Inside The Many Faces of Sam Houston Exhibit

by Michelle Moya

The Sam Houston Memorial Museum and Presidential Library (SHMM) offers visitors a chance to learn about one of Texas’ most influential figures but its newest exhibition, The Many Faces of Sam Houston, goes a step further. This week, the LEAP Ambassadors visited the museum’s latest display, which explores how Houston’s image has been crafted, challenged, and reimagined over the past 200 years.

The exhibit, which opened July 3, explores how Houston’s public image has evolved over the past two centuries. Featuring portraits, daguerreotypes, sculptures, and illustrations, the collection shows Houston not just as a political leader, but as someone who understood the significance of image. That theatrical quality becomes immediately clear as visitors move through the gallery, seeing how Houston deliberately transformed his appearance throughout his life.

One of the featured pieces is a recently commissioned portrait by Huntsville-based artist Lee Jamison. Inspired by an early daguerreotype, Jamison portrays Houston’s larger-than-life persona in a vivid, contemporary style. Jamison’s work is familiar to many in the community; his mural located at the corner of 12th Street and Sam Houston Avenue in Downtown Huntsville has become a local landmark and tribute to Texas history.

The exhibition also includes a marble bust of Houston by sculptor Elisabet Ney, part of the museum’s permanent collection. Ney, a German-born artist celebrated for her contributions to Texas art and history, presents a thoughtful and dignified version of Houston.

She is also known for her monumental statue of Houston that stands in the Texas State Capitol, further solidifying her role in shaping the state’s visual history.

The photographer Matthew Brady was also famous for documenting history. Indeed, in addition to his famous Civil War photographs, Brady captured 18 of 19 presidents during the mid-to-late 19th century. His photograph Sam Houston, from 1850, is on display.

Another highlight is Texas artist Tom Lea’s design for the five-cent Sam Houston commemorative stamp. Though small in size, the stamp represents a different kind of legacy–one meant for daily use and mass circulation. Lea chose to depict Houston as he appeared during his presidency of the Republic of Texas, offering Americans a consistent and iconic image of their Texas hero with every letter they sent.

The exhibition also includes 19th-century book illustrations and ephemera that reveal how Houston was presented to various audiences throughout his life and long after. Each artistic decision–from clothing to posture to facial expression–reflects how artists and publishers aimed to emphasize particular traits, whether strength, wisdom, or statesmanship.

Taken as a whole, “The Many Faces of Sam Houston” illustrates how carefully Houston curated his own public image and how generations of artists have continued to reimagine him. From Brady’s realistic portrait to Jamison’s modern interpretation, each piece tells us something not only about Houston, but about the era and perspective in which it was created.

The exhibition will remain on view through August 31, 2025, in the Katy & E. Don Walker, Sr. Education Center’s exhibit gallery. It is free and open to the public, offering a rare opportunity to explore the intersection of art, history, and memory through the life and legacy of Sam Houston.

A Day on the SHMM Grounds

Throughout the summer, the Sam Houston Memorial Museum and Republic of Texas Presidential Library offers “Spotlight Saturday” programs (10am-2pm), with each one highlighting different aspects of 19th century life.

This past Saturday, LEAP enjoyed one of our many visits to the Museum to learn about spinning, home-made ice cream as made during Sam Houston’s time, and the art of dueling, an interestingly complex artifact of another time.

The ice-cream, always a significant draw, wasn’t quite ready when we arrived, so we walked the Museum’s grounds (approximately 18 acres), enjoying this rustic retreat nestled in the heart of the community. There were waterfowl…

…squirrels, and turtles, including one that had a special need for attention.

When we returned, they were still churning the ice cream.

So, we ventured into the gift shop, which, in many ways, is a typical gift shop for a historical site. There are t-shirts, mugs, magnets, and the like.

But a few things distinguish the Wigwam Neosho. They have a nice book collection, including one written by Mac Woodward, one illustrated by Wade Dillon, and one written by an assemblage of students and staff, as well the excellent Houston biography written by James Haley. Moreover, Neosho has soap and pottery made on the Museum grounds, a nice touch.

We purchased one, this one made by Grady Mangum, who worked at SHSU.

Some of the bowls were a good size for ice-cream, but as it turns out, the ice cream wasn’t yet ready.

Accordingly, we checked out the spinning, which drew a full house.

After roaming the historic buildings on site…

…we managed to catch the leadup to one of the docents’ dueling sessions.

Phillips discussed some of the preparation work…

…including showing off the weapons used (which are also on display in the Museum).

Tim Ross and Matt Phillips discussed the finer points of dueling “etiquette,” which involved the use of seconds/mediaries, how to extricate yourself from an impending duel, and the negotiations over the specifications of the duel (weapon choice, number of paces). Timed for exactly “high noon,” the duel took place in front of us; Ross and Phillips did a realistic enactment of the contest–without, of course, real bullets–taking their paces, aiming, and firing, and without hurting anyone.

With the suspense over and the heat of the day bearing down, we turned back to the porch for ice cream. Unfortunately, it wasn’t ready.

After more than two hours on the grounds and feeling the heat and the pangs of hunger, we prepared to leave, having enjoyed the structures, the nature, and the gift shop, albeit without the ice cream.