to the special exhibit: the hyper-realistic work of Ron Mueck.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

We found his work to be somewhat bizarre or, as Betty Moody might say, wonderfully weird and intriguing. Throughout the exhibit we found various sculptures with different meanings. For example, when you first see this piece…

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

…you expect to see a baby in the swaddling.  But the title, “The Man in a Blanket,” hints that it is actually a middle-aged man, curled into the fetal position, perhaps hiding from life.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

Mueck plays with scale, making sculptures either abnormally large or small.  We see average sized people every day, and he gives us something out of the ordinary.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

Perhaps most poignant is a young male, peering into a mirror at his reflection…

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

…with all the questions that young people have about themselves, their future, and the world around them.

He also did a self-portrait, which served as the exhibit centerpiece.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

At the beginning of the exhibit, they warn visitors that some nudity is shown, and they weren’t lying!  This piece, titled “Man in a Boat,” features a fully nude male, and captured the attention of some of our LEAPsters…

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

(The warnings were probably more directed at a subsequent piece not pictured here.)

Mueck also explores the idea of sacrifice, depicting a young African-American male as a victim of violence and a large fowl, hanged upside down in a variation on the crucifixion scene.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

The final and largest sculpture was found at the end of the exhibit; it was a very large newborn baby girl. This work was one of the larger pieces, signifying the great blessing of a new born child.

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, Ron Mueck

When we completed viewing–and reflecting on–the exhibit, we returned the way we came.  As before, we traversed Turrell’s tunnel, but it had changed colors…

Museum of Fine Arts Houston, MFAH, SHSU, LEAP Center, Center for Law Engagement And Politics, LEAP Center, LEAP Ambassadors, Education, James Turrell

…and this was appropriate, we thought, because we had changed, too.

 

Unknown's avatarAuthor mikeyawnPosted on June 9, 2017Format AsideCategories Art, Civic Engagement, Fun, TravelTags Center for Law Engagement And Politics, LEAP Ambassadors, LEAP Center, MFAH, Museum of Fine Arts Houston, Ron Mueck, SHSULeave a comment on Houston’s Arts and Parks: MFAH

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