The LEAP Ambassadors enjoyed a six-day tour of the East Coast as part of their “Democracy Tour.” During this tour, the students had a chance to visit more than half a dozen art museums, James Beard award winning restaurants, and many historic sites. What follows is their favorites from their experiences.
Favorite Restaurants:
Lehja’s in Richmond received the most votes, with all of the food receiving high marks from the diners. The James Beard nominations appear justified!
Casa Mexico in Philadelphia was a hit among the students, with the barbacoa being particularly popular. This was an altogether pleasant dining experience in an interesting and busy neighborhood in Philadelphia. Chef Christina Martinez was named “Best Chef” in the mid-Atlantic region in 2022 by the James Beard Foundation.
Metzger’s Bar and Butchery was perhaps the most interesting and innovative of the restaurants we visited. While the pork schnitzel was the favorite entree, the “squash sundae,” was the favorite dessert and the biggest surprise.
Ambassadors also found favorites in Katz’s Deli in New York, a restaurant world-famous for its pastrami.
And, of course, we also enjoyed Jim’s South St., which specializes in Philly Cheesesteaks.
FavoriteArt Museum: Olivia and Chrissy visited four art museums in New York, and they split on their favorite, with Chrissy favoring The Whitney…
…while Olivia resisted picking a favorite and, instead, picked a top two: The Met and MOMA. She did, however, have a favorite: The Lovers.
Although smaller and less heralded than its New York and Philadelphia counterparts, the Virginia Museum of Fine Arts was one of the clear favorites among the group.
The favorites of the group reflected the diversity of the art in the Museum’s collection.
Of course, the most famous paintings among the NY, Philadelphia, and VA museums were also popular among the Ambassadors.
Finally, the group also greatly enjoyed seeing Philadelphia City Hall, the Liberty Bell, Independence Hall, and the Virginia Capitol Building. For Cinthia, Olivia, and Michelle, it marked the third–the complete collection–of extant Jefferson designs in the world.
While the Ambassadors are always happy to get back to Huntsville and SHSU (or, this semester, Austin and SHSU), they left the east coast with a lot of memories, new-found knowledge, and much nostalgia.
This was–we thought–our last day, and we were determined to enjoy it! In that spirit, we had planned out a day of history and art, with a tour of the Virginia Museum of Fine Arts, the Capitol, the Old City Hall, the Edgar Allan Poe Museum, and some interesting restaurants.
Lehja Indian Restaurant
Saara Maknojia
Keeping our streak alive of eating at (affordable) James Beard nominated restaurants, LEAP Ambassadors stopped by Lehja, a contemporary take on Indian food. Indian food is not a foreign concept for the Ambassadors so knowing the classics we ordered a plate of aloo (potato) samosas.
For a change we also experienced a new dish, as our server recommended the Chef’s Daily Selection, Chaat Du Jou. The chaat consisted of flashed fried curry leaves with various species, topped with a tangy tamarind yogurt chutney, paired with refreshing pomegranate seeds. Although both appetizers were tasty, the consensus favored the Chaat Du Jou!
Olivia, being the biryani connoisseur, ordered the classic chicken biryani, which is additionally paired with raita, a spiced yogurt sauce.
Bringing out the contemporary aspect of Lehja, Cinthia and Michelle ordered a plate of Tandoori Chicken Tikka. Traditionally, chicken thighs are marinated in yogurt with various tandoori spiced to bring out a smoked flavor when grilled. Lehja, however uses chicken breasts and serves with a platter of grilled market vegetables. To my surprise Cinthia, who is not the biggest fan of spicy food enjoyed the chicken tikka without breaking a sweat.
The Regional Classics for Lehja’s include various curry dishes. I found the Kofta Chaman Dilkhush appetizing, mainly because the term “Dilkhush” refers to a happy heart and what better way to leave a restaurant than with a happy heart! The vegetable kofta’s in this dish were perfectly fried with a soft potato filling, complementing the cashew-tomato curry base. Kicking the spice level up a notch, I found spice level three to best for this hearty meal.
Professor Yawn and Stephanie also tried a Regional Classic dish, the spicy garlic, ginger, and chilly based curry included tender goat meat which fell right off the bone. Eating the meal in a traditional Indian fashion way, we shared our entrees with each other to fully taste the flavor spectrum and enjoy the company of one another.
Eating Indian food always makes me personally happy, but it is always a much better experience when those around you have the willingness to try new foods to enhance their understanding of cultures, apart from theirs. Lehja’s serves its purpose as a contemporary Indian restaurant but also keeps its traditional roots with the hospitality given to us during our visit. We are grateful to have a shared experience at yet another James Beard nominated restaurant.
Virginia State Capitol Building
by Saara Maknojia
Marking off yet another Capitol building, LEAP Ambassadors spent the afternoon touring the Virginia State Capitol. Rich with history, the Virginia Capitol reflects the vision of Thomas Jefferson, who was the primary architect for the structure.
Our tour guide, Mrs. Snellings, took us through the Museum, showcasing the wonderful architecture, functions, and art. In the Rotunda, is a Jean-Antoine Houdon sculpture of George Washington.
This sculpture is considered the best likeness of Washington. Houdon took a plaster cast of the first President’s face and exact measurements of his body–no other statue of Washington reflects this level of detail.
We had a chance to peek into the House Chambers…
…and we also had a chance to visit, and spend more time in, the Old House Chambers, the largest room in the structure.
The center of the room features a ten-pound mace, made from solid silver with a 24-karat gold finish. Also gracing the room are busts of Chief Justice John Marshall and Patrick Henry, both of whom served in the VA House of Delegates.
On the opposite side of the room out of reach of our cameras, are busts of Sam Houston (who was born in Virginia) and Cyrus Hall McCormick (born in the same county as Sam Houston!).
This room also hosted the 1807 trial of Aron Burr, who was charged with treason. As Chief Justice of the United States Supreme Court, John Marshall returned to the building in which he once served as Representative, and he presided over the trial.
Walking into the Old Senate Chambers, we noticed many artworks on the walls. One piece that Mrs. Snellings highlighted was a painting of Pocahontas.
She explained the true history behind her story, correcting the common myth that Pocahontas was married to Captain John Smith (also pictured in the room).
In fact, she was married to John Rolfe, a tobacco planter.
Next, Mrs. Snellings directed our attention to the back of the room, where she pointed at a painting by Griffith Bailey Coale. The painting depicted three ships: the Susan Constant, the Godspeed, and the Discovery. Mrs. Snellings explained that this scene represented the arrival of these ships in 1607, marking the beginning of the first permanent English settlement in America at Jamestown, Virginia. She pointed out the flags atop the ships, noting that they symbolized the United Kingdom.
The largest painting in the room, by Eugene Louis Lami titled Storming a Redoubt at Yorktown captures the Battle of Yorktown 1781, as British Troops approach the American forces. Mrs. Snellings pointed to a small figure in the painting and asked if we had any guesses for who it might be. After waiting for a response, she exclaimed with excitement, “It’s General George Washington!”
The architectural features of the building were beautiful, from the central rotunda…
…and the stairwell, which at one time, housed a steam-powered elevator.
Although our time at the Capitol was brief, we left with a valuable history lesson about the foundations of American democracy and the fight for independence! We would like to thank our tour guide, Mrs. Snellings, for providing a fantastic tour and sharing insights that many of us had not known before.
Old City Hall
Also on the Capitol Square–with the Capitol and Executive Mansion–is the old City Hall, a Gothic Revival Structure built in 1894.
For more than seven centuries, it housed city offices and courts, but as early as the 1920s, there were calls to tear down this beautiful structure and replace it with a more modern city hall. These calls were partially heeded in the 1970s, when a new City Hall was built, but, thankfully, the Historic Richmond Foundation led efforts to save it. The structure re-opened in the 1980s and in the 2010s, the building was restored to its original look–a restoration that required approval from the Virginia Department of Historic Resources, Architecture Review Board, and Capitol Square Preservation Council.
At 30,000 square feet, it remains the largest granite building in Richmond, while also being the city’s finest example of Gothic architecture.
It was designed by architect Elijah Myers, who also designed the TX Capitol building (where three of the LEAP Ambassadors currently work) and the Colorado Capitol Building (which two of the Ambassadors will visit in March), as well as the capitol buildings of Utah, Idaho, and Michigan.
Today, the structure is used for state offices, and only the first floor is accessible to visitors.
But even a restricted visit is worth it for the view of the impressive clock tower on the exterior of the building, the four-story atrium…
…detailed faux-graining of the bases of the Corinthian columns…
…and the exquisite detailing of the interior.
Virginia Museum of Fine Arts
by Michelle Cardenas
The Virginia Museum of Fine Arts (VMFA) offered an experience that was both exciting and full of discovery. Originally opened in 1936, the museum has continued to evolve, with a major renovation in 2010 and plans for further expansion to accommodate even more incredible works of art. The museum’s location carries historical significance as well, sitting on what was once a Confederate camp, adding another layer of depth to our visit.
Instead of our usual self-guided exploration, we opted for a highlights tour, which provided an excellent overview of the museum’s diverse collection. Before even stepping inside, we were captivated by the stunning outdoor sculptures by renowned artists such as Dale Chihuly and Henry Moore, which set the tone for what was to come.
One of the standout sections for me was the American Art collection, where I was particularly drawn to Moonlight in Yosemite by Albert Bierstadt. Seeing one of his pieces with muted colors–almost black and white in places–was unexpected and fascinating, offering a different perspective on his usual style.
Another highlight was the Fabergé collection, featuring beautifully intricate Easter eggs that showcased incredible craftsmanship and history.
As we continued through the museum, we encountered works by well-known artists such as John Roberts, Kehinde Wiley, Ellsworth Kelly, Andy Warhol, Van Gogh, Degas, and Monet. Recognizing these names and seeing their masterpieces up close is incredibly rewarding—especially when I think back to when I first started and hardly knew any artists at all.
Each of us found pieces that resonated on a personal level. Cinthia was drawn to Edward Hopper’s House at Dusk, appreciating its quiet and reflective atmosphere. Olivia enjoyed the works of Andrew Wyeth, admiring his detailed and emotional portrayals.
Saara was captivated by Edwin Lord Weeks’ The Hour of Prayer at Moti Masjid…
…which stood out due to its rich colors and cultural depth. Chrissy’s favorite was John Singer Sargent’s The Sketchers, which impressed her with its lively and spontaneous feel.
Visiting museums like the VMFA is always a rewarding experience. No matter how many we explore, there’s always something new to learn and appreciate. Each visit offers a chance to see the world through different perspectives, and we’re grateful for the opportunity to continue discovering and growing through art.
The Poe Museum
by Chrissy Biello
Mystery, Madness, and Mayhem, three words that many would use to describe Edgar Allan Poe. Nevermore, that might not be the full story….
Edgar Allan Poe is known by many as an American short story writer and poet. His themes largely center around darkness, such as death, despair, and fear. He is widely credited with pioneering the modern detective story and significantly contributing to the emerging genre of science fiction.
Today, we had the chance to visit his home in Virginia, where we learned much about him. The museum began on a particularly somber note, discussing how his mother passed away when Poe was only two years old, leaving him orphaned.
Upon seeing a coffin, Olivia could not resist the urge to climb in. Surprisingly, it fit her perfectly, not to mention befitting her increasingly pallid complexion!
To give you some context, this coffin was placed here to symbolize the intense fear people in Poe’s era had of being buried alive. Due to this widespread anxiety, special coffins were designed with a mechanism that allowed the occupant to ring a bell from inside to call for help. However, when Olivia got inside, she chose not to ring the bell…
One aspect of the exhibit that I found especially intriguing was the pocket watch that Poe heard while writing “The Tell-Tale Heart.” I have always found this short story engaging and mysterious, as I tend to be drawn to darker subjects.
And, there has been considerable debate surrounding whether Poe was the artist of a watercolor painting or simply the gifter. The painting, which depicts a weeping woman, is quite interesting to observe. I appreciated the detailed wrinkles in her dress and the overall droopy appearance of the painting.
Another fascinating mystery in the museum concerns Poe’s hair. After his death, locks of his hair were cut from his head. Although the cause of his death remains a mystery, many have attempted to solve it. In 2002, a sample of his hair was analyzed, revealing the presence of many heavy metals, which were believed to have contributed to his death.
The museum also shed light on Poe’s posthumous reputation, largely shaped by his adversary, Rufus Griswold. Griswold painted Poe as a madman and drunkard in a posthumous biography. Ironically, this portrayal fueled Poe’s fame, but as mentioned earlier, we learned that Poe may not have been as crazy as everyone believed, leaving his legacy steeped in mystery and intrigue.
Before leaving the museum, we visited an upstairs section of the house featuring paintings. One painting, in particular, was quite amusing. It was titled Vincent Van Poe by Chris King and depicted Starry Night in the background, with Poe, a black cat, and a raven in the foreground.
As a fan of Poe, I thoroughly enjoyed the museum, especially since it was Poe’s actual home. It was also delightful to see a black cat, aptly named Edgar, moving around the building, setting the perfect atmosphere for reading and learning about Poe!
Metzger Bar and Butchery
For our last planned dinner of the trip, we opted for Metzger Bar and Butchery, whose chef, Brittany Anderson, is a two-time James Beard semi-finalist.
We started the evening with a recommendation of our server, the Charred Cabbage, whose menu description was enigmatic: “Miso Bagna Cauda, Cured Egg, Gremolata, Calabrian Chili.” Whatever it was, it was great! We also had a bread baked in house (“cottage-cheese rolls”), which came with house-made butter adorned with radish slices.
Three of our party went with the Pork Schnitzel, and the general consensus was that this was the best dish available. But we also tried the Chicken and the Steak, and all of it was excellent.
Although we were full, we were willingly talked into dessert, which included an Olive Oil Cake, the Heirloom Corn Funnel Cake, and a Honeynut Squash Sundae. The latter dessert made us pause–a squash sundae? But it was the favorite of the group!
It was a rich and fulfilling end to a busy and rewarding day.
With a full day in Philadelphia ahead of us, LEAP students ventured into town this morning to explore the beautiful public art around the city. Our first stop, of course, had to begin with Philadelphia City Hall, the largest in the nation! Afterall, this eye-catching building is grounded in one of the most historical states. The building itself is noticeable from many miles away, with a statue of William Penn, founder of Pennsylvania. The statue, sculpted by Alexander Milne Calder (Not to be confused with contemporary abstract artist Alexander “Sandy” Calder), brings not only the state’s historical aspect to the City Hall, but also connects other notable pieces of artwork to the artist.
Ambassadors in front of City Hall (and Oldenburg Sculpture)
Just a short stroll down Logan Square, we encountered Three Discs, One Lacking by Sandy Calder, grandson of Milne. Further down the Benjamin Franklin Parkway, the Calder legacy continues with the Swann Memorial Fountain, which was created by Alexander Stirling Calder, the father of Sandy Calder. These pieces not only highlight the artistic legacy of the Calder family but also illustrate how thoughtful city planning can weave art into the very fabric of a community. The alignment of these sculptures offered us a unique opportunity to reflect on how art connects generations and transforms public spaces.
As we continued exploring Logan Square, a lovely red caught the eye of many. Surely enough, we were met with yet another LOVE sculpture by Robert Indiana!
“LOVE,” by Robert Indiana
By the end of the day, we’d spotted three of Indiana’s works, including the AMOR sculpture, which added a multilingual flair to the city’s celebration of brotherly love.
“Amor,” by Robert Indiana
One artist that I was unfamiliar of during this tour was Zenos Frudakis. His sculpture Freedom, however, quickly became my favorite. The theatrical movement of the statues and the intricate details within each sculpture made every piece a part of a larger narrative, expressing an individual’s desire to abandon a life of comfort in pursuit of freedom.
“Freedom,” by Zenos Frudakis
We also encountered a mural by Richard Haas, another artist familiar to LEAP students. Keeping his famous trompe l’oeil style, the piece depicted Benjamin Franklin and William Penn and spans an entire wall to capture the essence of Philadelphia’s historical and cultural heritage.
Richard Haas Mural, 2300 Chestnut
Haas even drew inspiration from the Benjamin Franklin Statue by John Boyle, located on the University of Pennsylvania campus.
Philadelphia’s public art left us with a deeper appreciation for the city’s vibrant cultural identity. From the Calder family’s generational influence to the iconic works by Indiana, Frudakis, and Haas, each piece added a layer of history, creativity, and connection to our journey. By the end of the day, we realized that the city itself is a canvas, where every corner invites reflection and inspiration.
Lunch at Casa Mexicoand South Philly Barbacoa
by Israel Gallegos
For our much-needed lunch break, we went to Casa Mexico and South Philly Barbacoa, a joint restaurant heading towards the southern part of Philadelphia. The restaurant’s head chef, Cristina Martinez, is a James Beard Award recipient for Best Chef in the Mid-Atlantic region in 2022. So, we took this as a great sign to cross this off our trip list!
We ordered an array of dishes to get the full Mexican experience with a twist of Philadelphian culture. Accompanying our dishes, the group ordered horchata and jamaica, which passed Cinthia’s freshness test, and the guacamole, which was excellent.
The course started with half a kilo of barbacoa for the group, followed by chiles rellenos, a staple Mexican dish. The group also enjoyed enchiladas verdes. Personally, having tried enchiladas verdes many times, I can attest to the quality of the enchiladas at Casa Mexico.
To top off the main course, we had mole, which was my personal favorite as it tasted like home.
To end the meal, we of course had to indulge in our sweet craving and try both the tres leches cake and flan!
Somehow, we still found a bit of space in our stomachs, so we walked down the street in the freezing temperatures to get warm cups of coffee. The establishment, Rim Café, an Italian American café, was decorated as if they were collectors of timepieces depicting the true Italian American culture. Our Italian in the group, Olivia, was the judge, and she said the place reminded her of her uncle’s garage. I take that as the place doing a good job embodying a part of the culture.
Sticking to the classics, we ordered the original and chocolate cannoli (both of which were devoured in seconds).
Nevertheless, my favorite sight at Rim Café was an affogato that Saara got, it consisted of tiramisu gelato on the outside and hot espresso in the middle of it, providing a perfect mixture of hot and cold. Although I got the after-lunch dip, we kept moving to our next stop, the Barnes Foundation.
Experiencing the Philadelphia Barnes Collection
by Cinthia Villarreal
Dr. Barnes started his ambitious collection of art in 1912 and during four decades went on to collect what is now known as a highly regarded assemblage of art. With over 170 paintings of Renoir, and multiple works of Picasso, Van Gogh, Degas, Modigliani, and Seurat, we were all looking forward to visiting the Barnes Foundation in Philadelphia.
After a brief delay caused by an over-zealous security guard (take your jackets off!”). we entered the main room, and we could see the beautiful pieces decorating the four walls. Impressionism, characterized by short, broken brushstrokes and unmixed colors, is one of my favorite styles of art, so I was absolutely delighted as I saw Renoir’s name repeat itself throughout the walls.
As we moved through the exhibit, we started recognizing names from past museum visits, including Olivia’s favorite piece from Goya.
A unique feature of Barnes Foundation is that they do not use the common labels with the title and artist next to each of the pieces. Instead, they have brass plaques fixated with the artist’s name on each of the ornate frames.
To assist those who would like to understand a piece further, the Foundation allows one to scan the paintings with a phone to learn more about the composition and history of the piece.
Isreal, who’s less exposed to the art scene, found a particular liking for the European art, as well as Michelle, who’s favorite was El Greco’s.
In all, we greatly appreciate expanding our understanding of the humanities, especially when it highlights the contrast between where we started and how much we’ve grown. The Barnes Foundation in Philadelphia was a great end to our day, filled with experiencing the city and all that it has to offer!
On day two in New York, we woke full of hope and to clear blue skies…
…albeit with a pronounced chill in the air.
Despite the cold, we were ready to explore the city on foot–not, perhaps, expecting to get in more than 30,000 steps while visiting four museums and two libraries!
Although these museums host art from myriad genres and movements, we focused on three primary areas: American, European, and Modern/Contemporary, finding that this was more than enough to keep us busy over a long day while also expanding our knowledge of the arts.
American
With us bringing different levels of knowledge about art to the trip, there was something for everyone to enjoy–and learn about–among the Museums’ many collections. Speaking for myself, I had many opportunities for learning, and my first such experience of the day involved coming across Early Sunday Morning, by Edward Hopper, at The Whitney.
The American collections had many great pieces, showcasing the depth and diversity of American art. Edward Hopper’s Early Sunday Morning (Whitney) drew me in…
“Early Sunday Morning,” by Edward Hopper
…which was perhaps appropriate, inasmuch as Hopper was born near New York, and he died in Manhattan, not far from where we were seeing his work. This particular piece, I learned, reflected his most commonly emphasized colors (red, yellow, blue, green), as well as the sense of loneliness and isolation that so often characterizes his art.
The museums also showcased Thomas Hart Benton, one of Professor Yawn’s favorite artists. His piece The Lord is my Shepherd (Whitney), Cotton Pickers (The Met), and America Today (The Met), highlighted the regionalist style, while also showcasing Benton’s sense of artistic rhythm.
The representation of African American artists was particularly moving, including Jacob Lawrence’s emotionally charged War Series, which captured collective anxiety…
…and Horace Pippin’s compelling Cabin in the Cotton (Whitney).
We should also mention a work of art in its own (W)right: The Guggenheim Museum. Although all of us appreciate Frank Lloyd Wright’s work none of us had been inside one of the last major architectural works of Wright’s story career, In addition to scoping out the art around the walls and alcoves, we also spent much time simply looking at the interior from various angles and perspectives. Beyond the many genres of art we had a chance to experience, we added to this list American architecture.
European
The European collections presented numerous memorable works. One of the day’s highlights was getting a selfie with Vincent van Gogh’s Self Portrait with a Straw Hat (The Met) and seeing a study of Georges Seurat’s magnificent A Sunday on La Grande Jatte (The Met). Other notable works included John Singer Sargent’s Wyndham Sisters (The Met) and Renoir’s Woman with Parakeet (Guggenheim).
Moreover, I was particularly excited to see more pieces by Edgar Degas, especially after seeing a copy of his famous sculpture Little Dancer of Fourteen Years outside the Degas House in New Orleans. One that I was fond of is his Dancer Moving Forward (Guggenheim) sculpture.
Modern
The modern collections sparked much reminiscence and contemplation. Georgia O’Keeffe’s Ladder to the Moon (Whitney) initially made our group think of Leandro Erlich’s Too Late for Help piece in the New Orleans Museum of Art Besthoff Sculpture Garden, and it was a different look than what we were used to seeing from Ms. O’Keeffe.
And, Keith Haring’sUntitled 1981 piece (Whitney) was enjoyed by everyone and left us thinking of his other known works.
Rene Magritte’s The Lovers (MoMA) particularly excited Olivia, while Salvador Dali’s The Persistence of Memory (MoMA) proved even more captivating in person than in reproductions.
Jackson Pollock’s One: Number 31 (MoMA) captivated us with its scale and abstract expressionist techniques. And, seeing Vincent van Gogh’s Starry Night (MoMA) in person was a treat, a piece Olivia and I had long hoped to experience!
Seeing art from these diverse categories has helped structure my understanding. As I learn more about art, it becomes enjoyable to identify artists before reading the placards. I hope to develop this skill further, aspiring to reach the expertise level of Stephanie, Professor Yawn, and Olivia!
NY Stroll
Walking to four art museums allows for quite a lot of site-seeing, and we tried too make most of our journeys on foot. We began by hoping to photograph the Statue of Liberty, but we were foiled by New York’s never-ending construction. The Statue of Liberty was visible only by boat or through a window, and we only had time for the latter–definitely not the photo we hoped for.
As if to compensate, we had an unexpected photo opportunity, when we all witnessed what Olivia described as “the most New York thing I’ve ever seen”–a squirrel eating a bagel.
We also made our way past the “Charging Bull”, which judging by the sides of the crowds, was probably one of the most popular sites in NYC.
Nearby, we saw the statue of the defiant and vigilant girl, who keeps watch on the New York Stock Exchange.
Because this trip was designed for us to see the presidential inauguration, we also stopped by “Again”, the Federal Hall, to get another and better photo of the George Washington Statue. This significant site was witness to the first ever presidential inauguration and, later, to the writing of the Bill of Rights.
Probably the biggest treat for us was visiting the grand New York Public Library. We stopped for a selfie here, named after the two famous lions who stand guard to the front of the building.
One of these lions is named Patience; one is named Fortitude. No one, it seems, knows which is which, and because they are identical, we’re not sure it matters. Inside the NY Public Library, we visited the periodical reading room, which features 13 murals by Richard Haas. After some negotiation with the paid staff, we were allowed to take a few pictures. Haas, of course, has done 15 murals in our adopted hometown of Huntsville, Texas. Interestingly, New York has the most interior murals of Richard Haas, while Huntsville has the most exterior murals of his in any city in the world. Not to brag, or anything. (Thank you Linda Pease.)
Of course, we had to stop into the nearby Grand Central Station, which we found to be beautiful.
Chrissy also found the “whispering wall,” where a vocalization on one corner will transmit to the other corner, with those in between none the wiser.
All of the above occurred fairly early in our 15 hour day. Our trip back to the hotel, however, was at the end of the day through Times Square, which Chrissy regarded as a special hell on Earth. Having walked more that 30,000 steps, Chrissy’s ankles were literally bleeding, and her misery quickly became ours.
In fairness, Times Square is a bit much, even by American standards. After spending the day reviewing the classics of art, it was a bit jarring to be amidst the gawkers, wannabe influencers, and loiterers. This, combined with the loud sounds and bright, multicolored lights, provided more than enough stimulation for everyone.
Amidst this chaos, we found Hope, literally. In 2008, Robert Indian transformed his classic LOVE sculpture into a HOPE sculpture, reflecting one of President Obama’s campaign messages. As Robert Indiana fans, we paused for a selfie, and in our head tallied up how many said large scale sculptures we have seen. Chrissy, 2; Olivia 4. And on this optimistic note, we wrapped up day two of our five-day democracy tour.
Among our many stops in New York, our visit to the Morgan Library was a highlight, far exceeding my expectations. I knew it would be beautiful, but the experience left me in awe.
We began with an exhibit on Belle da Costa Greene, the library’s first director, whose story was as inspiring as the treasures she curated. Born in 1879, Greene was an African American woman who passed as white to navigate the racial barriers of her time.
Despite these challenges, she rose to prominence as a librarian and curator, eventually studying at Pratt Institute, where she trained for her remarkable career. Her contributions shaped the Morgan Library into what it is today, and the exhibit offered a glimpse into her extraordinary life and work.
The structure itself was stunning. In one room, for example, the ceiling crafted by Samuel Yellin, featuring 648 intricately detailed birds—each unique, down to the shape of their beaks.
Among the exhibit’s standout items were pieces from Belle Greene’s personal collection, including Albrecht Dürer’s Melencolia I…
…a masterpiece I’d studied in class, as well as a William Blake drawing and a signed poem by John Keats.
I was especially captivated by her desk and personal collection, which continued to show her exceptional taste!
From there, we moved into the library’s main attraction—the breathtaking library room itself. Shelves were lined with treasures, including titles such as Dante’s Inferno…
…Rousseau’s The Social Contract, and works by Voltaire.
We even saw ancient artifacts from Mesopotamia and a Gutenberg Bible!
I felt like a kid in a candy store!
As befits a wealthy collector, Morgan also owned a healthy collection of art, some of which was also on display. Thus, we were able to not only glimpse into the lives of the very wealthy, we were also able to expand our knowledge of art, by seeing works from Henri Matisse, John Singer Sargent, and William Wetmore Story, among others.
Before leaving, we quickly explored aFranz Kafka exhibit. Though our time there was brief, it was fascinating to see pieces that shed light on his complex and often enigmatic life.
As someone who has read some of his work, I wished we’d had more time to immerse ourselves in his story, especially after seeing an Andy Warhol portrait of him.
In the words of Kafka himself, “It is irresponsible to travel, even to live, without taking notes.” It was a privilege to add this visit to our travels—and to write about it!
On our first day in New York City, we decided it would be a good idea to explore the area and familiarize ourselves with the surroundings, including the subway system. It turned out to be a great decision, as we encountered many fascinating and exciting sights along the way!
As we began walking through the city, Professor Yawn noticed our proximity to the historic Prince Street. Along this notable street stands the first Richard Haas mural, which Olivia enthusiastically recognized and pointed out as we approached.
Richard Haas’s First Mural, 1974
The mural, gracing 112 Prince Street since 1974, features intricate details that have been thoughtfully added over the years. But even as an early work, it reflects Haas’s artistic and architectural sensibilities, as well as his ability to transform a space through art.
Haas, who lives in New York, once spent a summer working for Frank Lloyd Wright, before embarking on a successful career as what the New York Times referred to as an “urbanologist.”
Thanks to the work of Linda Pease, Haas brought his Urbanology to Huntsville, TX, where he has completed 15 exterior murals–the most of any city. Thus, despite being strangers in the strange land of New York City, we felt oddly at home.
Continuing our walk, Chinatown emerged as a fascinating destination; its narrow streets offered an authentic glimpse into this vibrant New York neighborhood.
To our delight, we found the New York City Hall, a magnificent French Renaissance Revival structure still bearing the inscription “New Amsterdam;” a beautiful reminder of the city’s Dutch origins.
Next on our route was Federal Hall, which was erected in the 19th century as a Customs House. Prior the construction of the present building, however, the site hosted many milestones in the formulation of the United States government. The US Congress, such as it was, met here in the 1780s, when the (semi) United States of America was governed under the Articles of Confederation, and even as the US Constitution was written to supersede the Articles, the First Congress met on this site–and the Bill of Rights was first proposed here. More relevant to our current trip, George Washington was inaugurated on the balcony of the old Federal Building–the first-ever US Presidential inauguration! Standing on this site, therefore felt particularly resonant, considering we will be witnessing the 47th presidential inauguration in DC on Monday!
Approaching the Brooklyn Bridge, we began to make the long way up; winds from the surrounding waters grew increasingly cold.
This suspension bridge, one of the oldest in the United States, goes over the East River and connects Manhattan and Brooklyn.
When we reached the top, the spectacular view, however, made the chilly walk (the wind chill was in the teens) entirely worthwhile!
A shift in the atmosphere became apparent when we visited the 9/11 Memorial. The names etched in bronze, the twin waterfall pools, and the One World Trade Center made us all feel reflective. Saturday, we will get the chance to visit the museum, something we are greatly looking forward to as it will allow us to educate ourselves more on that disastrous day.
Before heading back to prepare for our evening of theater (Hadestown and Sunset Boulevard), we stopped at Zuccotti Park to observe Mark di Suvero’s “Joie de Vivre.” The 70-foot red steel sculpture definitely stands out against the Financial District backdrop, with its modern design creating an interesting contrast with the surrounding area.
Finally, we returned to the subway, hoping our earlier experiences had made us experts. Despite our optimism, we still struggled to navigate the system (particularly myself), but successfully made our way back to the hotel to prepare for an evening of theater.
Katz’s Deli
Although our time in NYC is short, we hope to squeeze in as many quality (and affordable) restaurants (and coffee shops) as possible. Thus, amidst our rambles on New York’s sidewalks, we espied Katz’s Deli, which was rated as the “Best Deli” in the Big Apple by Zagat, while also regularly appearing in the New York Times’ various “best of” lists. It is also notable for the many films that have set scenes in the Deli, including Donnie Brasco, We Own the Night, The Sidewalks of New York, and most famously, When Harry Met Sally.
Being new to the place, we weren’t familiar with the unique ordering system of Katz’s. When you enter, you are handed a ticket, which you then take to a counter where one of approximately 15 “cutters” are stationed. The cutters, so named because they cut the meat in front of you, offer suggestions and samples, and so it was that Professor Yawn ordered Pastrami…
…and Olivia ordered a Reuben.
Chrissy, for her part, took a different approach, veering from the “I’ll have what she’s having” custom at Katz’s. To hear Chrissy tell of her upbringing–an upbringing that changes upon retelling, depending on her energy level and degree of coherence–she was fed baloney, almost exclusively, for the first six or seven years of her life.
If we followed this narrative correctly, this prompted her to order “soft salami.” Despite gentle nudges from the cutter to consider the pastrami, Ms. Biello remained obdurate, insisting on the salami. The cutter, clearly disappointed, complied, although his look of disappointment was palpable.
Just because we ordered separate foods, however, doesn’t mean we actually ate separately. Chrissy shared in both the pastrami and the Reuben, while all of us sampled all the food at our table.
While we can’t compare Katz’s to other NY Delis, we were in general agreement that we don’t get Pastrami or Corned Beef as good in Texas…and we have a full appreciation for why the New York Times called this institution–in business since 1888–the “king of New York delis.”
Hadestown on Broadway
by Olivia Discon
After spending the day exploring New York, Chrissy and I ended the night with a Broadway show—Hadestownat the Walter Kerr Theatre. Watching a production in this historic venue was an incredible experience, and Hadestown lived up to its reputation as one of Broadway’s best.
Written by Anaïs Mitchell, Hadestown is a retelling of the ancient Greek myth of Orpheus and Eurydice. The story follows Orpheus, a musician, and his journey to the Underworld to rescue his love, Eurydice, from Hades. The story covers some heavy hitting subjects while successfully executing a modern day retelling of the tragedy.
Chrissy and I both thoroughly enjoyed the set design.
The stage featured three spinning circles that worked like a treadmill, adding fluidity to the choreography and creating a sense of constant motion. This small but awesome detail elevated the performance and made every scene feel dynamic and alive.
The live jazz band, positioned on stage, was another highlight. Their presence both in song and in sound effects elevated the entire experience. It sort of reminded me of the live band that played at the first play I saw with LEAP, Chicago!
For Chrissy, Hermes (played by Malcolm Armwood) was the standout character, while I loved Persephone (played by Allison Russell). Both actors were incredibly talented and brought vastly different elements to the production. This cast can sing!
Seeing Hadestown has been a dream of mine for years, and getting to experience it with LEAP made it even more special. It’s a night I’ll cherish for a long time.
SHAIP Lunch & Learn: Insights at the Texas State University System Office
by Cinthia Villarreal
With a few days of Capitol work under our belts, the SHAIP interns attended our first lunch-and-learn at the Texas State University System (TSUS) administrative headquarters, O. Henry Hall. The building, formerly a Post Office, Federal Court House, and University of Texas System headquarters is a historical and educational marvel in and of itself, making for an excellent site to learn more about the capital of Texas.
We had the privilege of sharing lunch with Chancellor Brian McCall, Vice Chancellor for Governmental Relations Sean Cunningham, Assistant Vice Chancellor for Governmental Relations Johanna Sheffield, Vice Chancellor for Academic & Health Affairs John Hayek, Director of External Relations Malú González, and Vice Chancellor for Marketing & Communications Mike Wintemute. Joining us were LEAP students Macey Schank, Michelle Moya, and TSUS Student Regent Olivia Discon.
Chancellor McCall explained the role TSUS has throughout the legislative process, including the vitality of state funds the system receives. Vice Chancellor Hayek also shared a few fascinating facts, noting that TSUS, established in 1911, was the first higher education system in Texas. It now serves over 95,000 students across seven institutions, including Sam Houston State University.
A highlight of the lunch was hearing from Vice Chancellor Cunningham, who reflected on his own internship experience working for then-Representative McCall, giving us valuable perspective on how these opportunities can shape careers.
After lunch, Assistant Vice Chancellor Sheffield took us to the TSUS balcony, where we enjoyed a stunning view of Austin’s lively downtown.
We are sincerely grateful to the TSUS leadership for taking the time to meet with us, share their insights, and offer their support as we begin our journey.
Learning from Leaders: Melva Gomez and Steve Munisteri
by Olivia Discon
Following our visit to the Texas State University System (TSUS), the LEAP Ambassadors had the privilege of meeting with Melva Gomez, a former LEAP Ambassador who has risen to impressive heights in her career. Melva recently transitioned from her role as Chief of Staff for Representative Caroline Harris to serving as a Legislative Liaison in Governor Greg Abbott’s office.
Congratulations to Melva on this remarkable achievement! As current LEAP Ambassadors, we found it inspiring to see the impact of Sam Houston State University alumni in such important roles within the Capitol.
Pictured: Melva Gomez and Mac Woodward, 2012
During our visit, we admired a Tom Lea painting in the Governor’s Office—a nod to Texas history—before heading to Steve Munisteri’s office.
Munisteri, who has an incredible career spanning politics, martial arts, and now serving as Senior Advisor to the Governor’s Office, shared fascinating stories and artifacts with us. He graciously showed us a bit around his office, which was lined with incredible artifacts spanning his career. We were amazed at the opportunity!
A Quick Tour of the Texas Capitol
by Macey Schank
Visiting the Capitol was the highlight of my trip, especially since it was my first time there. As soon as I stepped inside, I was struck by the building’s beauty and the meticulous attention to detail, right down to the custom door hinges. Every element of the design brings attention to the Capitol’s historic significance, making it a must-see for anyone visiting Austin.
During my tour, I had the opportunity to visit several important spaces, including the House of Representatives and the Senate chambers. It was so cool to stand in places where many important decisions have been, and continue to be, made.
Pictured: LEAP Students in the Texas House of Representatives
One neat part of the visit was discovering multiple iterations of Sam Houston, including a portrait of him hanging in the Capitol in recognition of his time as Governor of Texas. As a student at Sam Houston State University, it was especially meaningful to see these tributes to such an important figure in Texas history, which of course we had to take a selfie with!
It filled me with a sense of pride to be attending a school named after such a remarkable man.
Overall, my visit to the Capitol was an unforgettable experience. I had a great time exploring the building and learning about its history and the important work that takes place inside.
ASTI Trattoria
by Michelle Moya
To finish off our short but eventful Austin trip, we ended with a dinner at ASTI Trattoria to celebrate the SHAIP interns before their busy session ahead! The moment we stepped inside, the restaurant’s warmth and soft lighting truly cultivated the vibe of the restaurant perfectly. Notably, the kind of cozy that promises the Italian hospitality making you forget about the freezing Austin weather entirely!
We kicked off our feast with appetizers that set the tone for the night. We ordered the stuffed mushrooms and the polpetti. While mushrooms aren’t usually my thing, even I had to admire their presentation. Polpetti, being comprised of meatballs, came drenched in a rich red sauce that beautifully displayed a proper introduction to ASTI’s commitment to authentic Italian flavors!
When it came to main courses, our table truly showcased everyone’s love for pasta. Three of our group—Olivia, Cinthia, and Michelle—chose the Rigatoni Amatriciana, each plate crowned with a shower of freshly grated cheese.
Saara decided to branch out and get the Capellini Neopolitano, and Macey and Sarah synchronized their orders with the spaghetti carbonara, while Professor Yawn went for the Lasagna Rotolo, which, at first glance, I mistook for soup. I veered off the pasta path and chose the grilled rainbow trout. It came perched atop sweet potato ricotta gnocchi—which truly was great! The lemon on the side really pulled it together.
Dessert was where things got interesting. This is where we decided to venture out and ordered a little bit of everything: a Ricotta Brulee that put an Italian spin on the French classic, an Affogato, which is coffee and ice cream mixed, a classic Tiramisu, and a homemade ice cream topped with chocolate syrup. Thanks to past LEAP events I’ve attended, I’ve developed quite the palate for crème brûlée variations, but that Tiramisu? I have to give it to the Tiramisu for the night.
We capped off the evening with a photo alongside Chef Bryan Beneke, the prime mover behind our feast. As far as farewell dinners go, ASTI Trattoria proved that nothing brings people together quite like good company and great food. The SHAIP interns might be heading into a busy session, but at least they’re going with full hearts and a happy stomach!
After four educationally filled days in New Orleans, it is time to reflect on our favorites adventures in New Orleans.
Saffron was a hit amongst the group, being their highest ranked restaurant!
There was so much food variety that is no clear favorite, but the Chicken Lasooni and the Ginger Creme Brulee from Saffron would be the closest to it.
The Besthoff Sculpture Garden was the most talked about attraction in NOLA!
But Chrissy thoroughly enjoyed the World War II Museum, making it her favorite.
Now when it came to the educational sessions held by the Council of State Government Conference everyone was impressed by the Civil Discourse Strategies session.
Michelle also learned a whole lot from the session detailing U.S. Supreme Court Updates, while Chrissy and Olivia got lost in the future with the Smart States session.
But we learned from all our adventures, packing in as much as possible in a four-day trip–the LEAP way.
Center for Law, Engagement, and Politics 