Whenever LEAP Ambassadors have the opportunity to travel, we make the most of it. So it was that on an off morning of conference sessions, we stepped foot into the Lost World Caverns which, for many of us, was the first time stepping foot into a cave.
Discovered in 1942, these caverns have become a popular destination, offering a fascinating glimpse into the subterranean world carved out over millions of years by the relentless force of water.
Originally, the only way into the cave was through a hole in the ground, and “visitors” had to be lowered in by rope, and then hauled out in reverse.
For us, it was much easier. We entered through a man-made opening, we were immediately struck by the chill in the air, a stark contrast to the surface temperatures. The sound of dripping water echoed (literally!) around us, setting the stage for the natural wonders we were about to witness.
Inside, the caverns revealed spectacular dripstone speleothems, including stalactites and stalagmites.
These formations, created by the slow deposition of minerals from dripping water, were breathtaking. We were particularly fascinated by the columns referred to as “soda straws” or “pencil stalactites,” delicate formations that looked as though they could be easily snapped.
The formations themselves, with whimsical names like the “Pig Tail,” and “The Veil” left us in awe. Each turn in the path revealed a new and stunning sight, and it was hard not to be overwhelmed by the beauty and intricacy of the cave’s interior.
I didn’t really know what to expect, but from the beginning, it was clear that this was a unique and special place.
The views were unlike anything I had ever seen before, with each rock formation appearing both immense and intricately detailed.
It’s amazing to know that the Earth presents its beauty not only on the surface but also beneath it. Most importantly we all had fun caving in to our sense of adventure!
After two days of learning on the road, we had another full day planned. Following our regular Sunday LSAT Prep Course class, we were returning to a more formal educational setting for our learning–and what a setting! Much of our activity today took place at The Greenbrier Resort, a home-away-from-home for celebrities, presidents, legislators, and….us!
The GreenbrierResort
by Christina Biello
As with all our adventures, I did a little pre-experiential preparation, learning about the hotel’s rich history. The Greenbrier, which opened in 1778, served as a hospital for 24,000 soldiers needing surgery and rehabilitation during the Second World War. After the war, it underwent extensive renovations, resulting in the look it has today, one that has attracted the wealthy and powerful.
As we strolled along the pathways, the beauty of the property was evident in the flowers and greenery. Upon turning the corner, the sight of the expansive and luxurious resort took our breath away. While I had seen numerous photos beforehand and was tremendously excited, nothing could have prepared me for it in person.
Upon entering the building, the first thing that caught my eye was the abundant and colorful (some might say “busy”) designs. From grand drapes to elaborate wallpaper and opulent chandeliers…
…the Greenbrier showcased meticulous attention to detail in its design.
Walking through the many rooms, we encountered works by artists such as Thomas Sully, Gilbert Stuart, and James Stuart. Cinthia and Olivia delighted in recognizing these artists whose works they admired.
We also stumbled upon a chandelier that was featured in Gone with the Wind. As a movie enthusiast, it was a thrill to see it up close and imagine stepping into Ashley Wilkes’ home.
Photo from The Greenbrier
Next, we proceeded to Drapers Restaurant for lunch, named after Dorothy Draper, whose distinctive decor transformed the Greenbrier in 1948 after the resort reopened. This style, which one website referred to as “anti-minimalist,” is known as “Hollywood Regency.”
Photo from The Greenbrier
Personally, I admire her style and could envision drawing inspiration from it for my own home one day.
The restaurant exuded her signature taste, with glamorous touches of pink that prompted us to point out various details to each other. A portrait of Ms. Draper was even on one of the walls.
Photo from The Greenbrier
During lunch, Olivia and I tried grits for the first time, and everyone savored the cherry vanilla milkshake. When my meal arrived, I was momentarily taken aback by its generous portion size and the elaborate dinnerware.
We did our best to finish our meals, but we were also cognizant of not overdoing it, not wanting to be in a food coma when our afternoon conference sessions took place.
Conference Session: Adapt and Survive: Artificial Intelligence in the Classroom
by Olivia Discon
Our first session of the conference offered a compelling exploration of how ArtificialIntelligence (AI) and educational technology are shaping modern learning environments. As students directly impacted by the ever-changing world of AI, we were very intrigued to hear from those addressing these issues head-on.
The discussion highlighted a significant finding: studies show people are more likely to believe misinformation generated by AI compared to that created by humans. This requires ethical and responsible use of AI tools in education. The panelists emphasized that while AI can be a powerful educational resource, it should be utilized as a tool and not as a replacement for traditional teaching methods.
A key focus of the session was the promotion of critical thinking in the classroom. The panelists stressed the importance of using AI as a “thought partner” to enhance students’ cognitive skills rather than to replace critical thinking. They advocated for fostering an environment where students are encouraged to question and analyze information, ensuring that technology serves as an aid rather than a crutch (this was a focus of a book recently recommended to me, Academically Adrift).
Equitable access to AI tools was another major point of discussion. The panelists noted that for many students, particularly in rural or economically disadvantaged areas, schools may be the primary source of access to advanced technology. Ensuring that all students have the opportunity to benefit from these tools is essential for creating a level playing field in education.
The session also included a visual comparison of generative AI outputs from 2022 and 2023, highlighting the rapid advancements and potential of these technologies. The panelists pointed out that while these changes may seem dramatic, they are part of a continuous evolution in technology. Just as we adapted to the advent of the internet, we need to find ways to integrate AI responsibly into education.
Overall, the session emphasized that while the landscape of technology in the classroom is rapidly changing, it is crucial to balance innovation with critical thought and ethical considerations.
Welcome Night
The Southern Legislative Conference began with an outstanding welcome evening that truly set the tone for the event. Held in the stunning Colonial Room, we marveled at its elegance and opulent pink design.
The buffet-style dinner was a mix of local ingredients and favorites, all with a healthy helping of sides.
Sierra Ferrell, a West Virginia native, took the stage for the evening, delivering an impressive, two-hour performance.
Her folk and country music, tinged with jazz, pop, and even calypso influences, captivated everyone.
In between songs, she offered opinions on everything from the water supply to elite control of the country to love, hate, and authenticity.
Working on little sleep, and following an eighteen-hour first day, LEAP Ambassadors arose at 6am to explore architecture in and around Pittsburgh, with a stop at PPG Place, a mural by Richard Haas, and two major works by Frank Lloyd Wright.
PPG Place
Our first stop was PPG place, a six-building, “glass gothic” design by Philip Johnson.
As part of our LEAP travels, we had seen Johnson buildings in Houston, and we had watched a documentary on him in preparation for this trip, but PPG place was a place like no other.
Completed in 1984, its towering glass spires and sleek facades embody Johnson’s signature postmodern style, blending classical elements with contemporary materials. Its gothic detailing pay homage to Pittsburgh’s industrial heritage, its all-glass encasing embraces the future with innovative design, and its central plaza allows for a nice place to gather, which we did!
Richard Haas Mural As a teenager, Haas spent a summer apprenticing for Frank Lloyd Wright, so it is no surprise that his murals take on an architectural quality. Indeed, Haas’s website describes him as an “architectural muralist,” an apt sobriquet.
We know Haas primarily through his 15 works in Huntsville, but we’ve also seen his work in Fort Worth, which is a masterpiece. So it was with excitement that we tracked down his Pittsburgh mural, which is near the corner of Sixth and Fort Duquesne Boulevard.
As you might expect, it features an industrial scene, an homage to Pittsburgh steel-making history, with nods to its central location at the juncture of multiple rivers.
It’s always a pleasure to see Haas’s work, but this was especially true today, when we would also have a chance to see the work of his former boss, Frank Lloyd Wright.
Kentuck Knob
The first of our Frank Lloyd Wright site visits was to Kentuck Knob, which is nestled in the mountains of southwestern Pennsylvania. Designed in 1953, Kentuck Knob embodies Wright’s principles of organic architecture, seamlessly blending with its natural surroundings–and, in this case, adorned with a healthy helping of artwork, by artists such as Anthony Caro, Scott Burton, and George Rickey. We learned much of this thanks to our wonderful tour guide, Jan.
Among Wright aficionados, Kentuck Knob is known as a “Grand USoNian.” Wright’s USoNian homes were designed for middle-class residents. They were, relatively speaking, affordable, while still serving as an interesting, sculptural domicile.
Kentuck Knob had Wright’s characteristic overhanging eaves…
…adorned with clerestory windows;
…a double carport (he hated garages, which he regarded as receptacles for junk); and a “compression and release” entrance to the house.
The home follows is structured as a series of parallelograms, giving the home an interesting look and an aesthetic cohesiveness.
We were particularly struck by the beautiful living room with floor-to-ceiling windows (which could also serve as doors to the patio), beautiful Wright-designed furniture, and the unique touches for which Wright was famous.
But it was the way the home interacted with the environment that we most enjoyed. The home is about five miles from Fallingwater, and the owners wanted their own “water element,” so they added a small rockfall and pool on the patio. The home is also perched on the brow of the hill, not atop the hill. Wright did this to ensure that the home merged with the environment (rather than overtaking the environment), and with a short walk along the property, we were able to see the beautiful art-adorned grounds and a view that even real-estate agents could not exaggerate.
Fallingwater
After visiting Kentuck Knob, another of Frank Lloyd Wright’s masterpieces, we headed to Fallingwater. Seeing Kentuck Knob had piqued my interest, and I was even more excited to explore another of Wright’s creations.
Frank Lloyd Wright was a fascinating and complex architect, known for his innovative USoNian homes—affordable, stylish, and functional houses for middle-class Americans. He also pioneered organic architecture, harmonizing structures with their natural surroundings, which Fallingwater epitomizes. Designed in 1935 and built directly over a waterfall in 1938 for the Edgar J. Kaufmann family, this house, which blends stone, concrete, steel, glass, and wood, celebrates what Wright termed “organic architecture.”
With the help of our tour guide, Millie from West Virginia, we approached the house. At first sight, Fallingwater was magnificent. Wright’s design philosophy was evident in the “hidden” doorway, a narrow entrance that transitioned into open spaces meant to connect inhabitants with nature. The structure is supported by concrete beams that project out over the waterfall, creating an impression of weightlessness.
The entrance repeated Wright’s “compression and release” philosophy, and he continued the cantilever motif, making much of the furniture and design elements an echo of the home’s overall design. The living room’s open design encouraged social interaction while the more intimate upstairs rooms offered privacy. The master bedroom, with its large balcony over the waterfall, provided a serene and breathtaking view.
We noticed Wright’s attention to detail, such as the seamless glass-to-glass windows, which eliminated barriers between the indoors and the natural world, as well as the art work in the home–much of which also repeated the cantilever design.
Indeed, art was a theme throughout the house, with a Picasso, several Audubon works, and a Diego Rivera (Frida Kahlo was a guest at the house!).
Our tour concluded with a view of the waterfall from across the home, capturing the full splendor of Wright’s integration of architecture and nature.
We all sat momentarily, taking in the beauty and snapping photos, cherishing the experience.
Our group’s arrival in Pittsburgh for the Southern Legislative Conference marked the beginning of an enriching journey through art, culture, and history. Eager to delve into the city’s offerings, we kicked off our exploration at the renowned Carnegie Museum of Art.
Our visit to the Carnegie Museum of Art was a journey through time and artistic expression, a tapestry woven with modern marvels and timeless classics. As we entered the galleries, we were greeted by a vibrant array of contemporary artworks that challenged our perceptions and sparked our imaginations.
With familiar artists such as Mark Rothko, Jackson Pollock, Vincent Van Gogh, and Isamu Noguchi, our group was fully immersed in the Museum’s collection.
Cinthia and I found a familiar touchstone in Georgia O’Keeffe’s painting of an adobe church. Having recently visited New Mexico, where these structures dot the landscape, we were transported back to the sun-drenched vistas and rugged beauty of the Southwest. O’Keeffe’s ability to capture the essence of these structures resonated deeply with us, bridging our past experiences with the present moment.
In contrast to the contemporary pieces, the hall of Greek sculptures offered a glimpse into ancient mythology and classical beauty. Among the serene depictions of gods and goddesses, one sculpture stood out—a modern twist on antiquity. An oversized figure sat casually, engrossed in a smartphone, a stark commentary on contemporary culture.
The contrast between the timeless marble and the modern device held a mirror to our society’s evolving relationship with technology.
As we explored further, we encountered the dynamic works of Stanton MacDonald-Wright, whose vibrant compositions danced with color and rhythm. His mastery of synchromism, a style he co-founded, brought a sense of harmony and movement to the canvas, captivating us with its energy and vitality.
However, it was in the surreal and unexpected that we found our deepest connections. René Magritte’s “The Spirit of Family” challenged us to confront the discomfort of recognizing the familiar in the unfamiliar, echoing themes of surrealism that provoke and intrigue. For me, surrealism isn’t just about aesthetics—it’s about delving into the subconscious, where dreams and reality merge in unexpected ways.
Not far behind, Michelle, with her unwavering love for Impressionism, led us straight to the Monet Lilies, where she stood in awe of their ethereal beauty. Her eyes gleamed with admiration as she traced the delicate brushstrokes that brought Monet’s gardens to life.
Cinthia, on the other hand, found herself captivated by Renoir’s “The Garden in the Rue Cortot, Montmartre.” The painting’s vibrant hues and tranquil atmosphere transported us to a serene Parisian afternoon, where we could almost feel the warmth of the sun and smell the fragrant flowers.
Our journey took an unexpected turn when I almost missed Francis Bacon’s haunting painting. Titled simply but evocatively, Bacon’s work captured the raw intensity of human emotion in a way that both unsettled and captivated us. It was a poignant reminder of the power art holds to provoke and stir our innermost thoughts.
As we wandered through the museum’s corridors, each artwork seemed to tell a story, inviting us to unravel its mysteries and absorb its messages. From Degas’ delicate sculptures to the bold strokes of Francis Bacon, every piece sparked conversations that ranged from artistic techniques to philosophical musings on life and existence.
Our visit wasn’t just about admiring famous names on canvas—it was a journey of discovery, where we uncovered new passions and deepened our appreciation for the artists who shaped the course of art history. The Carnegie Museum of Art became more than a collection of paintings; it became a sanctuary of inspiration and contemplation.
As we bid farewell to the museum, our hearts and minds brimmed with newfound insights and shared experiences. The day had been a celebration of friendship, curiosity, and the enduring power of art to provoke thought and stir emotions. It was a reminder that amidst our hectic lives, moments of cultural exploration with friends are not just enriching but essential for nurturing our souls.
The Carnegie Museum of Art had not only expanded our artistic horizons but had also reinforced the bonds of friendship that drew us together. It had ignited a passion for creativity and a hunger for knowledge, leaving us eagerly anticipating our next adventure in the world of art and culture.
Ambassadors enjoy a Warhol Self-Portrait at Carnegie, in anticipation of the Warhol Museum
Next, we ventured to the Cathedral of Learning, an architectural marvel at the University of Pittsburgh.
Its Gothic spires soared above us as we explored the intricately designed commons area.
It was a beautiful building, one that reminded us that the architecture can play a large role in education and receptivity to learning.
Exploring Art and Nature at the Phipps Conservatory and Botanical Garden
Our recent visit to the Phipps Conservatory and Botanical Garden was a delightful blend of art, nature, and learning.
As we stepped into the conservatory, we were immediately greeted by the mesmerizing Goldenrod, Teal, and Citron Chandelier, which hung magnificently from the dome of the welcome center. This stunning piece by Dale Chihuly set the tone for the rest of our visit, showcasing his extraordinary talent in manipulating glass into captivating forms and colors.
Wandering through the various rooms and pathways, we encountered several other Chihuly installations that added vibrant and artistic touches to the already beautiful garden setting. The delicate Cattails and the bold, colorful Paint Brushes were among the many pieces that stood out, each one enhancing the lush greenery and floral displays around them. Chihuly’s art, with its intricate designs and brilliant hues, created a magical atmosphere that enriched our visit.
Beyond the captivating glasswork, the conservatory was a botanical wonderland teeming with life. We found ourselves surrounded by hundreds of different plants and flowers, each adding to the garden’s rich tapestry of colors and scents.
One of the most thrilling parts of our visit was exploring the Butterfly Forest. This enchanting area allowed us to witness a variety of butterfly species fluttering around, creating a truly magical ambiance. The Monarch and Zebra Longwing butterflies were particularly memorable, their vibrant colors and delicate wings adding a sense of whimsy and wonder to the experience.
Adding to the enchantment, we encountered many beautiful flowing fountains, fish, and other creatures crafted entirely out of flowers and plants.
As we continued our journey, we discovered the Orchid Room, a space dedicated to the stunning diversity of orchid species. This room was a feast for the senses, with an array of beautiful orchids in every imaginable color and shape adorning the space. Some of our favorite species were the Vanda Orchid and the Lady Slipper Orchids.
Overall, our visit to the Phipps Conservatory and Botanical Garden was both fun and educational.
We thoroughly enjoyed exploring the beautiful gardens, marveling at Chihuly’s art, and learning more about the diverse plant species.
Max’s Allegheny Tavern
Energized by our cultural immersion, we savored traditional German-inspired cuisine at Max’s Allegheny Tavern. The quaint charm of the restaurant was evident from the moment we walked in, with its cozy ambiance accentuated by adorable lamp shades casting a warm glow.
As a newbie to German food, Michelle and Cinthia were eager to try some of the region’s specialties. The potato pancakes were a revelation, crispy on the outside and fluffy inside, served with applesauce for a perfect blend of flavors. The bratwurst was hearty and satisfying, accompanied by tangy sauerkraut that complemented its savory goodness. And who could forget the schnitzel? Tender and perfectly breaded, it melted in my mouth with every bite.
Overall, Max’s Allegheny Tavern surpassed my expectations, not just with its delicious dishes but also with its inviting atmosphere. It’s definitely a place we hope to return to for more culinary adventures
Duquesne Incline
Visiting Pittsburgh for the first time was an unforgettable experience, made even more magical by a ride on the Duquesne Incline. As the sun set, we boarded the historic cable car that ascended Mount Washington. The city’s skyline, illuminated against the darkening sky, unfolded before me in a breathtaking display of lights and architecture. It was a view that truly encapsulated Pittsburgh’s charm and beauty.
The incline itself, with its rich history dating back to the late 19th century, added a sense of nostalgia to the journey. Originally built to transport workers up and down the steep hillside, today it serves as both a historic landmark and a beloved tourist attraction.
The weather that evening was perfect—a cool breeze complemented by a clear sky—making the experience even more enjoyable. Arriving at the summit, I found myself surrounded by panoramic views of Pittsburgh’s twinkling lights and shimmering rivers. It was the perfect end to a day filled with exploration and discovery in a city that had already captured my heart.
The Duquesne Incline not only provided a literal and metaphorical high point of my Pittsburgh visit but also set the stage for a day filled with new experiences and cherished memories.
Andy Warhol Museum
Being in Pittsburgh for the first time has been a fantastic experience; from the weather to the beautiful architecture, it has all been breathtaking. The variety of new foods from Max’s Tavern was an adventure, preparing us for the sensory feast at the museum. Our latest adventure took us to the Andy Warhol Museum, blending art, history, and personal discovery. Having recently watched a documentary on Warhol, I was particularly excited to see his artistic evolution across the museum’s seven floors.
The Andy Warhol Museum takes visitors on a chronological journey through Warhol’s life and work, from his early years on the top floor to the final years of his prolific career on the ground floor. This layout allowed us to see the progression of his style and the expansion of his artistic repertoire in a way that felt like stepping through a living biography.
On the top floor, we were introduced to Warhol’s early life, trying to identify him in old-school photos. This personal touch made the experience more intimate. Warhol’s early commercial art, including his advertisements and product illustrations, hinted at his future as a leading figure in pop art.
Descending the floors, we encountered various works, from his famous Campbell’s Soup Cans to his iconic Brillo Boxes.
We marveled at his silkscreen technique, which he used to create the vibrant Marilyn Monroe series and the striking Elvis Presley prints. Seeing these pieces up close highlighted the bold colors and repetitive patterns that defined his style.
One of the most playful parts was the Silver Clouds room, filled with giant, reflective silver balloons. We could not resist gently pushing them around, feeling the air lift them up.
Before leaving, Cinthia, Olivia, and I took pictures on the museum’s famous red couch, a nod to Warhol’s studio. Connecting the documentary insights with the exhibits added depth to our visit, making it a memorable chapter in our Pittsburgh adventure.
Reflecting on our enriching day, Pittsburgh emerged not only as a city of steel and industry but also as a vibrant cultural hub. Each visit—from the Carnegie Museum’s artistic splendors to the Cathedral of Learning’s educational marvels, Max’s Allegheny Tavern’s culinary delights, the Duquesne Incline’s panoramic views, and the Andy Warhol Museum’s artistic legacy—contributed to a deeper appreciation of Pittsburgh’s diverse and dynamic character. As our journey with the Southern Legislative Conference continues, Pittsburgh remains an inspiring destination where art, culture, and history converge to create lasting memories for all who visit.
As we prepare for the next leg of our Southern Legislative Conference trip, Pittsburgh a highlight of our trip—a city where art, history, and culture converge to create an unforgettable experience for all who visit.
With our competition out of the way, we were determined to make the most of our remaining time at the TCMA conference. To do this, we heard from a rewarding speaker, got an Association update from the new President of TCMA, engaged in a networking lunch, and stole a few moments on the beach.
AI and City Government
Our last true session of the conference featured, Ann Marie Sastry, a distinguished mechanical engineer and entrepreneur known for her groundbreaking work in energy systems engineering and artificial intelligence. She earned her bachelor’s degree in mechanical engineering from the University of Delaware and a PhD from Cornell University.
Following a career in academia, Dr. Sastry co-founded Sakti3, and she currently serves as President and CEO of Amesite, an AI software company. She brought this work home to us by noting that the days of City Managers being able to ignore AI in their communications and analyses are over. She went so far to say that any company who doesn’t begin use of AI in the immediate future won’t be in business in 2030, comparing such a decision to a business in 1995 choosing not to use computers.
Her talk was well received, and for us, two things stood out, both of which are relevant to what we do. One, she mentioned that AI could write a blog in 8 seconds, which is significantly shorter than the time we take! Second, she noted that AI can easily do a PowerPoint for free; but free AI cannot do an excellent PowerPoint. And while this was a suggestion from her that City Managers should look closely at which AI companies they use, it was a reminder to us to put some old-fashioned thought and sweat equity into our blogs and our PowerPoints.
Passing of the Torch: A New President of the TCMA
The last day of the conference, Sunday, June 23, began by foreshadowing the 2025 conference in San Antonio…
…with a nice promotional video that stirred some excitement among the audience.
It also marked the passing of the torch from President Opal Mauldin-Jones to Jay Abercrombie, City Manager of Henderson.
Mr. Abercrombie became emotional as he thanked his family, Association members, and noted the passing of his father.
But he composed himself quickly, making a joke about his inability (the day before) to pronounce the word “academician.” With much fanfare, he demonstrated a successful pronunciation of the term.
In an animated speech, he highlighted some features of the Association…
…ensured everyone was aware of next year’s meeting in San Antonio, and encouraged members not to become cliquish which, he noted, they have a “tendency to do.”
And with that admonishment, the Conference ended…
…with members mingling (uncliquishly), and reflecting on a positive and productive conference.
Among those members were a group of six SHSU students, all newly minted TCMA members!
In an effort to expand our educational experiences, we decided to embrace the culture of The Valley by trying one of the things they do best: food. We visited Ana Liz Taqueria, located in Mission, Texas, known for its innovative Mexican cuisine. The taqueria is owned by Ana Liz Pulido, who won the James Beard Award for Best Chef in Texas in 2024, which you can read about here, here, and here. Despite the award-winning status, however, the prices are very reasonable.
One of the standout features of Ana Liz Taqueria is their commitment to making everything from scratch, including their tortillas. All of their tortillas are made by rehydrating and grinding the corn—a traditional practice in Mexico.
The taqueria staff starts their day at 7:00 AM to begin prepping the food, although the restaurant doesn’t open to the public until 4 PM. This dedication to preparation ensures that every dish is fresh and flavorful.
We approach things differently in LEAP and Ana Liz Taqueria is different. For one thing, the wait was about 1.25 hours, with an additional 45 minutes wait for the food. They also only have tables that seat up to four people, and they only have room for about 18 people total in the restaurant (winning the James Beard award has really strained their capacity and resources).
We wanted to turn this into an advantage, so we divided our groups such that two Hispanic students would be with two non-Hispanic individuals at each table. In this manner, those less familiar with Mexican dishes could learn from those who were more familiar with such food.
The menu included many traditional items, but it also featured a good selection of newly interpreted dishes. We were first greeted by an assortment of salsas, including salsa de habanero, salsa verde con tomatillos, sour cream, and chili oil.
Victoria and I were in charge of ordering an assortment of dishes for our table, which consisted of Professor Yawn and Stephanie. We ordered the traditional tacos de fajita, a staple in Mexican cuisine and a must-try item on the menu. For a vegetarian option, we indulged in tacos de nopal topped with a slice of queso Oaxaca. We also had tacos de discada, which contain a mixture of different meats such as fajita, sausage, chorizo, and chicharrón. The name of this dish originates from the large disk-shaped pan in which all the meats are cooked and combined. In order to balance everything out, we ordered one item from the “Botanas” (Snack) section of the menu. One of the most popular Botanas in Mexico is corn, so we ordered a side of corn ribs seasoned with white salt, lime, and chili oil.
Cinthia and Yajaira were in charge of placing the order for their table, which included Chrissy and Olivia. They also had tacos de fajita and discada. Some of the more interesting items they ordered included the “Copy,” which consisted of a tortilla made with both regular and blue corn with fajita. The tacos de chile relleno also proved to be delicious, with fajita, bell peppers, and melted Oaxacan cheese.
We also had Vampiros (Vampires) de fajita, an intricate and delicious dish. The name of this dish is inspired by the fried dark blue corn tortilla, which resembles the night sky—the time when vampires come out to eat. The Vampiro had a smooth layer of avocado on the bottom, followed by fajita, and queso Oaxaca melted to a crisp. This item was by far one of the table’s favorites and it was something I had never tried before.
Our visit to Ana Liz Taqueria was an incredible culinary experience that not only satisfied our taste buds but also gave us a deeper appreciation for the rich culture and traditions of The Valley.
Ana Liz Pulido’s dedication to quality and authenticity shines through in every dish, making her taqueria a must-visit destination for anyone seeking a true taste of Mexican culinary traditions and ongoing innovation.
Our third day at the TCMA was to be our longest, at least with scheduled events. We had a full day of conference sessions, a networking dinner, and, of course, some final practice on our presentations and study for our knowledge contest. Accordingly, we were up early and, more or less, ready to take the day on.
Opening General Session: Transforming Workplace Dynamics
The conference kicked off with a compelling keynote by Michael Bush, CEO of Great Place to Work, who shared findings from a global workplace survey.
He highlighted key elements essential for a healthy work environment: high trust, pride in meaningful work, and strong camaraderie.
Drawing parallels with conquering Mount Everest, Bush emphasized the importance of believing in one’s capabilities to achieve seemingly impossible goals.
Bush classified leaders into various types, ranging from unintentional leaders who lack clarity in their roles to Level 5 leaders inspired by Jim Collins’ concept of comprehensive leadership. He underscored the transformative impact of AI on workplaces, urging attendees to embrace and leverage AI capabilities proactively.
Building a Workplace Culture for Innovation, Productivity, and Sustainability: Leading with Love
In the first of the concurrent sessions, attended by Yajaira, Michelle, Victoria, and Cinthia, the students heard from Dr. Church, whom they had met with the night before over dinner.
Dr. Church emphasized the importance of cultivating a workplace culture that fosters innovation, enhances productivity, and promotes sustainability. Executives are increasingly challenged with retaining top talent, developing future leaders, and maintaining a positive employment brand that resonates with their employees and the public.
For this to be successful, companies must leverage employee values for enhanced productivity and loyalty, implementing effective motivation techniques, and fostering a culture conducive to innovation and knowledge creation. It’s important for leader to ensure that employees’ personal goals and organizational values are in alignment, a situation that increase productivity, with people working together toward team goals.
The New City Manager: Navigating Challenges and Opportunities
Another of the concurrent sessions, “The New City Manager,” was one of our favorites, providing invaluable insights from experienced leaders stepping into new roles:
James Attaway of Quitman advised new managers to trust their teams while verifying details, stressing the importance of building a supportive organizational culture.
Terrell Smith from Marshall regretted not immediately focusing on understanding building codes and city charters, highlighting the importance of foundational knowledge. He encouraged realistic expectations about city resources and confident negotiation of their value.
Ashley Wayman from Rollingwood emphasized recognizing personal value and impact as a new manager. She highlighted the significance of understanding key stakeholders in the community for effective navigation of city dynamics.
Moderator Mayra Cantu shared a community engagement success story from Bartlett, illustrating the power of transparency and collaboration in gaining community support for city projects.
Losing the Chair: Lessons in City Management
In the session “Losing the Chair,” experienced city managers Hector Forestier and Jared Miller shared candid insights about the prospects of losing your job in the volatile city-management business:
Hector Forestier emphasized the importance of networking and understanding contracts, reflecting on his early career without a contract and the subsequent lessons learned from peers.
Jared Miller echoed similar sentiments, stressing the necessity of contract negotiation awareness and shared personal experiences, including the negotiation of favorable terms and benefits.
Paul Parker, who mentored both Forestier and Miller, provided additional guidance on navigating city management challenges and contract negotiations.
Interestingly, Forestier was the City Manager of Willis, TX, and he started an internship program there.
His first intern was Zach Goodlander, a LEAP Ambassador. Goodlander is now the acting City Manager of Fulshear, TX.
Awards
As part of our networking efforts, we attended the awards luncheon, and we were happy to see UNT Professor Robert Bland…
…receive a service award. The University of North Texas not only has an excellent reputation for their MPA program (especially City Management), they have also (spoiler alert) won every ICB ever held at TCMA. Many thanks to Professor Bland for his service.
Also, SHSU Alum and Manager in Residence, Laurie Brewer–Assistant City Manager for Georgetown–won the Mentor Award for her great service. She has been a friendly face and wonderful supporter of our team, and we congratulate Ms. Brewer.
Key Takeaways and Reflections
The conference was a great way to learn about the challenges that face city managers and other city staff, while also learning some leadership styles to overcome those challenges. We are very appreciative of the support we’ve seen here, and for the tips provided that may make us more productive and effective leaders in the community.
Yes, Tropical Storm Albert is encroaching on the Gulf of Mexico, but duty beckons. The LEAP Ambassadors are representing SHSU and the City of Huntsville in the TCMA‘s annual “Intercollegiate Bowl (ICB),” in which University programs compete for the title of the “Best Public Administration Program in Texas.”
But to participate, we first had to get there, and this involved loading up a 12-passenger van, and driving the eight hours to South Padre. Eight hours is a long time, but it’s especially a long time when it involves navigating a tropical storm.
University of St. Thomas
In our typical LEAP fashion, however, we made the most of our travels by learning as much as possible. Thus, we did a bit of homework on modern architecture and, specifically, Philip Johnson, whose buildings dotted our travels.
Our first stop was the University of St. Thomas, where we saw Johnson’s beautiful “St. Basil Chapel.” This post-modern design features a sphere (the dome), a cube (the chapel proper), and a plane, the latter of which cuts through the structure.
The front, made of concrete, is marked by a conspicuous cleft on the right side.
This is the entrance, designed to resemble a tent’s entrance, and it serves as a transitional space, ushering visitors in from the outdoors, but not quite indoors.
From this de-facto foyer, doors then lead into the interior, which is as beautiful as the exterior.
The Ceiling of the St. Basil Chapel (Olivia Discon)
Along the wall was an etching of the stations of the cross…
Victoria Medrano following the Stations of the Cross (Olivia Discon)
… a beautiful sculpture served functionally as the alter; and a pipe organ loomed large on the front-right wall.
The interior was illuminated through three openings, providing a diffuse and ethereal lighting of the chapel.
The chapel is the culmination of an “academic village,” which Johnson modeled after Thomas Jefferson’s design of the University of Virginia (which we visited in March!). In Johnson’s case, the chapel is at the north end of the campus, with the library on the south end, and academic buildings on the east and west sides.
And, interestingly, in one of those buildings, we saw the artwork of an old friend, David Adickes!
Smither Park
Although it rained for about 90 percent of the day, the precipitation courteously stopped or slowed at key points along our journey, including a stop at Houston’s Smither Park.
Designed by Huntsville’s own Dan Phillips, the park is a marvel of fun.
Recycled mundanities are placed in ways that create patterns which, in turn, can create beauty.
Thus discarded tiles turn into a river; old SHSU pins turn into a bright sun;
and broken glass, old signs, and other odds and ends turn into a “Fish Amphitheater.”
And have you ever seen a gecko playing the piano?
Corpus Christi
A few hours later, we rolled into Corpus Christi, where we resumed both our Philip Johnson tutorial and our refresher in Huntsville natives central to the Texas art world. Although the Art Museum of South Texas, showing much less resilience than SHSU students, closed for the day owing to the storm, we stopped by to see Johnson’s design.
The building, which has been expanded by Ricardo Legorreta, is stark white, with clean lines. It is perched on the seawall, and from the interior, at times provides a bunker like view into the harbor, where the USS Lexington serves as a historic artifact and museum.
Although we could not enter the building, we did peek through the windows, seeing a Dale Chihuly, Jesus Moroles, and Charles Pebworth. The real treat, however, was on the Museum’s lawn, where a large James Surls welcomes visitors.
The highlight for this group, however, was the Selena Memorial, which is on Corpus Christi’s Shoreline Drive. The site features a statue of Selena looking to the sea…
… a white flower facing west, and a cupola atop the memorial–which is titled “Mirador de la Flor,” or “Overlook of the Flower.”
Despite the rain, there were half a dozen people paying respects and taking selfies at the Memorial, us among them.
It was an interesting experience, interacting at a space designed to memorialize Selena’s tragically early death, while also capturing some of the hope and beauty reflected by Selena’s music.
And it was somewhat appropriate for the occasion, as our bi-cultural group returned to the car, slogged through torrential rains to South Padre, with hopes of a sunnier tomorrow and a bright future ahead.
Center for Law, Engagement, and Politics 