Tag: River Oaks Theatre

Here’s Looking at You, LEAP: A Night with Casablanca

Written by Allie Plunk

Last Thursday, LEAP Ambassadors got the chance to step back in time and experience the classic film Casablanca at River Oaks Theatre!

Once we arrived, we quickly found our seats and settled in for the show. Before the film began, Robert Saucedo, River Oaks Theatre’s Artistic Manager, shared a few brief remarks before introducing film critic Joe Leydon. Leydon dedicated the screening to his late wife, Anne Leydon, and shared a touching message about how people live on through the things they love. For Anne, that was Casablanca.

Released in 1942, the romantic drama follows American expatriate Rick Blaine (Humphrey Bogart), the owner of a nightclub and gambling den in Casablanca, a city in French Morocco that has become an important stopping point for refugees fleeing the German occupation. For many refugees, Casablanca is a necessary stop on the journey to Lisbon and, eventually, freedom in America.

Rick, however, has no interest in leaving. Content to remain neutral in the war, he seems determined to look out for himself and avoid getting involved in anyone else’s problems. That changes when Ilsa Lund (Ingrid Bergman) unexpectedly walks back into his life.

Rick and Ilsa had once shared a passionate romance in Paris before the German occupation, but their relationship ended abruptly when Ilsa left Rick without explanation just as they were supposed to escape the city together. Now, Ilsa is married to Victor Laszlo (Paul Henreid), a resistance leader being pursued by the Third Reich. With Ilsa back in his life, Rick is forced to confront the conflict between his desire to remain neutral and the love he still has for her. The result is a story full of romance, tension, and unexpected twists that kept all of us guessing until the very end.

On the car ride home, we had plenty to discuss. One of the biggest topics was Rick himself. We talked about how he is an objectively morally gray character—especially for a protagonist from a film of that era—and compared him to the morally complicated characters we see so often in modern movies.

All in all, Casablanca gave us plenty to think about, and it was a fun opportunity to experience one of Hollywood’s most iconic films together!

Discovering the Dizzying Magic of “Vertigo” at Houston’s River Oaks Theatre

By Brian Aldaco

In classic LEAP fashion current students and LEAP alumni joined forces in Houston for a viewing of one of Hollywood’s most celebrated films, Alfred Hitchcock’s Vertigo. The screening is part of The Summer of Hitchcock, a joint literary venture between Brazos Bookstore and River Oaks Theatre.

As part of this summer project, Houston-area Hitchcock fans are invited to read “The Lady Vanishes,” “Vertigo,” and “Psycho,” and watch the film adaptations directed by the Master of Suspense at the newly re-opened River Oaks Theatre.

With its glistening art deco marquee, this 1939 theatre is nestled on West Grey St. in one of the most emblematic Houston neighborhoods, for which the theatre is named. Following a post-pandemic closure of the theatre, which many Houston area cinephiles feared would be permanent (this writer included), the theater finally re-opened last October. While it retained its screening of classic, contemporary, and independent movies, the interior has been renovated to adapt to the new movie-goer expectations, while also offering seat-side meal service.


For most of the group members that joined us at the showing, it was our first time watching this adaptation of Pierre Boileau and Thomas Narcejac’s French novel “D’entre les morts” (“Among the Dead”). Released in 1958, Vertigo follows a mysterious investigation led by a recently retired San Francisco detective. Tasked by an old college friend to follow his wife who is feared to be obsessively replicating the actions of a mysterious ancestor, the former detective, played by Jimmy Stewart, along with the equally intrigued audience, tour the city of San Francisco while trailing the college friend’s wife, played by Kim Novak.

The film has been widely praised, and in fact, was ranked as the greatest film of all time in a 2012 poll of international film critics (it “slipped” to #2 in 2022). Nonetheless, the craftsmanship managed to impress and surprise. In Hitchcockian fashion, the narrative is told through expertly orchestrated POV and over-the-shoulder shots, evoking a sense of voyeurism of which the movie’s protagonist extensively takes part in throughout his investigation.

The film showcases the costume design of Hollywood legend Edith Head, which complements the equally impressive cinematography of Robert Burkes, whose striking use of color film stock (and color theory), impressive panoramas of San Francisco and San Francisco Bay, and a subjective camera contribute to the film’s beauty and psychological themes.

Such cinematic feats are perhaps most famously illustrated by the “Vertigo Zoom,” engineered by second-unit cameraman Irmin Roberts. Ask by Hitchcock to create a visual metaphor for the protagonist’s vertigo, Roberts used a subjective camera (from Stewart’s perspective) and dollied the camera toward the ground level of a staircase while simultaneously zooming the lens out (or away) from the ground level.

This effect has since been used in countless films, most famously in “Jaws,” “Goodfellas,” and “The Lord of the Rings.”

Vertigo, as with many of Hitchcock’s works, is a testament to the range of emotions that can be transmitted to an audience through stellar acting, a vivid imagination, and plethoric cinematic techniques implemented by an auteur director with a clear vision.

The whole experience reminds the viewer that this piece of cinematic literature deserves contemplation in a proper movie theatre. In the Houston of 2025, Star-Cinema-Grill owned or not, it’s difficult to think of a better site than River Oaks Theatre, and even more difficult to think of a better group of people with whom to see it.