Discovering the Dizzying Magic of “Vertigo” at Houston’s River Oaks Theatre

By Brian Aldaco

In classic LEAP fashion current students and LEAP alumni joined forces in Houston for a viewing of one of Hollywood’s most celebrated films, Alfred Hitchcock’s Vertigo. The screening is part of The Summer of Hitchcock, a joint literary venture between Brazos Bookstore and River Oaks Theatre.

As part of this summer project, Houston-area Hitchcock fans are invited to read “The Lady Vanishes,” “Vertigo,” and “Psycho,” and watch the film adaptations directed by the Master of Suspense at the newly re-opened River Oaks Theatre.

With its glistening art deco marquee, this 1939 theatre is nestled on West Grey St. in one of the most emblematic Houston neighborhoods, for which the theatre is named. Following a post-pandemic closure of the theatre, which many Houston area cinephiles feared would be permanent (this writer included), the theater finally re-opened last October. While it retained its screening of classic, contemporary, and independent movies, the interior has been renovated to adapt to the new movie-goer expectations, while also offering seat-side meal service.


For most of the group members that joined us at the showing, it was our first time watching this adaptation of Pierre Boileau and Thomas Narcejac’s French novel “D’entre les morts” (“Among the Dead”). Released in 1958, Vertigo follows a mysterious investigation led by a recently retired San Francisco detective. Tasked by an old college friend to follow his wife who is feared to be obsessively replicating the actions of a mysterious ancestor, the former detective, played by Jimmy Stewart, along with the equally intrigued audience, tour the city of San Francisco while trailing the college friend’s wife, played by Kim Novak.

The film has been widely praised, and in fact, was ranked as the greatest film of all time in a 2012 poll of international film critics (it “slipped” to #2 in 2022). Nonetheless, the craftsmanship managed to impress and surprise. In Hitchcockian fashion, the narrative is told through expertly orchestrated POV and over-the-shoulder shots, evoking a sense of voyeurism of which the movie’s protagonist extensively takes part in throughout his investigation.

The film showcases the costume design of Hollywood legend Edith Head, which complements the equally impressive cinematography of Robert Burkes, whose striking use of color film stock (and color theory), impressive panoramas of San Francisco and San Francisco Bay, and a subjective camera contribute to the film’s beauty and psychological themes.

Such cinematic feats are perhaps most famously illustrated by the “Vertigo Zoom,” engineered by second-unit cameraman Irmin Roberts. Ask by Hitchcock to create a visual metaphor for the protagonist’s vertigo, Roberts used a subjective camera (from Stewart’s perspective) and dollied the camera toward the ground level of a staircase while simultaneously zooming the lens out (or away) from the ground level.

This effect has since been used in countless films, most famously in “Jaws,” “Goodfellas,” and “The Lord of the Rings.”

Vertigo, as with many of Hitchcock’s works, is a testament to the range of emotions that can be transmitted to an audience through stellar acting, a vivid imagination, and plethoric cinematic techniques implemented by an auteur director with a clear vision.

The whole experience reminds the viewer that this piece of cinematic literature deserves contemplation in a proper movie theatre. In the Houston of 2025, Star-Cinema-Grill owned or not, it’s difficult to think of a better site than River Oaks Theatre, and even more difficult to think of a better group of people with whom to see it.

A Literary Night Out at Brazos Bookstore

by Victoria McClendon-Leggett

We arrived at Brazos Bookstore in Houston early and had time to leisurely scan through a few books….

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

…before authors Barbara Shapiro and Tim Johnston showed up.

They arrived in a happy mood, introducing themselves and talking a bit about their latest books. For Johnston, this was The Current, a novel centered around a car accident which is conceptually similar to his previous  work, Descent. Shapiro’s latest work is The Collector’s Apprentice, a novel set in 1922 that deals with art theft, mystery, and “a bit of romance.” After speaking briefly about their newest works, they talked a little about themselves and their careers. Johnston shared with us that he has an MFA, but was working as a carpenter prior to writing his first breakout book…

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

and Shapiro who has a PhD in Sociology told us that she quit a high-pressure job to pursue writing novels after a conversation with her mother.

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

The two got along very well, and seemed to enjoy each other’s company and the crowd.

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

Shapiro is a planner, outlining her novels extensively and even creating a color-coded notecard system.  Johnston described himself as a “pantser,” which is an author who flies by the seat of his pants.  He begins the novel with an event and characters, and then works through things to see how they turn out.

They were also different presenters.  Shapiro was very demonstrative…

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…expansively emphasizing her points with hand gestures and facial expressions.

Meanwhile, Johnston was a minimalist…

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

…more introspective and displaying an economy of movement.

But the two meshed well.  When Shapiro described her publication history, noting that her first several books didn’t sell, she was thankful for her husband, and emphasized that beginning writers need a partner who “has a salary and benefits.”  Johnston quietly said, “Ah, I need a partner with a salary and benefits.”

Alas, both a highly successful now, making quite a nice living from the royalties on their books, although Tim Johnston still teaches Creative Writing at the University of Memphis.

After the discussion we had a chance to get a few books signed by the two authors who were also kind enough to pose for a group photo with us!

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

indeed, with the event being so much fun, the book store manager asked the entire audience to pose for a photo with the authors.

SHSU, LEAP Center, LEAP Ambassadors, Brazos Bookstore, Barbara Shapiro, Tim Johnston, THe Collectors Apprentice, The Current

With Shapiro’s book being (partly) set in France, we headed a few streets over to dinner at nearby Sweet Paris Crêperie, which offers excellent service, good crepes, and amazing milk shakes.

SHSU, LEAP Ambassadors, LEAP Center, Sweet Paris Crepes

We filed in and ordered our crêpes at the register, and they were brought to us at our table as they were ready. There was a variety of sweet and savory crêpes available at the restaurant, but as it was well into dinnertime everyone among us decided to go with savory.

SHSU, LEAP Ambassadors, LEAP Center, Sweet Paris Crepes

Makayla tried ham and gruyere, and I had the Alaskan crêpes, which were stuffed with smoked salmon, pickled red onions, capers, and scrambled eggs, and were topped with dill sour cream and scallions. For dessert, we ordered milkshakes to go.

SHSU, LEAP Ambassadors, LEAP Center, Sweet Paris Crepes

The best flavor by far was Makayla’s Nutella graham cracker shake or the Reese’s shake, enjoyed by Professor Yawn and Stephanie.

With sweet treats in hand, we headed back to Huntsville a little bit smarter and a lot more full.