Now, with my professional excursions at the Capitol finally coming to a close, I tried to make the most of my time in the state’s capital. It wouldn’t be a good LEAP experience if I hadn’t tried to make the most of my time.
With it being Juneteenth, it only made sense to begin with the state capitol’s Texas African American History Memorial by Ed Dwight. It is not only a beautiful statue, but a thought provoking one.
A Tour of University of Texas Campus
There’s no denying that UT’s campus is beautiful. But I don’t think I fully appreciated just how stunning it is until this visit. I knew they had a strong art presence, but I didn’t realize just how much until I found out there are five different suggested paths for an art walk. The variety alone is sort of insane.
I cherry-picked some of the pieces that I wanted to ensure I saw before I left, being that I couldn’t decide on a path.
Indeed, the theme for this part of the day was indecision.
I started at the Littlefield Fountain, which I learned will be part of a larger beautification effort to emulate the National Mall in D.C. One detail I especially loved: the statue of Athena was commissioned by a former UT Regent and sculpted by Pompeo Coppini—the same artist who designed Sam Houston’s grave in Huntsville. And no, I’m still not done talking about Huntsville.
What I liked most about this was that closer to the Main Building Tower, there is a statue of George Washington staring directly across to the Texas Capitol. Talk about a well-intentioned plan!
As I kept walking, I saw pieces by Mark di Suvero, Charles Umlauf (more on him later), and Willard Boepple, all of which added to the sense that this campus is part gallery, part institution.
I made my way over to the UT Law School. While I couldn’t go inside, I stumbled upon something unexpected: a statue of the school’s longest-serving dean—sculpted by none other than David Adickes! It was a comforting, serendipitous moment.
The law school path is no joke, and with so much uncertainty, taking the LSAT can feel like this unsurmountable force that tests your capabilities as an intellectual. I am trying to let that feeling pass, and focus on what matters, which is my commitment to serving and learning in everything I do. It might be a grueling path, but I imagine it’s a meaningful one. And while the statue couldn’t talk, I took it as a gentle nudge to keep pushing forward.
Taquero Mucho Austin
I do have a weird affinity for the color pink—but even I wasn’t prepared for Taquero Mucho. This place is very pink. It came highly recommended by a former LEAP ambassador, and after seeing it in Texas Highways, I had to give it a try.
I started with a flight of salsas (all good), paired with a slightly-magenta Jamaica, and went with a taco wrapped in a pink tortilla and a side of elote.
I thought it was pretty good, and definitely really pink.
Umlauf Sculpture Garden
This was, without question, one of the highlights of the trip. I hadn’t really heard of Charles Umlauf before spotting one of his pieces near UT Law, but after that, I was curious. The garden itself is tucked away in a quiet, green pocket of the city, and it just works so well with his style—there’s something peaceful about seeing his sculptures in a setting that doesn’t compete for your attention.
What I noticed almost immediately was how many of his figures seem to be looking upward—heads tilted, eyes cast toward the sky.
I’d seen that same pose earlier in The Family near the Business School and The Torch Bearers on campus (which also had smaller versions here in the garden). I couldn’t tell exactly what it meant, but there was clearly some intention behind it. It felt reflective, maybe even spiritual, though it wasn’t heavy-handed.
Some of my favorites were The Kiss, Prometheus, and The Poetess—each had its own tone, but they all fit into the broader theme of searching or reaching toward something. I found out later that Umlauf taught at UT for decades and leaned into themes like faith, human connection, and morality, so maybe that upward gaze wasn’t accidental after all.
Toward the end of my visit, I saw one statue that broke the pattern. Instead of looking up, this figure was looking down—almost like she was weighed down by something. She wasn’t in the center of the garden but off to the side near the parking lot, which made the whole thing feel even more intentional. It stood out, so I checked the placard—and of course, it was Eve with Apple.
I couldn’t help but feel giddy about that.. I’m not claiming to have “decoded” anything profound, but it was one of those moments that made the visit so pleasant to me.
There’s something satisfying about taking things in slowly and letting your mind wander a bit. I didn’t expect to enjoy the Umlauf Garden as much as I did, but it turned out to be exactly the kind of quiet, thoughtful stop I didn’t know I needed.
This past month, I toured the O’Henry Home. Upon entering, I was greeted by Spike Gillespie, a kind and knowledgeable staff member from the City of Austin’s Museums and Cultural Programs. She shared key details about William Sydney Porter’s life, explaining that he lived in this house from 1884 to 1894 before fleeing to Honduras due to corruption allegations at his workplace, the First National Bank of Austin. A few years later, he returned to the U.S. under an alias—O’Henry—the pen name that would bring him literary fame.
The small home consists of three main rooms: the living room…
…the bedroom…
…and O. Henry’s office.
As I walked through, I enjoyed learning fascinating tidbits about his life and work. His experience drafting maps at the General Land Office in Austin resonated with me, as I’ve encountered the GLO while assisting the Land and Resource Committee in my office.
Although modern technology has replaced hand-drawn maps, I appreciated the small connection I felt while standing in O’Henry’s office.
As I continued walking through the home, I found myself amused with framed sketches located right outside O’Henry’s office. Later, Spike informed me that during his lifetime, O’Henry became a self-taught artist, focusing largely on political cartoons, which were featured in The Rolling Stone magazine. Most of his artwork throughout the home feature a mixture of political cartoons and the life of American settlers.
Spike also shared insights into how his time in Austin shaped his storytelling. Many of his short stories reflect themes of redemption, irony, and human nature, qualities that may have been influenced by his own struggles. His most famous work, “The Gift of the Magi,” showcases his signature twist endings, a style that would make him one of the most celebrated short story writers in American literature.
Beyond his literary contributions, O’Henry’s influence on Austin is still evident. His home, now preserved as a museum, serves as a reminder of the city’s rich cultural history.
Creative writing workshops hosted by individuals like Spike encourage Austinites to expand their writing skills and explore writing techniques utilized by famous writers such as O’Henry.
Visiting the O’ Henry Home provided me with insight that was much greater than a historical tour, it was a glimpse into the life of a man who turned adversities into art, which brought people together. His legacy lives on not only in his stories but also in the continued appreciation of his wit and literary style.
Huntsville is home to the Sam Houston Memorial Museum and Presidential Library (SHMM) for good reason. Sam Houston and his family made their home here, and their lasting legacy continues to shape our community. But what did their lives actually look like beyond Sam Houston’s legendary public service? SHMM set out to explore that very question through a new exhibit titled The Fate of the Eight—a look at the lives of Sam and Margaret Houston’s eight children: Temple Lea, Margaret Lea, Antoinette Power, Andrew Jackson (AJ), Nancy Elizabeth, Mary William, Sam Houston Jr., and William Rogers.
LEAP Ambassadors attended the exhibit’s opening reception on May 13, 2025, which was well-attended by community members and history lovers alike. Jude Routh, SHMM Curator of Exhibits, remarked that while the display was expansive, it only scratched the surface of the museum’s Houston family archives.
Centered in the exhibit space were personal artifacts—swords, Bibles, marriage licenses, family photos—that brought the Houstons’ story to life.
Below is a brief look into the lives of each of the eight Houston children, all of whom carved unique paths shaped by their family’s name, their own aspirations, and the changing world around them:
Sam Houston Jr. Born in 1843 at Washington-on-the-Brazos, Sam Jr. was the first child of Sam and Margaret Houston. He attended Baylor University and Bastrop Military Academy before enlisting in the Confederate Army. Wounded at the Battle of Shiloh, he was later released from a Union prison and returned to Texas. He studied medicine at the University of Pennsylvania and practiced in several towns before turning to writing later in life. He died in 1894 in Independence, Texas.
Nancy Elizabeth “Nannie” Houston Born in 1846 at the family’s Raven Hill plantation, Nannie was the Houstons’ eldest daughter. She was educated at home and at Baylor and was known for her musical talent. After marrying Joseph Morrow, she raised six children and cared for her younger siblings following her mother’s death. She died in 1920 and was buried in Georgetown, Texas.
Margaret Lea “Maggie” Houston Williams Maggie, born in 1848, assisted her father with correspondence during his later years. She married Captain Weston Williams and lived for many years in Independence, later relocating to San Antonio. When she died in 1906, the Alamo flew its flag at half-mast in her honor.
Mary William “Mary Willie” Houston Born in 1850, Mary Willie was educated at Baylor Female Seminary. She married John Morrow and, after being widowed, served as postmistress in Abilene. Known for her church involvement and independence, she died in 1931.
Antoinette Power “Nettie” Houston Bringhurst Born in 1852, Nettie was a gifted poet whose works were sung in Texas schools. Married in the Governor’s Mansion and later active in the Daughters of the Republic of Texas, she led a literary life. She was killed in a car accident in 1932 and buried in San Antonio.
Andrew Jackson Houston Born in 1854, Andrew had a long and varied career that included service as a U.S. Marshal, military school cadet, lawyer, and historian. In 1941, at age 87, he was appointed U.S. Senator, making him the oldest person to serve in that body at the time. He supported completion of the San Jacinto Monument before his death that same year.
William Rogers Houston Born in 1858 in Huntsville, William Rogers Houston was the seventh child of Sam and Margaret. Though often sick as a child, he grew into a strong and devoted man. He served in the U.S. Indian Service, a role that reflected both his sense of duty and the legacy of his father’s early years with Native American communities. William never married and remained deeply connected to his siblings throughout his life. He died while on official duty in Oklahoma.
Temple Lea Houston The youngest of the Houston children, Temple was born in 1860 in the Texas Governor’s Mansion. A gifted orator and attorney, he gained fame as a frontier lawyer known for his dramatic courtroom presence. He served in the Texas Senate and later as counsel for the Santa Fe Railroad.
The Houston family has a strong legacy here in Huntsville, and it was great for us LEAP Ambassadors to learn more about it through The Fate of the Eight exhibit.
If you happened to miss this exhibit, you are in luck. It runs through June 29, 2025, so there’s plenty of time to check it out and enjoy this wonderful hub of culture and history in the Huntsville community.
When LEAP Ambassadors travel, they aim to make the most of it, unsure of when they might be able to return. Today exemplified that spirit, as we tried interesting food, dropped in to our ACJS Conference site, roamed the Denver Public Library, toured the Clyfford Still Museum, explored the Colorado State Capitol Building, and visited a National Wildlife Refuge.
Denver Public Library
The Denver Public Library is not only the home of thousands of books, ideaLAB Makerspaces, and research materials, but it also owns some impressive art, and that is one of the major reasons we stopped by.
Along the way, we saw some impressive pieces, such as a Frederic Remington…
…but we also had a chance to see the work of artists new to us, such as Marie McFarland, Chase Varney, and, especially, Otto Kuhler.
Perhaps most impressive among the paintings was an Albert Bierstadt!
Although we also just loved some of the spaces, such as one of the reading rooms…
Our experience suggests that a robust library system across a wide variety of services benefits the community greatly. They promote literacy; allow for research in the community, which foster a sense of community identity; if done correctly, they can beautify the community; and, perhaps most important, they bring a community together. And this is what we witnessed in Denver: a friendly staff, a beautiful interior–further beautified by the art; and a diverse group of users, which included us!
Clyfford Still Museum
The Clyfford Still Museum gave us a chance to see the evolution of an artist who refused to conform to the art world’s expectations. The galleries were arranged to show the progression of his work, starting with his early pieces, which were more representative and realistic, before gradually shifting toward abstraction.
I found his earlier works particularly interesting, especially the ones featuring figures with large hands and elongated faces.
While I’m still not entirely sure what to make of them, they seem to reflect struggle and resilience, possibly tied to the hardships of the Great Depression.
What stood out to me the most, though, was Still’s complete rejection of the art industry. He despised galleries, museums, and critics, believing they distorted the meaning of art and prioritized profit over artistic integrity. He was known to pull out of exhibitions and refused to title his paintings, even going so far as to remove preexisting titles to prevent outside interpretation.
His frustration was clear in a statement he made in 1971: “I am deeply outraged that my entire life is being interpreted as a long struggle to be recognized by some damn fool art critics or to be sold successfully in the galleries or even to find their way into art museums because I consider these institutions to be corrupt in the purpose and their meaning and their effect on the artist and society.”
One of the more unexpected features of the museum was the use of canvas screens to partially cover certain pieces, allowing them to be revealed while also being preserved.
As we moved through the galleries, we could see how Still’s work became more abstract and how much control he maintained over his legacy.
Even after his death, his wishes shaped how his art was displayed and handled. Unlike many of his peers, his work wasn’t scattered across various museums or private collections—it was kept together, exactly as he intended. He may have been a particular man, but he was also a particularly fascinating man.
Colorado State Capitol Building
by Chrissy Biello
The Colorado State Capitol took fifteen years to complete, finishing in 1901 at a cost of nearly three million dollars. Despite its distance from Texas, the building evokes a sense of recognition among many Texas visitors. This familiarity comes from its design by Elijah E. Myers, the same architect who designed the Texas State Capitol. In fact, Myers’ influence extends beyond these two states, as he also designed the Michigan State Capitol in Lansing.
Walking into the building, visitors can see many features that connect it to significant landmarks across the country.
Moreover, the building showcases rare Colorado Rose Onyx, a pink-hued stone found only in a quarry near Beulah in Pueblo County. Nearly the entire known supply was used in the Capitol’s construction, making it the only building in the world to feature this material.
For sci-fi fans, one particular design in the Rose Onyx resembles the likeness of Princess Leia‘s hair from Star Wars…
And one interesting detail for those interested in city government is that John Hickenlooper, the 42nd Governor of Colorado, was the mayor of Denver from 2003 to 2011. His gubernatorial portrait stands out dramatically among the gallery of solemn official paintings in the West Foyer. Instead of opting for a conventional formal pose, Hickenlooper is captured atop the dome of the Capitol with the Denver City and County Building behind him, dressed casually in a plaid shirt.
When touring the Capitol, one will also notice how some of the building’s design nods to the British Parliamentary system. The Senate chamber is filled with red-colored stencils on the wall, while the House features green.
In the Senate, there are multiple stained glass portraits of some of the state’s most influential figures. Ruth Stockton, the first woman to serve as President pro tem of the Senate, is one that is frequently mentioned. She made history not only by being the first woman in that role but also by serving longer than any other woman in the legislature (24 years).
While the Senate has several stained glass portraits, the House Chamber has just one: a stained glass portrait of Barney L. Ford. Ford was an escaped slave who became a civil rights leader and fought for voting rights for African Americans in Colorado.
The ending highlight of touring the Colorado State Capitol is the opportunity to go up to the dome.
However, you will need to brace yourself for the 99-step climb, which is also pretty steep.
From this elevated vantage point, the panoramic view encompasses significant landmarks throughout the city.
Straight ahead, one can spot the Denver City and County Building featured in John Hickenlooper’s gubernatorial portrait.
To the left, one can see the Colorado Supreme Court building. Most notably, the Rocky Mountains can be seen in the distance, providing a stunning backdrop that highlights Denver’s unique geographical setting.
Rocky Mountain Arsenal National Park
To end the day on an even higher note of adventure, we headed eight miles northwest of Denver, where forty years ago, the United States Army operated a chemical weapons manufacturing plant—scary stuff. After an expensive clean-up process, the site is now the Rocky Mountain Arsenal National Wildlife Refuge, an expanse of land that hosts more then 330 species of animal.
We did not see all of those species, but we saw a sufficient amount to make our afternoon.
We saw rabbits and deer. We have, of course, seen these species previously, but on this day we saw more than 60 deer on the eleven-mile driving tour!
Moreover, we saw some species that, for us, were first-time spottings. A favorite was Prairie Dogs, which we saw scurrying from the sound of our vehicle, barking a warning to their fellow Dogs, or simply going about their business of eating. They were a delight.
We also saw several species of birds, including the ever-present Canadian Geese…
…Robins, Red-Tailed Hawks, Canvasbacks, a Tri-Colored Heron, Northern Shovelers, European Starlings, Red-Winged Blackbirds, and a murder of crows–one of which was carrying a bone.
That may not sound exciting, but we also saw a Bald Eagle (Chrissy’s first), , numerous Magpies (first for both Chrissy and Olivia), and three Wild Turkeys (another first for both Chrissy and Olivia).
Of course, the big find was the herd of Bison. Numbering more than 100, they spent most of their time eating, but they were surrounded by some amazing scenery, as they roamed the prairies with the towering and snow-capped Rocky Mountains in the background.
We even saw part of the herd begin to run, kicking up dust all the way, as they rejoined part of the herd from which they had separated. It was a majestic sight at a majestic site.
As we headed to the close of the wildlife drive, we were able to spot the Denver skyline framed against the beautiful Rocky Mountains.
Tocabe
Our final stop of this long and adventurous involved additional adventure: dinner. Keeping with the LEAP tradition of exploring food consistent with the cultures we are visiting and/or learning about, we decided to eat at Tocabe, which is co-owned by a member of the Osage Nation, and which bills itself as a restaurant offering meals that tell the stories “of our American Indian culture through native-sourced recipes and ingredients.”
We tried a variety of dishes and did some sharing, hoping to get sampling of their entire menu. Professor Yawn tried the Indian Fry Bread, stuffed with shredded Bison; Olivia opted for the chicken; and Chrissy explored the ground Bison; and we also ordered a bowl of Bison chili and, for desert, we tried Wojapi with Indian Fry Bread (with cinnamon and sugar, of course).
It was a fulfilling way to end the day, providing insight into the culinary traditions of Native Americans, offering a new food experience, and whetting our appetite for more Bison and Wojapi.
There are few people who know the world better than Diana Negroponte–who has a law degree from American University, a PhD in International Affairs from Georgetown University, has written two books, and who is married to John Negroponte, former US Deputy Secretary of State, Director of National Intelligence, and Ambassador to the UN. We got a glimpse of Negroponte’s wisdom, intelligence, and knowledge at the Bush School last week.
The author’s subject was James Baker, whom she refers to as a “Master Negotiator” (which is also the name of her book on Baker), while highlighting four of Baker’s major accomplishments and how his work offers insights into today’s problems.
To take just one of these issues, Dr. Negroponte brought up the issue of Germany’s reunification as the USSR was crumbling. In the United States, there were hardliners who wanted Premier Gorbachev to fail, and many of these believed that working too closely with him would be a form of capitulation. On the other hand, a complete failure by Gorbachev would give Soviet hardliners a chance to retrench and exert a more powerful control over the Soviet Union.
Baker suggested a step-by-step approach, one that would allow for continued progress but not provoke retrenchment among what President Reagan called “The Evil Empire.” There were also Europeans who were not crazy about the idea of a German reunification–remembering that a unified Germany had once wreaked havoc across the continent.
Baker provided a steady hand. As the Berlin Wall began to crumble–metaphorically and then literally–Baker proposed four principles by which reunification should be considered:
Self-determination should be pursued;
Reunification, should it occur, should take place within the context of NATO and the larger European community;
The process should be peaceful, gradual, and in steps;
The “inviolability of existing borders should be respected (meaning the existing Polish-German border).”
Baker’s approach held sway, and while the US refused to “dance on the rubble” of the Wall, they did become increasingly adamant that reunification proceed. In part, this reflected the Bush Administration’s belief that they had to get ahead of the process to help guide it and ensure that it unfolded properly.
This approach, which proved successful, was marriage “between idealism and realism.” While idealists sometimes sacrificed lives and treasure for unobtainable ideals, and while realists sometimes sacrificed American ideals in the name of order, Baker sought to use a realistic approach in pursuit of gradual policies that would ultimately secure human rights.
Negroponte communicated these complex thoughts in an impeccable English–something much commented on–with a vaguely European or Ivy League accent.
She also took questions, with the help of moderator Andrew Natsios–who was the former Director of USAID (which came up in the discussion), a former state legislator (MA), US Special Envoy to Sudan, a Professor, and an author.
Afterward, Ms. Negroponte kindly signed our books, took a photo with us, and shared a few more stories.
We also had the opportunity to meet Andy Card…
…who, after serving in the Massachusetts Legislature, served in three presidential administrations: (1) Deputy Assistant to the President during the Reagan Administration; (2) Secretary of Transportation for President G.W.H. Bush; and (3) Chief of Staff for President G.W. Bush. He is perhaps best known for informing President Bush of the attack on the World Trade Center on September 11, 2001.
It was a perfect cap to an event that took us across centuries of political history, around the world, and a hand-shake away from some of the people who helped shape that history.
March 2 holds a important place in the heart of Texans, being both Sam Houston’s Birthday and Texas Independence Day. This year, the Huntsville community celebrating these milestones on March 1, with much preparation going into the day of celebration. But it was a particularly special day of celebration for me: It was my baptism as a Texan! I was born in Florida, but with a deep love for the Lone Star State and a current Texas resident, this event helped me make my Texas roots official.
Preparing for the Celebration
The Huntsville Lions Club is ever ready to beautify the community, and the LEAP Ambassadors are always prepared to help the Huntsville Lions Club. On holidays and other special days, the Lions Club puts out flags alongside the city streets, and, of course, Sam Houston’s Birthday is a special day in Huntsville!
So, at 6:15am, the Lions Club as well as Chrissy Biello, Olivia Discon, Jack Hammock, Olivia McCaughan, and Professor Yawn arrived bright and early to the Walker County Courthouse, where they placed Texas flags along the path of those engaged in “March 2 the Grave.”
It was a great way to lay the groundwork for what would become a fun filled, Tex-ified, day.
Gibbs-Powell Home
As part of the festivities, Olivia and Chrissy paid a visit to the beautiful and historic Gibbs-Powell Home, which hosted a brief coffee reception before the March 2 the Grave tradition.
Gibbs-Powell House in Spring (Photo by Dena Shipley)
We had the opportunity to explore the carefully preserved interior and admire some fine artifacts–such as a stereoscope, a grand piano, and the Gibbs and Powell family Bibles.
We even had a brief chance to sneak a peek upstairs, which once housed college students—arguably one of the best dormitories one could imagine!
Though our visit was short, it was an excellent start to the day, allowing us to deepen our understanding of Texas history through this incredible site in our community.
March 2 the Grave
The day continued with a solemn and patriotic march from the Old Main Pit on the Sam Houston State University campus to the Oakwood Cemetery. This is a tradition that has been around a very long time…
The roads, buildings, and attire have changed over the years, but the tradition remains.
It was a great way to bring different aspects of the community together…
…while also metaphorically connecting the town and gown…
Grave-Site Ceremony
Following the march, the community comes together at Sam Houston’s grave, in a ceremony that begins with the Texas and United States’ pledges.
The ceremony began with a warm welcome from community leaders, including:
Walker County Historical Commission Chair: Scott Collier
City of Huntsville Mayor: Russell Humphrey
County Judge (Walker County): Colt Christian
Vice-President of University Advancement: Matt Bethea
Hello Huntsville Host: Rob Hipp
Sam Houston Descendant: Lindsey Hughes
This celebration highlighted the enduring spirit of Texas and its people. Their words resonated with pride for Texas and Sam Houston’s historical significance.
One of the most touching moments came when Lindsey Hughes, a descendant of Sam Houston, discussed what it means to be a Texan. Hearing the words of someone with such a personal connection to the great Texas hero added a personal layer of meaning to the celebration, a connection that was particularly emphatic when she closed with the words, “If you want something done, ask a Texan.”
Long-time resident Tom Rogers then provided the audience a fascinating account of the event’s history, reminding us all why we gather each year to honor Sam Houston and Texas’ Independence in what is likely the oldest cultural tradition in Huntsville.
A Texas Baptism
The highlight of the day, at least for me and 80 others, was being baptized a Texan. This event is a unique and cherished tradition in the heart of Huntsville, with many people traveling from all around Texas to get baptized. For me, being “baptized as a Texan” was the culmination of years of admiration and a deep-seated feeling that Texas was truly my home. The baptism consisted of water sprinkled across my forehead by Liz Patton (whose late husband, James Patton, was a long-time County Clerk for Walker County and the unofficial historian of the County), symbolically washing away my out-of-state origins and christening me as a true Texan. Although I was born in Florida, my heart has always belonged to Texas, and now I have the certificate to prove it!
This event does a wonderful job of honoring the legacy of Sam Houston. Houston’s influence on the state of Texas is immeasurable, and his life exemplifies the spirit of Texas: bold, independent, and dedicated to freedom.
The LEAP Ambassadors enjoyed a six-day tour of the East Coast as part of their “Democracy Tour.” During this tour, the students had a chance to visit more than half a dozen art museums, James Beard award winning restaurants, and many historic sites. What follows is their favorites from their experiences.
Favorite Restaurants:
Lehja’s in Richmond received the most votes, with all of the food receiving high marks from the diners. The James Beard nominations appear justified!
Casa Mexico in Philadelphia was a hit among the students, with the barbacoa being particularly popular. This was an altogether pleasant dining experience in an interesting and busy neighborhood in Philadelphia. Chef Christina Martinez was named “Best Chef” in the mid-Atlantic region in 2022 by the James Beard Foundation.
Metzger’s Bar and Butchery was perhaps the most interesting and innovative of the restaurants we visited. While the pork schnitzel was the favorite entree, the “squash sundae,” was the favorite dessert and the biggest surprise.
Ambassadors also found favorites in Katz’s Deli in New York, a restaurant world-famous for its pastrami.
And, of course, we also enjoyed Jim’s South St., which specializes in Philly Cheesesteaks.
FavoriteArt Museum: Olivia and Chrissy visited four art museums in New York, and they split on their favorite, with Chrissy favoring The Whitney…
…while Olivia resisted picking a favorite and, instead, picked a top two: The Met and MOMA. She did, however, have a favorite: The Lovers.
Although smaller and less heralded than its New York and Philadelphia counterparts, the Virginia Museum of Fine Arts was one of the clear favorites among the group.
The favorites of the group reflected the diversity of the art in the Museum’s collection.
Of course, the most famous paintings among the NY, Philadelphia, and VA museums were also popular among the Ambassadors.
Finally, the group also greatly enjoyed seeing Philadelphia City Hall, the Liberty Bell, Independence Hall, and the Virginia Capitol Building. For Cinthia, Olivia, and Michelle, it marked the third–the complete collection–of extant Jefferson designs in the world.
While the Ambassadors are always happy to get back to Huntsville and SHSU (or, this semester, Austin and SHSU), they left the east coast with a lot of memories, new-found knowledge, and much nostalgia.
This was–we thought–our last day, and we were determined to enjoy it! In that spirit, we had planned out a day of history and art, with a tour of the Virginia Museum of Fine Arts, the Capitol, the Old City Hall, the Edgar Allan Poe Museum, and some interesting restaurants.
Lehja Indian Restaurant
Saara Maknojia
Keeping our streak alive of eating at (affordable) James Beard nominated restaurants, LEAP Ambassadors stopped by Lehja, a contemporary take on Indian food. Indian food is not a foreign concept for the Ambassadors so knowing the classics we ordered a plate of aloo (potato) samosas.
For a change we also experienced a new dish, as our server recommended the Chef’s Daily Selection, Chaat Du Jou. The chaat consisted of flashed fried curry leaves with various species, topped with a tangy tamarind yogurt chutney, paired with refreshing pomegranate seeds. Although both appetizers were tasty, the consensus favored the Chaat Du Jou!
Olivia, being the biryani connoisseur, ordered the classic chicken biryani, which is additionally paired with raita, a spiced yogurt sauce.
Bringing out the contemporary aspect of Lehja, Cinthia and Michelle ordered a plate of Tandoori Chicken Tikka. Traditionally, chicken thighs are marinated in yogurt with various tandoori spiced to bring out a smoked flavor when grilled. Lehja, however uses chicken breasts and serves with a platter of grilled market vegetables. To my surprise Cinthia, who is not the biggest fan of spicy food enjoyed the chicken tikka without breaking a sweat.
The Regional Classics for Lehja’s include various curry dishes. I found the Kofta Chaman Dilkhush appetizing, mainly because the term “Dilkhush” refers to a happy heart and what better way to leave a restaurant than with a happy heart! The vegetable kofta’s in this dish were perfectly fried with a soft potato filling, complementing the cashew-tomato curry base. Kicking the spice level up a notch, I found spice level three to best for this hearty meal.
Professor Yawn and Stephanie also tried a Regional Classic dish, the spicy garlic, ginger, and chilly based curry included tender goat meat which fell right off the bone. Eating the meal in a traditional Indian fashion way, we shared our entrees with each other to fully taste the flavor spectrum and enjoy the company of one another.
Eating Indian food always makes me personally happy, but it is always a much better experience when those around you have the willingness to try new foods to enhance their understanding of cultures, apart from theirs. Lehja’s serves its purpose as a contemporary Indian restaurant but also keeps its traditional roots with the hospitality given to us during our visit. We are grateful to have a shared experience at yet another James Beard nominated restaurant.
Virginia State Capitol Building
by Saara Maknojia
Marking off yet another Capitol building, LEAP Ambassadors spent the afternoon touring the Virginia State Capitol. Rich with history, the Virginia Capitol reflects the vision of Thomas Jefferson, who was the primary architect for the structure.
Our tour guide, Mrs. Snellings, took us through the Museum, showcasing the wonderful architecture, functions, and art. In the Rotunda, is a Jean-Antoine Houdon sculpture of George Washington.
This sculpture is considered the best likeness of Washington. Houdon took a plaster cast of the first President’s face and exact measurements of his body–no other statue of Washington reflects this level of detail.
We had a chance to peek into the House Chambers…
…and we also had a chance to visit, and spend more time in, the Old House Chambers, the largest room in the structure.
The center of the room features a ten-pound mace, made from solid silver with a 24-karat gold finish. Also gracing the room are busts of Chief Justice John Marshall and Patrick Henry, both of whom served in the VA House of Delegates.
On the opposite side of the room out of reach of our cameras, are busts of Sam Houston (who was born in Virginia) and Cyrus Hall McCormick (born in the same county as Sam Houston!).
This room also hosted the 1807 trial of Aron Burr, who was charged with treason. As Chief Justice of the United States Supreme Court, John Marshall returned to the building in which he once served as Representative, and he presided over the trial.
Walking into the Old Senate Chambers, we noticed many artworks on the walls. One piece that Mrs. Snellings highlighted was a painting of Pocahontas.
She explained the true history behind her story, correcting the common myth that Pocahontas was married to Captain John Smith (also pictured in the room).
In fact, she was married to John Rolfe, a tobacco planter.
Next, Mrs. Snellings directed our attention to the back of the room, where she pointed at a painting by Griffith Bailey Coale. The painting depicted three ships: the Susan Constant, the Godspeed, and the Discovery. Mrs. Snellings explained that this scene represented the arrival of these ships in 1607, marking the beginning of the first permanent English settlement in America at Jamestown, Virginia. She pointed out the flags atop the ships, noting that they symbolized the United Kingdom.
The largest painting in the room, by Eugene Louis Lami titled Storming a Redoubt at Yorktown captures the Battle of Yorktown 1781, as British Troops approach the American forces. Mrs. Snellings pointed to a small figure in the painting and asked if we had any guesses for who it might be. After waiting for a response, she exclaimed with excitement, “It’s General George Washington!”
The architectural features of the building were beautiful, from the central rotunda…
…and the stairwell, which at one time, housed a steam-powered elevator.
Although our time at the Capitol was brief, we left with a valuable history lesson about the foundations of American democracy and the fight for independence! We would like to thank our tour guide, Mrs. Snellings, for providing a fantastic tour and sharing insights that many of us had not known before.
Old City Hall
Also on the Capitol Square–with the Capitol and Executive Mansion–is the old City Hall, a Gothic Revival Structure built in 1894.
For more than seven centuries, it housed city offices and courts, but as early as the 1920s, there were calls to tear down this beautiful structure and replace it with a more modern city hall. These calls were partially heeded in the 1970s, when a new City Hall was built, but, thankfully, the Historic Richmond Foundation led efforts to save it. The structure re-opened in the 1980s and in the 2010s, the building was restored to its original look–a restoration that required approval from the Virginia Department of Historic Resources, Architecture Review Board, and Capitol Square Preservation Council.
At 30,000 square feet, it remains the largest granite building in Richmond, while also being the city’s finest example of Gothic architecture.
It was designed by architect Elijah Myers, who also designed the TX Capitol building (where three of the LEAP Ambassadors currently work) and the Colorado Capitol Building (which two of the Ambassadors will visit in March), as well as the capitol buildings of Utah, Idaho, and Michigan.
Today, the structure is used for state offices, and only the first floor is accessible to visitors.
But even a restricted visit is worth it for the view of the impressive clock tower on the exterior of the building, the four-story atrium…
…detailed faux-graining of the bases of the Corinthian columns…
…and the exquisite detailing of the interior.
Virginia Museum of Fine Arts
by Michelle Cardenas
The Virginia Museum of Fine Arts (VMFA) offered an experience that was both exciting and full of discovery. Originally opened in 1936, the museum has continued to evolve, with a major renovation in 2010 and plans for further expansion to accommodate even more incredible works of art. The museum’s location carries historical significance as well, sitting on what was once a Confederate camp, adding another layer of depth to our visit.
Instead of our usual self-guided exploration, we opted for a highlights tour, which provided an excellent overview of the museum’s diverse collection. Before even stepping inside, we were captivated by the stunning outdoor sculptures by renowned artists such as Dale Chihuly and Henry Moore, which set the tone for what was to come.
One of the standout sections for me was the American Art collection, where I was particularly drawn to Moonlight in Yosemite by Albert Bierstadt. Seeing one of his pieces with muted colors–almost black and white in places–was unexpected and fascinating, offering a different perspective on his usual style.
Another highlight was the Fabergé collection, featuring beautifully intricate Easter eggs that showcased incredible craftsmanship and history.
As we continued through the museum, we encountered works by well-known artists such as John Roberts, Kehinde Wiley, Ellsworth Kelly, Andy Warhol, Van Gogh, Degas, and Monet. Recognizing these names and seeing their masterpieces up close is incredibly rewarding—especially when I think back to when I first started and hardly knew any artists at all.
Each of us found pieces that resonated on a personal level. Cinthia was drawn to Edward Hopper’s House at Dusk, appreciating its quiet and reflective atmosphere. Olivia enjoyed the works of Andrew Wyeth, admiring his detailed and emotional portrayals.
Saara was captivated by Edwin Lord Weeks’ The Hour of Prayer at Moti Masjid…
…which stood out due to its rich colors and cultural depth. Chrissy’s favorite was John Singer Sargent’s The Sketchers, which impressed her with its lively and spontaneous feel.
Visiting museums like the VMFA is always a rewarding experience. No matter how many we explore, there’s always something new to learn and appreciate. Each visit offers a chance to see the world through different perspectives, and we’re grateful for the opportunity to continue discovering and growing through art.
The Poe Museum
by Chrissy Biello
Mystery, Madness, and Mayhem, three words that many would use to describe Edgar Allan Poe. Nevermore, that might not be the full story….
Edgar Allan Poe is known by many as an American short story writer and poet. His themes largely center around darkness, such as death, despair, and fear. He is widely credited with pioneering the modern detective story and significantly contributing to the emerging genre of science fiction.
Today, we had the chance to visit his home in Virginia, where we learned much about him. The museum began on a particularly somber note, discussing how his mother passed away when Poe was only two years old, leaving him orphaned.
Upon seeing a coffin, Olivia could not resist the urge to climb in. Surprisingly, it fit her perfectly, not to mention befitting her increasingly pallid complexion!
To give you some context, this coffin was placed here to symbolize the intense fear people in Poe’s era had of being buried alive. Due to this widespread anxiety, special coffins were designed with a mechanism that allowed the occupant to ring a bell from inside to call for help. However, when Olivia got inside, she chose not to ring the bell…
One aspect of the exhibit that I found especially intriguing was the pocket watch that Poe heard while writing “The Tell-Tale Heart.” I have always found this short story engaging and mysterious, as I tend to be drawn to darker subjects.
And, there has been considerable debate surrounding whether Poe was the artist of a watercolor painting or simply the gifter. The painting, which depicts a weeping woman, is quite interesting to observe. I appreciated the detailed wrinkles in her dress and the overall droopy appearance of the painting.
Another fascinating mystery in the museum concerns Poe’s hair. After his death, locks of his hair were cut from his head. Although the cause of his death remains a mystery, many have attempted to solve it. In 2002, a sample of his hair was analyzed, revealing the presence of many heavy metals, which were believed to have contributed to his death.
The museum also shed light on Poe’s posthumous reputation, largely shaped by his adversary, Rufus Griswold. Griswold painted Poe as a madman and drunkard in a posthumous biography. Ironically, this portrayal fueled Poe’s fame, but as mentioned earlier, we learned that Poe may not have been as crazy as everyone believed, leaving his legacy steeped in mystery and intrigue.
Before leaving the museum, we visited an upstairs section of the house featuring paintings. One painting, in particular, was quite amusing. It was titled Vincent Van Poe by Chris King and depicted Starry Night in the background, with Poe, a black cat, and a raven in the foreground.
As a fan of Poe, I thoroughly enjoyed the museum, especially since it was Poe’s actual home. It was also delightful to see a black cat, aptly named Edgar, moving around the building, setting the perfect atmosphere for reading and learning about Poe!
Metzger Bar and Butchery
For our last planned dinner of the trip, we opted for Metzger Bar and Butchery, whose chef, Brittany Anderson, is a two-time James Beard semi-finalist.
We started the evening with a recommendation of our server, the Charred Cabbage, whose menu description was enigmatic: “Miso Bagna Cauda, Cured Egg, Gremolata, Calabrian Chili.” Whatever it was, it was great! We also had a bread baked in house (“cottage-cheese rolls”), which came with house-made butter adorned with radish slices.
Three of our party went with the Pork Schnitzel, and the general consensus was that this was the best dish available. But we also tried the Chicken and the Steak, and all of it was excellent.
Although we were full, we were willingly talked into dessert, which included an Olive Oil Cake, the Heirloom Corn Funnel Cake, and a Honeynut Squash Sundae. The latter dessert made us pause–a squash sundae? But it was the favorite of the group!
It was a rich and fulfilling end to a busy and rewarding day.
Center for Law, Engagement, and Politics 