Tag: LEAP Ambassadors

Discovering the Dizzying Magic of “Vertigo” at Houston’s River Oaks Theatre

By Brian Aldaco

In classic LEAP fashion current students and LEAP alumni joined forces in Houston for a viewing of one of Hollywood’s most celebrated films, Alfred Hitchcock’s Vertigo. The screening is part of The Summer of Hitchcock, a joint literary venture between Brazos Bookstore and River Oaks Theatre.

As part of this summer project, Houston-area Hitchcock fans are invited to read “The Lady Vanishes,” “Vertigo,” and “Psycho,” and watch the film adaptations directed by the Master of Suspense at the newly re-opened River Oaks Theatre.

With its glistening art deco marquee, this 1939 theatre is nestled on West Grey St. in one of the most emblematic Houston neighborhoods, for which the theatre is named. Following a post-pandemic closure of the theatre, which many Houston area cinephiles feared would be permanent (this writer included), the theater finally re-opened last October. While it retained its screening of classic, contemporary, and independent movies, the interior has been renovated to adapt to the new movie-goer expectations, while also offering seat-side meal service.


For most of the group members that joined us at the showing, it was our first time watching this adaptation of Pierre Boileau and Thomas Narcejac’s French novel “D’entre les morts” (“Among the Dead”). Released in 1958, Vertigo follows a mysterious investigation led by a recently retired San Francisco detective. Tasked by an old college friend to follow his wife who is feared to be obsessively replicating the actions of a mysterious ancestor, the former detective, played by Jimmy Stewart, along with the equally intrigued audience, tour the city of San Francisco while trailing the college friend’s wife, played by Kim Novak.

The film has been widely praised, and in fact, was ranked as the greatest film of all time in a 2012 poll of international film critics (it “slipped” to #2 in 2022). Nonetheless, the craftsmanship managed to impress and surprise. In Hitchcockian fashion, the narrative is told through expertly orchestrated POV and over-the-shoulder shots, evoking a sense of voyeurism of which the movie’s protagonist extensively takes part in throughout his investigation.

The film showcases the costume design of Hollywood legend Edith Head, which complements the equally impressive cinematography of Robert Burkes, whose striking use of color film stock (and color theory), impressive panoramas of San Francisco and San Francisco Bay, and a subjective camera contribute to the film’s beauty and psychological themes.

Such cinematic feats are perhaps most famously illustrated by the “Vertigo Zoom,” engineered by second-unit cameraman Irmin Roberts. Ask by Hitchcock to create a visual metaphor for the protagonist’s vertigo, Roberts used a subjective camera (from Stewart’s perspective) and dollied the camera toward the ground level of a staircase while simultaneously zooming the lens out (or away) from the ground level.

This effect has since been used in countless films, most famously in “Jaws,” “Goodfellas,” and “The Lord of the Rings.”

Vertigo, as with many of Hitchcock’s works, is a testament to the range of emotions that can be transmitted to an audience through stellar acting, a vivid imagination, and plethoric cinematic techniques implemented by an auteur director with a clear vision.

The whole experience reminds the viewer that this piece of cinematic literature deserves contemplation in a proper movie theatre. In the Houston of 2025, Star-Cinema-Grill owned or not, it’s difficult to think of a better site than River Oaks Theatre, and even more difficult to think of a better group of people with whom to see it.

Understanding Pharmacy Fraud: Lessons from the Houston ACFE Lunch

The Houston Chapter of the Association of Certified Fraud Examiners met last week to discuss medical fraud, particularly as it relates to pharmaceuticals. And with former LEAP Ambassador Bianca Saldierna on the Houston ACFE Board, LEAP students found themselves at the Tanglewood Ballroom alongside approximately 25 certified fraud examiners to discuss pill mills, pharmacy shopping, and the black market.

Following an introduction by Robert Rodgers, the Director of ACFE’s In-Person events…

…featured speaker Yasir Shakoor offered an interesting–and even entertaining–discussion of the diverse types of pharmacy fraud over lunch.

Mr. Shakoor has both a BA and an MHC in Health Care Administration, and he is also a Certified Fraud Examiner, and he was clearly qualified to discuss the different types of fraud.

Following a discussion of common myths and an emphasis on the costs associated with pharmacy fraud, Shakoor made a distinction among (1) fraud–falsely representing services rendered; (2) waste–not reasonably conserving resources; and (3) abuse–which may involve exploiting gray areas in laws or policies and, while perhaps not illegal, is unethical and costly.

The case studies were perhaps the most interesting component of the presentation.

Examples included (1) an individual who hacked into an e-prescription service and issued 18,500 prescriptions (in one day) to purchase sport cars, basketball tickets, and to be “entertained” at strip clubs, (2) a doctor who would offer opioids for the flimsiest of pretenses, and (3) underground organizations that offered substandard, black-market drugs (or, sometimes, just any substance available) in place of the specified medication. It is frightening, costly, and, often, deadly.

Apart from the educational aspects of the lunch, our major reason for attending was to see Bianca Saldierna.

A key LEAP Ambassador in 2016-2017, Ms. Saldierna has remained involved in her alumni years, and she generously invited us to attend this event. With many thanks to Bianca and to ACFE, we eagerly await our next such lunch!

Heard of G.O.A.T.s

by Olivia Discon

As a LEAP Ambassador, you’re not expected to be an art expert—or even an enthusiast. But after visiting dozens of museums through the program, it’s only natural that some of us become fans… or critics. I’ve now been to 75 museums with LEAP. Before joining, I’d only ever visited one. Among all those experiences, one name has stood out again and again: James Surls. Of those many wonderful educational experiences, James Surls is a name I had come to frequent more than most. 

Surls is something of a household name in LEAP. As a distinguished alum of Sam Houston State University and a prominent figure in Huntsville, his work has served as many students’ first introduction to art—including mine.

So when we heard about the opening reception for the Surls + Locke Museum and the Heard of G.O.A.T.S. exhibit, we knew it was something we couldn’t pass up!

After being shuttled to the 40-acre property, we went to Surls’ studio, which had been transformed into an event hall for the afternoon. Inside, towering sculptures filled the space, and even the live musicians were performing among the artworks on stage.

We spent a long time taking in the ambiance, discussing which pieces were our favorite. Moya and McCaughan were especially drawn to the work of Charmaine Locke, Surls’ wife and an artist in her own right.

Inspired by the natural world, Surls uses both medium and or composition to emulate life. This presents itself in various ways, but he’s most known for his sculptures that resemble flowers or plants, his eye motif, and sometimes, a combination of the two!

His work stands out not just visually, but intellectually.

While I didn’t initially grasp the depth of his pieces, I’ve come to appreciate their layered meanings over time.

As one article (written by my professor) quotes Surls:

“Right then and there, I drank from the well of true belief in something far greater than myself. I got the calling for my life, and I answered the call with a resounding ‘Yes, I will do it.’”

That sense of purpose resonates with me—and with LEAP as a whole. It reminds me of why we serve and why we learn.

We later walked through the Gift from the Bower exhibit, which featured a series of outdoor installations on its final day.

We spent a lot of time here, discussing meaning, appreciating how the pieces interacted with the environment, and—for Chrissy—getting eaten alive by bugs.

I personally enjoyed Sonic Overlook by Patrick Renner…

and Chrissy liked Learning to Fly by Sherry Owens and Art Shirer.

We had the opportunity to meet Surls himself and have him sign photos we took of his work at the Gaertner Performing Arts Center. It was an honor to meet the artist behind the incredible work that so many LEAP students have enjoyed over the years, and it’s an experience I will cherish for a long time. 

Victoria McClendon-Leggett, former LEAP President, also had the opportunity to meet Surls.

As for the Heard of G.O.A.T.S. exhibit itself, the gallery was filled with other famous names. John Alexander…

Lynn Randolph…

and Bill Haveron…

Michelle took a liking to a piece called His and Hers Red Nest by James Drake. She found that the nests looked like angel wings and fittingly posed for a photo upon discovery.

Chrissy, on the other hand, enjoyed a much moodier scene, Siddhartha by Carlos Canul. 

Interestingly enough, the Terry Allen sculpture was on display on the outdoor patio. Titled Bust, the piece depicts a man in a suit that is blowing against an imaginary force of wind. Like all of his pieces, this was thought provoking and visually interesting. It’s no surprise that this bust is courtesy of the Surls + Locke Museum’s collection!

In all, this was an experience that reminds you why LEAP exists—to open minds, spark curiosity, and connect students to opportunities and perspectives they might not have encountered otherwise. It was an incredibly memorable experience, and one I will always be grateful for.