First Night at Caddo Lake

By Brian Aldaco (Photographs by LEAP Center students unless otherwise noted)

Acclaimed photographer, Mark Burns, unveiled his National Parks Photography Project in 2016, displaying his black-and-white photographs at the Bush Presidential Library. After accomplishing this feat, Burns became the only photographer to capture all 59 national parks in black-and-white.

Mark Burns, National Parks, Photography, Craig Robbins
Photograph by Craig Robbins

Akin to Ansel Adams, Burns is drawn to the wilderness throughout his quest to capture the perfect image. After having portrayed the magnificence of sites across the United States, this Houston-based photographer was called back home to the beauty of his own state. Mark Burns has now begun his newest project: to photograph Caddo Lake in Uncertain, Texas.

Given its proximity to SHSU and the relationship that the LEAP Center has forged with Burns, the LEAP Ambassadors decided to initiate a documentary on Burns and his work.  Commissioning two MCOM students–including Sierra Dolch, who accompanied us on this trip–the Ambassadors, Dolch, and Burns set out for Caddo Lake.

This trip was primarily a scouting trip, a chance to find the most photogenic spots on the lake.  Later, we’ll return in the fall to exploit the season’s vivid colors and exploit our knowledge of the lake.

The excursion began on Friday, July 14, with thunderstorms hovering over us and lighting cracking through the heavy showers.  But as we arrived in the small town of Uncertain, TX (population 94), the skies cleared just enough to avoid rain, while still providing us with a nice photographic backdrop.

LEAP Center, Mark Burns, SHSU, Sierra Dolch, Documentary, Photography, Caddo Lake

Among the Spanish moss-covered cypress trees, we discovered Blue Herons…

Blue Heron, LEAP Center, SHSU, Mark Burns, Photography, Caddo Lake

salvinia, drifting water lilies, turtles, and egrets.

Egret, LEAP Center, SHSU, Documentary, Photography, Caddo Lake

Everyone was captivated by the lake’s fauna and flora as we glided over the serene water. The looming trees contrasting against the glistening water made for an endless vista that had us all amazed.

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

Yet, Mark’s ever-searching gaze never wavered. While we floated down the river, there were moments when he asked our boat’s captain, Wes Holland, to stop his vessel. Focused on the scene that had captured his attention, he set his camera, reflected, and shot.

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

Whether it was the creeping rays of a setting sun, the shine off the water lilies, or the glow of a sky at golden-hour, Mr. Burns knew what would look best through the lens of his cameras.

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

All the while, Sierra Dolch did her best to capture the environment in which Mark was observing and working…

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

Eventually, the sun’s last rays were nothing but vanishing purple and red streaks across the darkening sky…

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

…which made for a pretty soon, but soon led to decreased visibility, and we turned back for the shore.

The boat tour was made all the more pleasurable with the guidance of Captain Wes Holland…

SHSU, LEAP Center, Caddo Lake, Documentary, Mark Burns, Photography

…who kept us on time, on track, filled in some interesting facts about the lake, and even let Brian steer!

Mark Burns, SHSU, Docuementary, LEAP Center, Photography, Caddo Lake

But our learning experiences were not over!  In the hotel, we were joined by a second crew of LEAP Ambassadors who got a late start because of work.  When they arrived at the hotel, we gathered in a hotel room to learn about using film from a 4X5 camera, which Burns will use on this trip (and other trips).

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

With Sierra providing instruction to Brian, the camera was set, and we were ready for our group tutorial.  The film has to be kept in a cool environment, so Burns transports it in a cooler.  He then has to ready the film for use, which has to be done without exposing it…

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

…which is accomplished with a film-changing tent. This device allows the photographer to position the film in sleeves without exposing it.

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

It can be a cumbersome process, with the photographer using braille type markings to know how to position the film.  But Burns was able to prepare about ten frames of film and tutor us in about 15 minutes.  It was an interesting coda to an interesting day.

With that lesson fresh in our mind–along with the prospect of a four am wake-up call–we headed off to our rooms, armed with the prospect of another smile-inducing day ahead of us.

LEAP Center, SHSU, Documentary, Photography, Mark Burns, Caddo Lake

 

 

 

Far Out with the Far East

The mission of the LEAP Center is to provide unique learning opportunities and implicit in this mission is the idea of learning about new cultures and disciplines.  Cross-cultural and interdisciplinary learning were certainly central to our Houston “Arts and Parks” tour.

We began our 2nd day of the trip with a visit to the Herrman Park Japanese Garden.

LEAP Ambassadors, Center for Law Engagement And Politics, LEAP Center, Hermann Park

We also marveled at an Isamu Noguchi residing in Ms. Moody’s guest room. Perhaps this recurring motif lead us to choose Azuma Sushi and Robata Grill for dinner.

We found this as a great opportunity for some of the students to try new things. For some of the LEAPsters, this was their first time to try sushi. We ordered an array of sushi rolls, noodles, and other traditional Japanese plates so that everyone would have a chance to fulfill their culinary curiosity.

More curiously, it was Makayla Mason’s first time to try ribs.  We all ignored the fact that this Texas life-long resident had never had one of the state’s most iconic meals and recognized her adventurous accomplishment.

Empowered by this adventurous spirt, we took a drive down Houston’s still-roaring roads to visit the Houston Police Officer’s Memorial. Designed by Jesus Moroles, the memorial resembles a Mezo-American pyramid with its geometric outline and elevating levels. Rising in the middle the field, the structure commemorates the lives of fallen Houston police officers. Under the twinkling skyline of the city, we climbed the memorial to get a better view of the mesmerizing vista.

Jesus Moroles, Police Memorial, Houston, LEAP Center, SHSU

Such added adventures made for a late night, but with rain in the forecast, we were promised a late morning start, allowing us to get ready for a continuation of our multi-cultural adventure.

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Continuing a Cultural Adventure, Kaitlyn Tyra

Well rested and eager to leap into the day’s adventures, LEAP Ambassadors embarked on the final leg of our Houston Arts and Parks Tour. To begin our day, we drove to the Asia Society Texas Center. Established in Houston with the help of former First Lady Barbara Bush, the center provides community engagement for Houston residents of Asian heritage and those wanting to learn more about the culture.

Before entering the art gallery, we admired the architecture of Yoshio Taniguchi, a Japanese architect, and learned about the design.

The Asia Society, Houston, LEAP Center, SHSU

Both inside and outside, Professor Yawn emphasized the horizontal lines traditional to that of Asian architecture while the building’s vertical lines incorporated American design into the structure. This was designed by Taniguchi to bind the American and Asian cultures together.

The first floor of the Asia Society houses a café, theatre, and art gallery. The gallery included numerous paintings by . Born in India, he earned his Masters in Fine Arts from Indiana University and now teaches at the Maryland Institute College of Art (MICA). Majumdar created works of abstraction. But unlike other artists specialized in this discipline, Majumdar depicts the convergence of cultures through his art work.

 

The Asia Society, Houston, LEAP Center, SHSU, Sangram MajumdarA prevalent motif is also theatre, as he has experience in this profession and uses it as inspiration. His paintings allude to this trade, and depict images of performers getting ready for a play or the proscenium of a theater.

Craving a more realistic representation of theatre, we entered the Brown Foundation Performing Arts Theater, adjacent to Majumdar’s art work. With walls lined with cherry wood panels and seats designed by Poltrona Frau, leather seat maker for Maserati and Ferrari, the acoustically rich theatre was spared no expense in order to achieve an excellent viewing experience. We had a chance to play around on the front stage and bounce on its Appalachian white oak floors.

SHSU, Asia Society, Houston, LEAP Center, SHSU

And even though the ever present use of wood in the building’s walls and floors is an aesthetic pleasure, nothing compares to the beauty of the artwork we were about to see.

Upstairs in the Sarofirm Gallery, we had the opportunity to learn about modern Japanese bamboo art. A new form of art for many of the LEAP Ambassadors, we were amazed by the craftsmanship in every piece.

Asia Society, Houston, LEAP Center, SHSU, Bamboo Art

These artists, some of which come from families dedicated to this craft for generations, have mastered the technique to shape bamboo into whatever form they please.

The process requires a developed taste for perfection and a precision to delicately weave one of nature’s strongest natural substances.

 

Interestingly, many of these pieces had a functional purpose. For example, one of the artists made his piece so that it could function as a fruit bowl, while another crafted the bamboo to use it as a vase.

Asia Society, Houston, LEAP Center, SHSU, Bamboo Art

It left us with much to ponder.

Asia Society, Houston, LEAP Center, SHSU, Bamboo Art

It also capped off the Asian theme of our trip.  Having seen work by Naguchi, visited the Japanese Gardens, eaten at an Asian restaurant, we now had an extensive exploration of Asian art and architecture. It wouldn’t be our last exploration of the trip, but it was one of our most fulfilling!

Asia Society, Houston, LEAP Center, SHSU, Bamboo Art

 

Houston’s Arts & Parks–Arts Edition!

Moody Gallery, By Bianca Saliderna

Following a vigorous morning at the park, we headed to one of the more than 60 art galleries in the Houston area, the Moody Art Gallery, where a special tour waited for us. As we took our first step into the gallery, Betty Moody, the owner of the gallery, was quick to give us a warm welcome to her very special art venue.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts

As the tour began, we learned that approximately 42 years ago Ms. Moody and her husband, Bill Steffy, embarked on a journey when they decided to acquire a property and open their very own art gallery. Over the decades of dealing art for accomplished artists, she has built a good reputation and now deals artworks by Arthur Turner, Jim Love, Terry Allen, Mary McCleary, and Luis Jimenez, to name just a few.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts, Luis Jimenez

Her knowledge and passion have led her to not choose art because of a simple trend, but to choose it because of the meaning and the story behind the piece.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts

Through viewing some of the most attention-grabbing art in her collection, we discovered that each person interpreted each piece differently and that, although dissimilar, they could all be representations intended by the artist.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts, Mary McCleary

One of the pieces that Ms. Moody focused on was Snow Vanitas, a mixed media collage by the local artist Mary McCleary. From a distance, it seemed like a simple piece, however, the illusions created by different elements including plastic, paint, wire, and wood, created a stunning result. Additionally, each of her three-dimensional collages have a story to tell and are created to leave an impact.

It was a learning experience in every way.  We learned archiving methods…

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts

…strategies for displaying art pieces…

…the stories behind unusual art…

…and even how to use a rolodex!

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts
To continue with our learning adventure, Betty Moody gave us a tour of her own home, located a wall behind the art gallery.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts

There, she showed us some of her most precious and sentimental pieces she owns.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts

Decorated with Pre-Colombian art as well as modern pieces by Randy Twaddle, Robert Rauschenberg, Luis Jimenez, and the like, the room was a beautiful embodiment of art. Embedded in her book shelves were not only a trove of books, but also a Campbell’s Soup can signed by Andy Warhol!

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts, Andy Warhol

We also had the chance to see a Picasso on her kitchen shelf!

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts, Picasso

Ms. Moody’s home could easily be used as an art museum.

Although we are certain that these were highly valuable to Ms. Moody, without a doubt her most treasured objects where Bill Steffy’s visually attractive works. As a sculptor and jeweler, he incorporated silver and materials like turquoise to give each piece a unique appearance. Surprisingly enough, what appeared to be a bird sculpture, was a jewelry box, which with the click of a button released a stunning pendant from its wing.  It was one of our favorite pieces in the entire collection.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts, Bill Steffy
Photo from Houston Chronicle

There is no doubt varied talents are well exhibited at the Moody Art Gallery. Betty Moody gave us an unforgettable tour that went beyond our expectations.

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts

The LEAP Ambassadors will treasure this unprecedented experience.

ecious and sentimental pieces she owns.

Thanks to Ms. Moody’s intimate relationship with art and her generosity in sharing, we experienced a semester’s worth of art learning in one afternoon–while spending time with a delightful business owner and lady!

Betty Moody, Moody Art Gallery, SHSU, LEAP Center, Center for Law Engagement And Politics, Houston Arts, Helen Altman