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Tag: New York State Capitol

Icons and Innovation: Exploring American Art and Architecture

Introduction
Our trip through New England and New York was as much a journey through art and history as it was through towns and landscapes. We ended the day in the capitol (Albany) of one of the largest states in the Union, but we began it in the Rockwellian cottage of Stockbridge, MA–the home town of Norman Rockwell.

LEAP Ambassadors at City Hall

Norman Rockwell Museum

By Michelle Moya

For our first stop in Stockbridge, we visited the Norman Rockwell Museum. Before the trip, I had watched a documentary on Rockwell’s life and career, which gave me a deeper appreciation for what we were about to see. It traced his progression from lighthearted Saturday Evening Post covers to later works that confronted civil rights and human rights, and it gave me a better foundation for understanding the galleries.

The museum’s collection highlights Rockwell’s most iconic pieces, including the Four Freedoms series. Inspired by Franklin D. Roosevelt’s 1941 speech, these four paintings—Freedom of Speech, Freedom from Want, Freedom to Worship, and Freedom from Fear—remain some of his most recognizable works. Each takes a sweeping political idea and places it in the context of everyday life.

Freedom of Speech shows an ordinary man rising to speak at a town meeting, who appears to have a modest jacket and steady expression. Freedom from Want was Olivia’s favorite: the Thanksgiving turkey at the center of the table, family gathered in warmth and abundance. Freedom to Worship and Freedom from Fear are quieter but equally moving, offering a reminder of how Rockwell could find dignity in ordinary moments.

My own favorite was Main Street, Stockbridge at Christmas, Rockwell’s portrait of his hometown blanketed in snow and glowing with holiday lights. It is a beautiful painting, and as someone who loves Christmas, I couldn’t help but imagine what it would be like to actually visit Stockbridge during the season. It captures Rockwell at his most nostalgic, and it made me want to see the town in person during my favorite holiday.

Some of Rockwell’s later and more serious work also stood out. The Problem We All Live With, sometimes called his “Board of Education” painting, shows six-year-old Ruby Bridges walking to school, escorted by U.S. Marshals. The white wall behind her, scrawled with a racial slur and marked by a thrown tomato, makes the scene even more striking.

There were lighter touches as well. The museum includes some of Rockwell’s early commercial work, such as advertisements for Edison Mazda Lamps published in The Saturday Evening Post. These remind visitors that Rockwell was as much an illustrator as a painter, and that his storytelling instincts carried across everything he created.

A special highlight was the I Spy exhibition by Walter Wick, whose intricate dioramas and search-and-find photographs were a fun, interactive touch for children and adults. The exhibit encouraged visitors to slow down and look closely, much like Rockwell’s paintings.

It was interesting to see how the Norman Rockwell Museum fully captures the range of his career. In one place, you can see the playful, the iconic, and the deeply serious. Between Olivia’s favorite “Freedom from Want” and my own liking to “Main Street, Stockbridge at Christmas,” it was clear how Rockwell continues to connect with people in different ways.

Mass MoCA

by Olivia Discon

Our final (pure) art stop of the trip was Mass MoCA (Massachusetts Museum of Contemporary Art), a museum housed in a former industrial complex that has been repurposed into one of the largest centers for contemporary art in the country.

The building itself is a bit of a maze (ed. note: she got lost), but that only added to the fun of exploring it.

We started with James Turrell’s Roden Crater-inspired exhibit, which featured several surreal experiences centered on light and perception. One room, completely blacked out, challenged visitors to sit in total darkness for 15 minutes. While Professor Yawn and Stephanie lasted the full time, Moya and I called it quits after approximately eight minutes. In the silence, I started to see faint colors—likely just the brain reacting like when you rub your eyes too hard—but still interesting.

Other Turrell works played with color and depth perception.

One installation allowed us to walk into what looked like a glowing square of color—an endless void of pinks, greens, and yellows.

We also stepped into one of his classic Skyspaces, where the ceiling frames the sky in a way that turns shifting clouds and colors into living art.

Beyond Turrell, the museum offered much more. Louise Bourgeois’s exhibit was a highlight for me, especially her piece Entangled, which captured so much emotion through abstract form.

Sol LeWitt’s sprawling wall drawings filled a labyrinthine gallery with bold patterns in both black-and-white and vibrant colors.

We even wandered into a “music room” filled with instruments past their prime—though that didn’t stop us from making enough noise to temporarily damage our own hearing.

Mass MoCA was a perfect way to end the art portion of our trip: immersive, challenging, and just plain fun.

New York State Capitol

by Olivia Discon

For our final state of the trip, we made our way up to New York. Driving past the Hudson River on the way into Albany felt especially fitting, since the river inspired the Hudson River School painters and many transcendentalist writers, both of which we’ve touched on during this trip.

Our last stop was the New York State Capitol, one of only nine state capitols without a dome. Built over more than three decades and designed by multiple architects, the building makes up for its lack of dome with incredible stonework and elaborate detail. The grand staircase was particularly striking, lit by lamps with exposed bulbs, a symbol of modernity in its time.

Although the House and Senate chambers were closed, we managed to peek through the glass doors. The stained glass in the Assembly chamber stood out as especially beautiful, making it one of my favorite legislative chambers we’ve seen so far. The Capitol also houses the Hall of Governors, a portrait gallery of past governors—including four who went on to serve as U.S. presidents.

Art is woven throughout the building as well. We saw numerous New York landscapes and scenes…

…along with modern sculptures outside in the Empire State Plaza. Among the recognizable artists were George Rickey, Alexander Calder…

Claes Oldenburg…. 

…and Ellsworth Kelly.

The New York State Capitol was a wonderful conclusion to our trip. Between the history, the architecture, and the art, it was a reminder of how much one place can tell us about both state and national identity.

Concluding Thoughts

Taken together, the Norman Rockwell Museum, Mass MoCA, and the New York State Capitol highlighted the remarkable range of American creativity and civic expression.

Rockwell’s art reminded us of the power of storytelling in everyday life, while Mass MoCA challenged us to step outside the familiar and embrace new ways of seeing.

The New York State Capitol, with its blend of politics, history, and art, grounded the trip in the institutions that shape public life.

Each stop added its own layer to our journey, leaving us with a deeper appreciation for how art and architecture reflect the spirit of their time—and continue to inspire today.

Unknown's avatarAuthor mikeyawnPosted on September 2, 2025Format AsideCategories Architecture, Art, Civic Engagement, Civil Rights, Law, TravelTags Alexander Calder, Center for Law Engagement And Politics, James Turrell, LEAP Ambassadors, MASS MOCA, New York Capitol Plaza, New York State Capitol, Norman Rockwell Museum, Sam Houston State UniversityLeave a comment on Icons and Innovation: Exploring American Art and Architecture

Politics and Art Redux: Empire State Capitol and Norman Rockwell

New York State Capitol Tour – Francisco Peña

Most of New York State’s must-see attractions are landmarks in New York City, such as the Statue of Liberty, the Empire State Building, and the Brooklyn Bridge.  Today, however, we redirected our attention to a different historical landmark: the New York State Capitol in Albany.

The capitol was built over a period of 32 years; finally in 1899, Governor Theodore Roosevelt declared the building complete. We noticed right away that, although grand in style, the capitol did not have a dome.

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building, The Egg, George Rickey

In fact, according to the National Conference of State Legislatures, New York is one of eleven “domeless” capitol buildings. However, its architectural grandeur was still fascinating, and beautiful, with the exterior being cut and carved out of granite. The building has four floors with eight elevators and about 600 rooms.

We started our tour with the Senate Staircase; its richness of carved ornament exceeds any other feature of the Capitol. Looking up, we could see the skylight and laylight (a window designed to diffuse direct natural light).

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

We proceeded to walk to the Flag Room where a third of New York’s battle flags are stored, the majority of them from the Civil War. Our next stop was the Assembly Staircase where the upper level was decorated with brilliant red and gold hand-stenciled patterns.

We walked through the Washington Lobby to arrive at the Great Western Staircase, sometimes referred to as the “Million Dollar Staircase.” (We all agreed later that this was our favorite section of the Capitol.)

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

It included hand-carved stone faces of symbolic individuals who had a powerful influence on the state and nation, such as Abraham Lincoln and Daniel S. Dickson.

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

Our next stop was the Governor’s Reception Room, commonly referred to as “The War Room.” Ironically, it was originally designed to be an open space to house the dome, a project that was never completed. Instead, the ceiling has murals of important events from early America’s military history such as the Battle of York and World War I.

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

We continued through to the Assembly Chamber. Luckily, we could go inside since the Assembly was on recess. Upon entering, we were greeted by the Sergeant-at-Arms, Wayne Jackson, who is in charge of enforcing order in the Assembly Chamber. (He was, as we are finding most upstate New Yorkers, most friendly and welcoming!)

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

The Senate Chamber was on the opposite side of the third floor.

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

This chamber accommodates sixty-three senators, thirty-one more than when the room was first occupied. Our second to last stop was the Hall of Governors, a portrait gallery where we saw familiar faces such as Theodore Roosevelt and Franklin D. Roosevelt, and some not-as-familiar-to-us, such as portrait of the former governor Mario Cuomo, father to current governor, Andrew Cuomo.

We concluded our tour by walking through a hall of paintings that capture the scenes of past and present development of the Capitol and the State and included art from luminaries such as Thomas Moran, Asher Durand, and Jasper Cropsey.

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It was curated geographically, designed to emulate walking across the state, east to west. Without a doubt, this was our favorite state capitol (sorry, Austin!).

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

The Capitol ranks even higher in our minds when taking in the entire environment.  There is an underground complex, which connects the Capitol buildings to other offices…

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

…and that showcases artists such as Adolph Gottlieb.

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building

Moreover, on the exterior, they have some wonderful grounds!  Although many of the buildings were under construction and the grounds were dappled with snow, they still had quite the scenery.  We found, for example, a Claes Oldenburg…

SHSU, LEAP Center, LEAP Ambassadors, Albany, New York State Capitol Building, Claes Oldenburg, Geometric Mouse

We also witnessed a march of sorts…

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…with hundreds of people gathering to support the “green light bill,” which is a bill proposed in the legislature to provide drivers’ licenses to all New York residents, regardless of citizenship status.

Maurice’s Pearl Street Deli

 To stay on track, we grabbed a quick bite from Maurice’s Pearl Street Deli for a quick to-go lunch.  We got a sampling of deli sandwiches, and some not-to-be-found-in-Texas sodas, and hit the road for our next town and stop!

 Norman Rockwell Museum – Makayla Mason

After a short trip through upstate New York’s picturesque landscape, we arrived in equally charming Stockbridge, Massachusetts, home to the Norman Rockwell Museum, found at the end of a short, winding drive lined with bare trees and snow-covered ground.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum

We were invited by a docent to attend his overview of Norman Rockwell’s life, and while we had a good time perusing and reading about Rockwell’s art on our own, we truly enjoyed hearing his behind-the-scenes stories that helped give Rockwell’s art more meaning.

Rockwell was extremely talented from a very young age. When his father would read him stories, young Rockwell would have him slowly read the details so that he could sketch what his father was reading, and when his friends would be playing sports, instead of playing along, he would sketch his friends playing.  By the age of 15, Rockwell got his first commission for four Christmas cards. While still in his teens, he became the art director of Boys’ Life, the official publication of the Boy Scouts of America.

In 1916, at only 22 years old, Rockwell sold his first cover for The Saturday Evening Post. Over the next 47 years Rockwell would provide another 322 covers for the magazine, reaching millions of readers.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum

In 1941, President Franklin Roosevelt delivered his Four Freedoms Speech. Two years later, Rockwell answered what he considered to be his call to action in illustrating FDR’s speech. His iterations became world-famous, given prominence in being published in The Saturday Evening Post with accompanying essays.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum, Four Freedoms

Even today they exemplify the protections of America’s government. The actual paintings were on loan to another museum, so the Museum had hung prints in their own special gallery.  We were especially disappointed by this, as when they are on display, they are accompanied by the Presidential Medal of Freedom he was awarded for his works.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum, Four Freedoms

In one gallery, we were able to see Rockwell’s process of creating a painting. Once he had an idea, he would have pictures of his subjects, then sketch a draft of the piece, and sometimes even paint a draft before creating a final piece. It was interesting to see the various steps in such classic pieces as “The Runaway,” The Gossips,” and “A Day in the Life of a Girl.”

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum

Our docent also spoke at length on one of the few political paintings Rockwell did. “New Kids in the Neighborhood” shows two African-American kids moving into a neighborhood, meeting up with three local white children.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum

The painting details reveal how they are actually similar. The boys are both wearing the same shoes and carrying baseball gloves, one with a catcher’s glove and the other a pitcher’s glove, making for a perfect match. The girls are both wearing pink bows, and each group has an animal. One neighbor peers through their window with an unidentifiable expression on her face, a purposeful feature in which Rockwell challenges the viewers to determine their own meaning.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum

We all enjoyed Rockwell and agreed that he was able to capture so much life and emotion into his paintings. Although we went into the Museum unsure of what to think, we certainly left with a newfound appreciation for the American icon Norman Rockwell, and for his beautiful home-town of Stockbridge, MA.

SHSU, LEAP Center, LEAP Ambassadors, Stockbridge Massachusetts, Norman Rockwell Museum

Dinner at Corner Grinder Ranch – Victoria McClendon-Leggett

For dinner, we ventured out but not far from our hotel to a place called Corner Grinder Ranch House, a small deli that serves huge portions.  “Grinder” is the New England name for a submarine sandwich.  We ordered meatball grinders, a mortadella grinder, and a calzone. The grinders were so big, even Sawyer couldn’t finish his! We all left rubbing our full bellies, but also scratching our heads as to why anyone would call a sandwich a “grinder.”

Unknown's avatarAuthor mikeyawnPosted on March 18, 2019Format AsideCategories Art, Civic Engagement, Politics, TravelTags Albany, LEAP Ambassadors, LEAP Center, New York State Capitol, Norman Rockwell Museum, SHSU, Stockbridge MassachusettsLeave a comment on Politics and Art Redux: Empire State Capitol and Norman Rockwell

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