Marvelous, Minimalist Marfa!

After a twenty-hour day at Big Bend, we were ready for more education, but this time in Marfa, Texas, home of mysterious lights and much minimalist art and hipster vibes.

These adventures began with the Chinati Foundation–a non-profit focused on the minimalist art of Donald Judd and his contemporaries.  He purchased a former military base–Fort Russell–and turned it into a major art installation.

Our tour–led by a somewhat bored tour guide–began with Judd’s works.  These works were housed in two old artillery sheds and consisted of 100 untitled pieces made of aluminum.  Each cube had the same outer dimensions, but each had a different interior configuration.

SHSU, LEAP Center, Donald Judd, Minimalist Art, Chinati Foundation, Marfa Texas

From some angles with the right light, some of the pieces looked as though they were made from glass.

SHSU, LEAP Center, Donald Judd, Minimalist Art, Chinati Foundation, Marfa Texas

You don’t have to a fan of minimalist art to be be intrigued by Judd’s art, but you do need an open mind.  It’s almost impossible to examine the 100 pieces without asking, “But is it art?”

Actually, it is art, and the installation goes a long way to reinforcing Judd’s purpose in founding Chinati.  He believed that having Museum curators slice his art into smaller pieces (or subdividing it) and then placing it in a corner of a museum gallery next to pieces by artists of their choosing didn’t appropriately convey the artist’s intent.  So…he bought 340 acres, on which he could install his pieces in the format and configuration of his choosing.  They definitely had an impact different than what have been experienced by seeing a single aluminum piece next to, say, a work by George Segal in a large museum.

The site was also ideal for the works of Dan Flavin, commissioned specifically for Chinati.  Using six old barracks buildings, Flavin created art from flourescent bulbs of varying colors which, when seen from various perspectives, blend into unique color combinations.  When entering the north barrack wing, for example, we saw this:

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Dan Flavin

From the south barrack’s wing, however, we saw this:

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Dan Flavin

What we also saw a lot of was this…

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Dan Flavin

…us posing in the sometimes beautiful, sometimes eerie, always intriguing art works by Flavin.

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As a group, the Flavin pieces were the most popular, although individuals in our group have a soft spot for the pop art of Claes Oldenburg (not a minimalist!)…

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Claes Oldenburg

…which was created to honor Louie, the last surviving horse of the fort’s cavalry unit.  This art work also served as a memorial, in that replaced the deteriorated memorial previously on site for Louie.

We also had warm feelings for Chinati’s most recent installation, a large work by Robert Irwin.  His installation was actually an entire building, horseshoe shaped, with a courtyard.

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Robert Irwin

The building’s interior consists of two sides: the left side is dark, with black walls, windows that open at eye level–designed to provide the look of Dutch landscapes–and a black screen that provides compartmentalized interiors.

The building transitions on the horizontal leg of the horseshoe, moving from the “dark side” to the “light side.”

SHSU, LEAP Center, Marfa, Chinati, Robert Irwin

This is a supremely interesting effect, providing both visual stimuli and a provocative metaphorical sense of moving from dark to light.

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Robert Irwin

Indeed, halfway through the building this effect is captured by dark and light doors.

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Robert Irwin

And from there, visitors enjoy the ‘optimist’s side,” filled with light and interiors of white, making for some happy tourists.

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, Robert Irwin

Our happiness transformed to curiosity as we moved to downtown Marfa, where the “Chamberlain” wing of Chinati is housed.

There are 22 of Chamberlain’s curiosities in this building.

SHSU, LEAP Center, Donald Judd, Chinati Foundation, Marfa Texas, John Chamberlain

His works are primarily cars that have been compressed and placed…

At the front of the building, there is a large “couch” of sorts, and it was an installation we were allowed to touch and, in fact, sit on!  ALthough comfortable, we didn’t sit on it long, because one of Chamberlain’s movies, “The Secret Life of Hernando Cortez” was playing, and it was supremely strange.

On a more quotidian note, we did find a sand patch that was part of the building’s original structure, and we were able to add our own art.

SHSU, LEAP Center, Donald Judd, Chinati, Marfa Texas, LEAP at SHSU

The half-day tour was enthralling.  It was our first experience with minimalist art and provided an eye-opening and even uplifting experience!

SHSU, LEAP Center, Marfa Texas

 

Big Bend Bound: Via San Antonio

By Maggie Denena,

The LEAP Center arrived in San Antonio around noon today and stopped for lunch at a local treasure, Mi Tierra. After navigating through the city to a public parking lot, we made our way around the block to the Historic Downtown Market, where Hispanic heritage runs thick. We checked into Mi Tierra with a 30 minute wait list, so we made the most of it by visiting the local shops and stands.

There were quite a few interesting characters, including but not limited to a dancing lady…

SHSU, LEAP Center, Mi Tierra, Market Square

…and a Hispanic Elvis, plus the local food stands smelled amazing. Finally, we made our way back to Professor Yawn in the restaurant lobby just in time: our wait buzzer went off and we were ready to be seated. The restaurant was very colorful, with lights and banners running along the ceiling and walls.

 

Once we sat down, we all spent a quiet few minutes looking though the menu—everything sounded so good it was hard to make a decision. Professor Yawn ordered queso flameado and guacamole for the table. The queso flameadio was so thick we had cheese-pull competitions, and the guacamole was some of the best I’ve ever had. I ordered the lunch special, enchiladas, but I was so full from our appetizers that I was only able to finish one of the two on my plate. I now understand why the restaurant was so packed!

After we had all that we could possibly eat, we headed out for another stroll through the market, where we found a mechanical bull.  Of course, I couldn’t resist! 

SHSU, LEAP Center, Mi Tierra, Market Square, Maggie Denena

After my impromptu rodeo, we headed to our next stop, which was the McNay Art Museum.
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By Peyton Reed

The first interesting thing I noticed about the McNay Museum is the location. The museum was designed as a large house, with each room holding various paintings that flowed together seamlessly, arranged by various characteristics such as color, technique, period and artist. The winding path to get to the entrance of the museum passed by several sculptures by Robert Indiana, George Rickey, and Alexander Liberman, to name a few.

 The featured exhibition is titled “Immersed,” an interactive and compelling exhibit featuring pieces from Andy Warhol, Chris Sauter, and Yayoi Kusama.

The first piece we saw was the piece by Chris Sauter. Walking in to the enclosed space, circle cutouts allow some light to pour into a small living room set up. In the chairs are circle cluster figures, entitled “dopamine molecules” by Sauter, which he made from the wood he cut out of the walls.

SHSU, LEAP Center, McNay Art Museum, Chris Sauter

 

The Shadow Monster by Phillip Worthington was a playful exhibit. Pool noodles, hula hoops and spinning flower props allowed for interesting additions to our figures as a projector casted outlines of the observer on to the wall with fun twists. Our shadows morphed as we moved, forming eyes, tails and ears and transforming us into magical creatures.

One of the interactive pieces in the museum was a light board with different colored pegs. We did our best to spell out SHSU with the letters.

SHSU, LEAP Center, McNay Art Museum

We took a similar marketing strategy to the sequin boards, also at the patrons disposal, making for a truly immersive experience.

My favorite piece was the Yayoi Kusama piece. We were allowed into an enclosed room lighted by hundreds of hanging candle fixtures.  The walls of the room were covered in mirrors, giving the viewer the perception that the space was infinite.

 Exploring the museum’s permanent collection was also an extremely satisfying experience.

Claude Monet’s “Waterlilies” was my favorite painting among the collection. I was struck by the size of it alone. Since this was my first experience at an art museum, it was amazing to see paintings by Van Gogh, Picasso, and Monet, some of the most well-known and talented artists of all time, all in one place. Another favorite sculpture piece was by Alexander Calder, an artist who specializes in Kinetic art sculptures.

SHSU, LEAP Center, McNay Art Museum, Alexander Calder

 Overall, exploring the McNay museum was an enriching experience that helped me gain a little more familiarity with art.

LEAPsters Know Anish Kapoor

Houston recently acquired “Cloud Column,” which is also called “The Upright Bean.”  It’s a work of art by Anish Kapoor, whose most famous work is the “Bean” (formally called “Cloud Gate”) in Chicago.  Houston’s acquisition of this work has spurred a heated exchange between Houston and Chicago.  In this exchange, a Chicago writer called Houston a “cultural abyss” and a  Houston writer referred to Chicago as a “has-bean.”

While we’ll leave it to others to argue about the merits of Kapoor’s various works, we keep visiting them when we get a chance!  Our first chance was at the Besthoff Sculpture Garden, where works by Claes Oldeburg, Louise Bourgeois, and Jesus Moroles overshadowed a smaller Kapoor piece.  But that wasn’t the case in Chicago, where the famous bean caught the students’ attention.

And, of course, with the “Cloud Column” in Houston, we have new opportunities to explore Kapoor’s art, such as when Christina Perez visited…

SHSU, LEAP Center, LEAP Ambassadors, Art, Anish Kapoor, Cloud Column, Houston

…or when Karla Rosales visited a few days later.

SHSU, LEAP Center, LEAP Ambassadors, Art, Anish Kapoor, Cloud Column, Houston

More or less simultaneously, separate LEAPsters were in Phoenix checking out Kapoor’s “Upside Down, Inside Out.”  Unlike most of his work since 1995, this piece isn’t stainless steel, but it is reflective and curved, distorting space and perception.

SHSU, LEAP Center, LEAP Ambassadors, Art, Anish Kapoor, Phoenix, Upside Down Inside Out

We’re not sure which of the ones we’ve seen are the best, but we are sure we are pleased to have one close to home!

Image result for Houston Cloud Column

National Book Awards at SHSU: 2018

by Bianca Saldierna

The National Book Awards Festival returned to Sam Houston State University this April as part of an annual tradition. The NBAF–sponsored by the College of Humanities and Social Sciences and the Master of Fine Arts Program in Creative Writing, Editing, and Publishing, and spearheaded by Amanda Nowlin-Obanion–brought three recent NBA finalist and winners to our university.

This year, Lisa Ko, Danez Smith, and Jason Reynolds joined us for a reception and a mainstage reading & discussion which was free and open to the public. Jason Reynolds, a New York Times bestselling author, was the 2016 Finalist in Young People’s Literature for his book Ghost and the 2017 Finalist for his book Long Way Down.

SHSU, LEAP Center, LEAP Ambassadors, National Book Awards at SHSU, Jason Reynolds

Danez Smith was the 2017 Finalist in poetry for Don’t Call Us Dead. Lisa Ko, was the 2017 Finalist in Fiction for her book The Leavers.

SHSU, LEAP Center, LEAP Ambassadors, National Book Awards at SHSU, Lisa Ko

The LEAP Ambassadors are always honored to have the opportunity to meet inspiring and talented people such as these authors.

For the reception, Beatriz and I joined the visiting authors and several important and well-known community and university figures such as President Dana Hoyt, Mayor Andy Brauninger, Provost Dick Eglsaer, Vice Provost Mary Robbins, Dean Phillip Lyons, and LEAP’s life-long friends, the Woodwards! Throughout the evening, we enjoyed the delicious finger food and interesting conversations that echoed through the room. Certainly, attending to the reception served us well, as we are a few weeks away from graduation and we needed people who inspired us to live our lives more fully and creatively!

Thank you to the organizers for all their hard work and for giving us the opportunity to attend share an evening with them.