Inside The Many Faces of Sam Houston Exhibit

by Michelle Moya

The Sam Houston Memorial Museum and Presidential Library (SHMM) offers visitors a chance to learn about one of Texas’ most influential figures but its newest exhibition, The Many Faces of Sam Houston, goes a step further. This week, the LEAP Ambassadors visited the museum’s latest display, which explores how Houston’s image has been crafted, challenged, and reimagined over the past 200 years.

The exhibit, which opened July 3, explores how Houston’s public image has evolved over the past two centuries. Featuring portraits, daguerreotypes, sculptures, and illustrations, the collection shows Houston not just as a political leader, but as someone who understood the significance of image. That theatrical quality becomes immediately clear as visitors move through the gallery, seeing how Houston deliberately transformed his appearance throughout his life.

One of the featured pieces is a recently commissioned portrait by Huntsville-based artist Lee Jamison. Inspired by an early daguerreotype, Jamison portrays Houston’s larger-than-life persona in a vivid, contemporary style. Jamison’s work is familiar to many in the community; his mural located at the corner of 12th Street and Sam Houston Avenue in Downtown Huntsville has become a local landmark and tribute to Texas history.

The exhibition also includes a marble bust of Houston by sculptor Elisabet Ney, part of the museum’s permanent collection. Ney, a German-born artist celebrated for her contributions to Texas art and history, presents a thoughtful and dignified version of Houston.

She is also known for her monumental statue of Houston that stands in the Texas State Capitol, further solidifying her role in shaping the state’s visual history.

The photographer Matthew Brady was also famous for documenting history. Indeed, in addition to his famous Civil War photographs, Brady captured 18 of 19 presidents during the mid-to-late 19th century. His photograph Sam Houston, from 1850, is on display.

Another highlight is Texas artist Tom Lea’s design for the five-cent Sam Houston commemorative stamp. Though small in size, the stamp represents a different kind of legacy–one meant for daily use and mass circulation. Lea chose to depict Houston as he appeared during his presidency of the Republic of Texas, offering Americans a consistent and iconic image of their Texas hero with every letter they sent.

The exhibition also includes 19th-century book illustrations and ephemera that reveal how Houston was presented to various audiences throughout his life and long after. Each artistic decision–from clothing to posture to facial expression–reflects how artists and publishers aimed to emphasize particular traits, whether strength, wisdom, or statesmanship.

Taken as a whole, “The Many Faces of Sam Houston” illustrates how carefully Houston curated his own public image and how generations of artists have continued to reimagine him. From Brady’s realistic portrait to Jamison’s modern interpretation, each piece tells us something not only about Houston, but about the era and perspective in which it was created.

The exhibition will remain on view through August 31, 2025, in the Katy & E. Don Walker, Sr. Education Center’s exhibit gallery. It is free and open to the public, offering a rare opportunity to explore the intersection of art, history, and memory through the life and legacy of Sam Houston.

A Personal Journey Through Austin’s Cultural Gems

by Olivia Discon

Now, with my professional excursions at the Capitol finally coming to a close, I tried to make the most of my time in the state’s capital. It wouldn’t be a good LEAP experience if I hadn’t tried to make the most of my time. 

With it being Juneteenth, it only made sense to begin with the state capitol’s Texas African American History Memorial by Ed Dwight. It is not only a beautiful statue, but a thought provoking one. 

A Tour of University of Texas Campus

There’s no denying that UT’s campus is beautiful. But I don’t think I fully appreciated just how stunning it is until this visit. I knew they had a strong art presence, but I didn’t realize just how much until I found out there are five different suggested paths for an art walk. The variety alone is sort of insane.

I cherry-picked some of the pieces that I wanted to ensure I saw before I left, being that I couldn’t decide on a path. 

Indeed, the theme for this part of the day was indecision.

I started at the Littlefield Fountain, which I learned will be part of a larger beautification effort to emulate the National Mall in D.C. One detail I especially loved: the statue of Athena was commissioned by a former UT Regent and sculpted by Pompeo Coppini—the same artist who designed Sam Houston’s grave in Huntsville. And no, I’m still not done talking about Huntsville.

What I liked most about this was that closer to the Main Building Tower, there is a statue of George Washington staring directly across to the Texas Capitol. Talk about a well-intentioned plan!

As I kept walking, I saw pieces by Mark di Suvero, Charles Umlauf (more on him later), and Willard Boepple, all of which added to the sense that this campus is part gallery, part institution.

I made my way over to the UT Law School. While I couldn’t go inside, I stumbled upon something unexpected: a statue of the school’s longest-serving dean—sculpted by none other than David Adickes! It was a comforting, serendipitous moment.

 The law school path is no joke, and with so much uncertainty, taking the LSAT can feel like this unsurmountable force that tests your capabilities as an intellectual. I am trying to let that feeling pass, and focus on what matters, which is my commitment to serving and learning in everything I do. It might be a grueling path, but I imagine it’s a meaningful one. And while the statue couldn’t talk, I took it as a gentle nudge to keep pushing forward.

Taquero Mucho Austin

I do have a weird affinity for the color pink—but even I wasn’t prepared for Taquero Mucho. This place is very pink. It came highly recommended by a former LEAP ambassador, and after seeing it in Texas Highways, I had to give it a try.

I started with a flight of salsas (all good), paired with a slightly-magenta Jamaica, and went with a taco wrapped in a pink tortilla and a side of elote.

I thought it was pretty good, and definitely really pink. 

Umlauf Sculpture Garden

This was, without question, one of the highlights of the trip. I hadn’t really heard of Charles Umlauf before spotting one of his pieces near UT Law, but after that, I was curious. The garden itself is tucked away in a quiet, green pocket of the city, and it just works so well with his style—there’s something peaceful about seeing his sculptures in a setting that doesn’t compete for your attention.

What I noticed almost immediately was how many of his figures seem to be looking upward—heads tilted, eyes cast toward the sky.

I’d seen that same pose earlier in The Family near the Business School and The Torch Bearers on campus (which also had smaller versions here in the garden). I couldn’t tell exactly what it meant, but there was clearly some intention behind it. It felt reflective, maybe even spiritual, though it wasn’t heavy-handed.

Some of my favorites were The Kiss, Prometheus, and The Poetess—each had its own tone, but they all fit into the broader theme of searching or reaching toward something. I found out later that Umlauf taught at UT for decades and leaned into themes like faith, human connection, and morality, so maybe that upward gaze wasn’t accidental after all.

Toward the end of my visit, I saw one statue that broke the pattern. Instead of looking up, this figure was looking down—almost like she was weighed down by something. She wasn’t in the center of the garden but off to the side near the parking lot, which made the whole thing feel even more intentional. It stood out, so I checked the placard—and of course, it was Eve with Apple.

I couldn’t help but feel giddy about that.. I’m not claiming to have “decoded” anything profound, but it was one of those moments that made the visit so pleasant to me.

There’s something satisfying about taking things in slowly and letting your mind wander a bit. I didn’t expect to enjoy the Umlauf Garden as much as I did, but it turned out to be exactly the kind of quiet, thoughtful stop I didn’t know I needed.

Exploring O’Henry’s Home: A Trip Through Literary History

This past month, I toured the O’Henry Home. Upon entering, I was greeted by Spike Gillespie, a kind and knowledgeable staff member from the City of Austin’s Museums and Cultural Programs. She shared key details about William Sydney Porter’s life, explaining that he lived in this house from 1884 to 1894 before fleeing to Honduras due to corruption allegations at his workplace, the First National Bank of Austin. A few years later, he returned to the U.S. under an alias—O’Henry—the pen name that would bring him literary fame.

The small home consists of three main rooms: the living room…

…the bedroom…

…and O. Henry’s office.

As I walked through, I enjoyed learning fascinating tidbits about his life and work. His experience drafting maps at the General Land Office in Austin resonated with me, as I’ve encountered the GLO while assisting the Land and Resource Committee in my office.

Although modern technology has replaced hand-drawn maps, I appreciated the small connection I felt while standing in O’Henry’s office.

As I continued walking through the home, I found myself amused with framed sketches located right outside O’Henry’s office. Later, Spike informed me that during his lifetime, O’Henry became a self-taught artist, focusing largely on political cartoons, which were featured in The Rolling Stone magazine. Most of his artwork throughout the home feature a mixture of political cartoons and the life of American settlers.

Spike also shared insights into how his time in Austin shaped his storytelling. Many of his short stories reflect themes of redemption, irony, and human nature, qualities that may have been influenced by his own struggles. His most famous work, “The Gift of the Magi,” showcases his signature twist endings, a style that would make him one of the most celebrated short story writers in American literature.

Beyond his literary contributions, O’Henry’s influence on Austin is still evident. His home, now preserved as a museum, serves as a reminder of the city’s rich cultural history.

Creative writing workshops hosted by individuals like Spike encourage Austinites to expand their writing skills and explore writing techniques utilized by famous writers such as O’Henry.

Visiting the O’ Henry Home provided me with insight that was much greater than a historical tour, it was a glimpse into the life of a man who turned adversities into art, which brought people together. His legacy lives on not only in his stories but also in the continued appreciation of his wit and literary style.

Heard of G.O.A.T.s

by Olivia Discon

As a LEAP Ambassador, you’re not expected to be an art expert—or even an enthusiast. But after visiting dozens of museums through the program, it’s only natural that some of us become fans… or critics. I’ve now been to 75 museums with LEAP. Before joining, I’d only ever visited one. Among all those experiences, one name has stood out again and again: James Surls. Of those many wonderful educational experiences, James Surls is a name I had come to frequent more than most. 

Surls is something of a household name in LEAP. As a distinguished alum of Sam Houston State University and a prominent figure in Huntsville, his work has served as many students’ first introduction to art—including mine.

So when we heard about the opening reception for the Surls + Locke Museum and the Heard of G.O.A.T.S. exhibit, we knew it was something we couldn’t pass up!

After being shuttled to the 40-acre property, we went to Surls’ studio, which had been transformed into an event hall for the afternoon. Inside, towering sculptures filled the space, and even the live musicians were performing among the artworks on stage.

We spent a long time taking in the ambiance, discussing which pieces were our favorite. Moya and McCaughan were especially drawn to the work of Charmaine Locke, Surls’ wife and an artist in her own right.

Inspired by the natural world, Surls uses both medium and or composition to emulate life. This presents itself in various ways, but he’s most known for his sculptures that resemble flowers or plants, his eye motif, and sometimes, a combination of the two!

His work stands out not just visually, but intellectually.

While I didn’t initially grasp the depth of his pieces, I’ve come to appreciate their layered meanings over time.

As one article (written by my professor) quotes Surls:

“Right then and there, I drank from the well of true belief in something far greater than myself. I got the calling for my life, and I answered the call with a resounding ‘Yes, I will do it.’”

That sense of purpose resonates with me—and with LEAP as a whole. It reminds me of why we serve and why we learn.

We later walked through the Gift from the Bower exhibit, which featured a series of outdoor installations on its final day.

We spent a lot of time here, discussing meaning, appreciating how the pieces interacted with the environment, and—for Chrissy—getting eaten alive by bugs.

I personally enjoyed Sonic Overlook by Patrick Renner…

and Chrissy liked Learning to Fly by Sherry Owens and Art Shirer.

We had the opportunity to meet Surls himself and have him sign photos we took of his work at the Gaertner Performing Arts Center. It was an honor to meet the artist behind the incredible work that so many LEAP students have enjoyed over the years, and it’s an experience I will cherish for a long time. 

Victoria McClendon-Leggett, former LEAP President, also had the opportunity to meet Surls.

As for the Heard of G.O.A.T.S. exhibit itself, the gallery was filled with other famous names. John Alexander…

Lynn Randolph…

and Bill Haveron…

Michelle took a liking to a piece called His and Hers Red Nest by James Drake. She found that the nests looked like angel wings and fittingly posed for a photo upon discovery.

Chrissy, on the other hand, enjoyed a much moodier scene, Siddhartha by Carlos Canul. 

Interestingly enough, the Terry Allen sculpture was on display on the outdoor patio. Titled Bust, the piece depicts a man in a suit that is blowing against an imaginary force of wind. Like all of his pieces, this was thought provoking and visually interesting. It’s no surprise that this bust is courtesy of the Surls + Locke Museum’s collection!

In all, this was an experience that reminds you why LEAP exists—to open minds, spark curiosity, and connect students to opportunities and perspectives they might not have encountered otherwise. It was an incredibly memorable experience, and one I will always be grateful for.