New York Stories

Art in the Heart of New York

by Chrissy Biello

On day two in New York, we woke full of hope and to clear blue skies…

…albeit with a pronounced chill in the air.

Despite the cold, we were ready to explore the city on foot–not, perhaps, expecting to get in more than 30,000 steps while visiting four museums and two libraries!

With a busy schedule for the day, we hoped to experience all that was possible, including the Whitney Museum of American Art, The Metropolitan Museum of Art (The Met), Solomon R. Guggenheim Museum, and the Museum of Modern Art (MoMA). 

Although these museums host art from myriad genres and movements, we focused on three primary areas: American, European, and Modern/Contemporary, finding that this was more than enough to keep us busy over a long day while also expanding our knowledge of the arts.

American

With us bringing different levels of knowledge about art to the trip, there was something for everyone to enjoy–and learn about–among the Museums’ many collections. Speaking for myself, I had many opportunities for learning, and my first such experience of the day involved coming across Early Sunday Morning, by Edward Hopper, at The Whitney.

The American collections had many great pieces, showcasing the depth and diversity of American art. Edward Hopper’s Early Sunday Morning (Whitney) drew me in…

“Early Sunday Morning,” by Edward Hopper

…which was perhaps appropriate, inasmuch as Hopper was born near New York, and he died in Manhattan, not far from where we were seeing his work. This particular piece, I learned, reflected his most commonly emphasized colors (red, yellow, blue, green), as well as the sense of loneliness and isolation that so often characterizes his art.

The museums also showcased Thomas Hart Benton, one of Professor Yawn’s favorite artists. His piece The Lord is my Shepherd (Whitney), Cotton Pickers (The Met), and America Today (The Met), highlighted the regionalist style, while also showcasing Benton’s sense of artistic rhythm.

The representation of African American artists was particularly moving, including Jacob Lawrence’s emotionally charged War Series, which captured collective anxiety…

…and Horace Pippin’s compelling Cabin in the Cotton (Whitney).

We should also mention a work of art in its own (W)right: The Guggenheim Museum. Although all of us appreciate Frank Lloyd Wright’s work none of us had been inside one of the last major architectural works of Wright’s story career, In addition to scoping out the art around the walls and alcoves, we also spent much time simply looking at the interior from various angles and perspectives. Beyond the many genres of art we had a chance to experience, we added to this list American architecture.

European

The European collections presented numerous memorable works. One of the day’s highlights was getting a selfie with Vincent van Gogh’s Self Portrait with a Straw Hat (The Met) and seeing a study of Georges Seurat’s magnificent A Sunday on La Grande Jatte (The Met). Other notable works included John Singer Sargent’s Wyndham Sisters (The Met) and Renoir’s Woman with Parakeet (Guggenheim). 

Moreover, I was particularly excited to see more pieces by Edgar Degas, especially after seeing a copy of his famous sculpture Little Dancer of Fourteen Years outside the Degas House in New Orleans. One that I was fond of is his Dancer Moving Forward (Guggenheim) sculpture. 

Modern

The modern collections sparked much reminiscence and contemplation. Georgia O’Keeffe’s Ladder to the Moon (Whitney) initially made our group think of Leandro Erlich’s Too Late for Help piece in the New Orleans Museum of Art Besthoff Sculpture Garden, and it was a different look than what we were used to seeing from Ms. O’Keeffe.

And, Keith Haring’s Untitled 1981 piece (Whitney) was enjoyed by everyone and left us thinking of his other known works. 

Further, we discovered interesting connections, like learning that Mark Rothko’s Number 10 (MoMA) was donated by Phillip Johnson, whose architectural work we had admired at University of Saint Thomas Cathedral in Houston, the PPG building in Pittsburgh, and the Water Gardens in Fort Worth!

Rene Magritte’s The Lovers (MoMA) particularly excited Olivia, while Salvador Dali’s The Persistence of Memory (MoMA) proved even more captivating in person than in reproductions. 

Jackson Pollock’s One: Number 31 (MoMA) captivated us with its scale and abstract expressionist techniques. And, seeing Vincent van Gogh’s Starry Night (MoMA) in person was a treat, a piece Olivia and I had long hoped to experience!

Seeing art from these diverse categories has helped structure my understanding. As I learn more about art, it becomes enjoyable to identify artists before reading the placards. I hope to develop this skill further, aspiring to reach the expertise level of Stephanie, Professor Yawn, and Olivia!

NY Stroll

Walking to four art museums allows for quite a lot of site-seeing, and we tried too make most of our journeys on foot. We began by hoping to photograph the Statue of Liberty, but we were foiled by New York’s never-ending construction. The Statue of Liberty was visible only by boat or through a window, and we only had time for the latter–definitely not the photo we hoped for.

As if to compensate, we had an unexpected photo opportunity, when we all witnessed what Olivia described as “the most New York thing I’ve ever seen”–a squirrel eating a bagel.

We also made our way past the “Charging Bull”, which judging by the sides of the crowds, was probably one of the most popular sites in NYC.

Nearby, we saw the statue of the defiant and vigilant girl, who keeps watch on the New York Stock Exchange.

Because this trip was designed for us to see the presidential inauguration, we also stopped by “Again”, the Federal Hall, to get another and better photo of the George Washington Statue. This significant site was witness to the first ever presidential inauguration and, later, to the writing of the Bill of Rights.

Probably the biggest treat for us was visiting the grand New York Public Library. We stopped for a selfie here, named after the two famous lions who stand guard to the front of the building.

One of these lions is named Patience; one is named Fortitude. No one, it seems, knows which is which, and because they are identical, we’re not sure it matters. Inside the NY Public Library, we visited the periodical reading room, which features 13 murals by Richard Haas. After some negotiation with the paid staff, we were allowed to take a few pictures. Haas, of course, has done 15 murals in our adopted hometown of Huntsville, Texas. Interestingly, New York has the most interior murals of Richard Haas, while Huntsville has the most exterior murals of his in any city in the world. Not to brag, or anything. (Thank you Linda Pease.)

Of course, we had to stop into the nearby Grand Central Station, which we found to be beautiful.

Chrissy also found the “whispering wall,” where a vocalization on one corner will transmit to the other corner, with those in between none the wiser.

All of the above occurred fairly early in our 15 hour day. Our trip back to the hotel, however, was at the end of the day through Times Square, which Chrissy regarded as a special hell on Earth. Having walked more that 30,000 steps, Chrissy’s ankles were literally bleeding, and her misery quickly became ours.

In fairness, Times Square is a bit much, even by American standards. After spending the day reviewing the classics of art, it was a bit jarring to be amidst the gawkers, wannabe influencers, and loiterers. This, combined with the loud sounds and bright, multicolored lights, provided more than enough stimulation for everyone.

Amidst this chaos, we found Hope, literally. In 2008, Robert Indian transformed his classic LOVE sculpture into a HOPE sculpture, reflecting one of President Obama’s campaign messages. As Robert Indiana fans, we paused for a selfie, and in our head tallied up how many said large scale sculptures we have seen. Chrissy, 2; Olivia 4. And on this optimistic note, we wrapped up day two of our five-day democracy tour.

Reading Rooms of the Rich and Famous: The Morgan Library

by Olivia Discon

Among our many stops in New York, our visit to the Morgan Library was a highlight, far exceeding my expectations. I knew it would be beautiful, but the experience left me in awe.

We began with an exhibit on Belle da Costa Greene, the library’s first director, whose story was as inspiring as the treasures she curated. Born in 1879, Greene was an African American woman who passed as white to navigate the racial barriers of her time.

Despite these challenges, she rose to prominence as a librarian and curator, eventually studying at Pratt Institute, where she trained for her remarkable career. Her contributions shaped the Morgan Library into what it is today, and the exhibit offered a glimpse into her extraordinary life and work.

The structure itself was stunning. In one room, for example, the ceiling crafted by Samuel Yellin, featuring 648 intricately detailed birds—each unique, down to the shape of their beaks.

Among the exhibit’s standout items were pieces from Belle Greene’s personal collection, including Albrecht Dürer’s Melencolia I

…a masterpiece I’d studied in class, as well as a William Blake drawing and a signed poem by John Keats.

I was especially captivated by her desk and personal collection, which continued to show her exceptional taste! 

From there, we moved into the library’s main attraction—the breathtaking library room itself. Shelves were lined with treasures, including titles such as Dante’s Inferno

…Rousseau’s The Social Contract, and works by Voltaire.

We even saw ancient artifacts from Mesopotamia and a Gutenberg Bible!

I felt like a kid in a candy store! 

As befits a wealthy collector, Morgan also owned a healthy collection of art, some of which was also on display. Thus, we were able to not only glimpse into the lives of the very wealthy, we were also able to expand our knowledge of art, by seeing works from Henri Matisse, John Singer Sargent, and William Wetmore Story, among others.

Before leaving, we quickly explored a Franz Kafka exhibit. Though our time there was brief, it was fascinating to see pieces that shed light on his complex and often enigmatic life.

As someone who has read some of his work, I wished we’d had more time to immerse ourselves in his story, especially after seeing an Andy Warhol portrait of him.

In the words of Kafka himself, “It is irresponsible to travel, even to live, without taking notes.” It was a privilege to add this visit to our travels—and to write about it!

A Parade Through History

On the third day of our New Orleans trip, we had an exciting itinerary lined up to continue our learning! After grabbing some coffee to start the day, we set off on a 20-minute walk to St. Louis Cemetery.

St. Louis Cemetery Tour

by Chrissy Biello

Traveling through New Orleans, one might notice the cemeteries and how distinct they are from other cities. With approximately forty-two historic burial grounds, our curiosity led us to explore the oldest existing cemetery in the city, St. Louis Cemetery. Thankfully, we had a knowledgeable and humorous tour guide named Denise who could explain things along the way.

Denise discussed the origin of St. Louis Cemetery, which emerged from a pressing need for space. On August 14, 1789, the cemetery opened because the neighboring St. Peter Street Cemetery had become severely overcrowded. During this time, Spanish colonists persuaded the residents of New Orleans to adopt an innovative solution: above-ground tombs that would maximize limited burial space. 

Interestingly, there are strict protocols for burial. A new interment cannot occur until two years have passed since the previous burial, allowing for proper decomposition. When a new burial takes place, the remains of previous occupants are carefully collected, placed in a bag, and pushed to the back of the tomb using a long pole; a practice that reportedly inspired the popular phrase, “I would not touch them with a ten-foot pole.”

Turning around, we examined the oven tombs. Denise illustrated that they have this name because they have a wide opening, continuing to say that “they resemble a baker’s oven; can’t you imagine a pizza sliding in there?!” 

Moreover, one could not help but notice the striking nine-foot-tall pyramid tomb for Nicolas Cage when he passes away. Notably, it is inscribed with the Latin phrase “Omnia Ab Uno” meaning “Everything From One.” 

Continuing on the tour, Denise took us to the Orleans Battalion of Artillery tomb, which holds those that fought, but did not die, in the Battle of New Orleans in 1815.

Further, the New Orleans Italian Mutual Benevolent Society’s marble tomb. Denise explained that many Italian immigrants, facing financial difficulties, could not afford individual burial plots. To address this, they pooled their resources to collectively purchase and share a communal burial site.

Another well-known individual buried in the cemetery is Homer Plessy, known for Plessy v. Ferguson. Denise shared how this civil rights pioneer, central to the Plessy v. Ferguson case, was finally pardoned by the Louisiana Governor in 2022; a moment of long-overdue justice.

Additionally, the “the Faux Laveau” grave, often mistaken for the famous Voodoo Queen, Marie Laveau, was adorned with symbolic crosses. In sets of three, they represent the Holy Trinity positioned sideways to signify the completion of crucifixion and resurrection.

Nonetheless, we ended the tour at the authentic Marie Laveau’s grave. Here, Denise explained that while Marie practiced Voodoo, she was a devout Catholic that would attend Mass daily. In her whimsical voice, Denise noted that the over emphasis of the voodoo aspect of Marie Laveau is “all a part of the loooreeee!”

As we exited the cemetery, we felt we had gained a deeper understanding of New Orleans’ unique culture. We would like to thank Denise for a great tour; her captivating storytelling and deep knowledge of the cemetery’s history made the experience both educational and memorable!

3rd Annual Children’s Hospital New Orleans Holiday Parade

by Chrissy Biello

Following the cemetery tour, we began the walk to return to our hotel before heading out to get lunch. To our surprise, a holiday parade was taking place! We learned that this parade is organized by the New Orleans Children’s Hospital and began in 2022.

Starting at the French Market, the parade winds through Downtown. As we watched the floats go by, we saw the Grinch dressed as Santa Claus and the Children’s Hospital float featuring their very own Mrs. Claus.

The best part of the parade was the cheerleaders and dancers. Their performances were fun and festive, bringing energy and excitement to the crowd. They also threw beads to the audience, which many were trying to catch!

St. James Cheese Company – Lunch

by Chrissy Biello

While walking the streets of New Orleans, we came across the St. James Cheese Company. Having passed this establishment before, we had assumed that they only sold cheese. To our surprise and delight, they offer a wide selection of sandwiches, bagels, fondue, and festive drinks.

Since we all greatly enjoy cheese, we decided to order the sharable fondue. Although I may appear quite serious in this photo, I assure you that my expression does not reflect how I truly felt at the time.

The sandwiches also looked especially appealing. Olivia chose the Gruyere Sandwich, while I opted for the Hot Mozzarella Sandwich. Michelle, who tends to make healthier choices, ordered the Soup of the Day, which turned out to be Creamy Garlic and Mushroom Soup!

After finishing our meal, we continued on to our next destination, the National World War II Museum.

National World War II Museum

by Michelle Moya

Following the parade and our meal at the St. James Cheese Company, we headed to the National World War II Museum. As it was National Pearl Harbor Remembrance Day, we felt very reflective and thankful for the soldiers that fought for us. Nevertheless, as a self-proclaimed American History hater, I went to the museum with not much knowledge. However, this tour definitely changed that!

One fascinating feature of this museum was the “dog tag experience.” We grabbed our “dog tags,” each of which was linked to a real soldier’s experience and role in the conflict that you had to find throughout the museum. I got Mike Colalillo!

To begin our walk-through, we started at “the Arsenal of Democracy” on the second level. The museum was a labyrinth of fascinating displays. This section demonstrated all of the great inventions that helped America win the war. Essentially, the “Arsenal of Democracy” was made possible by these tools!

Then, we dove into the heart of the Normandy invasion. My favorite there was the mass of hanging planes, a reminder of the airborne operations that preceded the beach landings that depict the Normandy morning crash.

Noteworthy, the “Personal Accounts” booths that have two-minute oral history programs with soldiers. Olivia walked into the “Night Drop into Normandy” booth and ended up hearing a horrible story about a soldier that got shot in his jaw but proceeded to fight. This goes to show the atrocities that these troops had to endure during this battle.

We then made our way to my personal favorite exhibition, the “Road to Tokyo” exhibit. The museum’s immersive displays, including a recreated jungle environment, provided a glimpse into the challenges faced by American soldiers fighting in the Pacific. The setting was super captivating, and the stories of the soldiers fighting in the Pacific were both inspiring and heartbreaking to hear.

To finish off our tour, we went to the museum store to look at the goodies they had. Olivia ended up purchasing a chocolate bar and Stephen E. Ambrose’s book Eisenhower: Soldier and President. Ultimately, the National WWII Museum not only taught me about a pivotal era in history, but it also inspired me to implement more history knowledge into my life.

I left the exhibition with a deeper appreciation for those who fought for our freedom, which was the overall goal!