A Presidential Inauguration: Republic of Texas Variety

            On October 22, 1836, Sam Houston was inaugurated as the first President of the Republic of Texas. This past Wednesday, October 22, 2025, marked the 189th anniversary of this event. With a full house…

…including many VIPs, the Museum celebrated in fun style, with the LEAP Ambassadors and a few other volunteers helping with the festivities.

The night started out with an introduction from the museum’s director, Derrick Birdsall, who noted some of the luminaries in the audience, including former President Jim Gaertner…

…artist Lee Jamison…

…Mayor Russell Humphrey…

…Commissioner Bill Daugette…

…General David Glaser…

…Mac and Leanne Woodward, Stephanie Fors…

…and many others. Graciously, he also mentioned the LEAP Ambassadors, who are celebrating their 20th Anniversary as a University group.

More to the point, however, he discussed Sam Houston’s massive legacy.

Matt Bethea also spoke, noting the importance of the Museum to the University and, on a more personal level, observed how this annual celebration was his favorite event!

Finally, Alisa White, President of the university, brought her husband, Elliott Herzlich, to the podium accompanied by much applause.

In a spirited speech, President White extolled many of Sam Houston’s virtues, while highlighting the need to have the courage to lead, even when it can result in mistakes. But everyone, just like Sam Houston, can work to their community better, and in so doing, they are leading.

Birdsall again took the podium, this time to unveil some of the Museum’s new additions. In particular, he pointed to artist Lee Jamison and Bill Dabaghi, who unveiled Jamison’s new portrait of Sam Houston, which will hang in a privileged spot in the rotunda.

Also on display was a new letter that volunteer written by Sam Houston in 1926, when he was a congressman from Tennessee. The letter was found on Ebay, by volunteer Bruce Wiliford…

…and he referred the find to Birdsall. After some sleuthing, Birdsall pulled the trigger and purchased the letter, which shines some light on Houston’s personal life and also larger issues, such as widespread dissatisfaction among elected officials with the electoral college.

We spoke with Mr. Jamison about the painting of Houston along with his painting of Old Main, both of which show how great he is at putting life into his artwork. Through these conversations, we learned about the attention to detail that goes into portraying such historic figures.

The night was filled with engaging conversations, laughter, and lots of learning. From the start of the evening when greeting doors, to the end of the night getting to walk around the museum the event was enjoyable and a great way to get more involved with the community.

Thank you to Derrick Birdsall for inviting us to such a wonderful event, it truly was a joy to hear and learn from everyone who attended!

We look forward to all of the continued impact the museum will have on our town!

Celebrating Citizenship!

By Michelle Moya

Shortly after Election Day 2025—and just in time for the season of gratitude—the LEAP Center invites you to join us in celebrating what it means to be a citizen. The event will feature finger foods, Lotería with a civic twist, a guest speaker, and special recognition of newly naturalized citizens. Guests will also have access to information and resources for those interested in beginning their own journey toward U.S. citizenship.

The event is made possible through a grant from the National Partnership for New Americans and continues the LEAP Center’s long-standing commitment to civic education and community engagement.

A Tradition of Civic Learning

Since 2008, the Huntsville Public Library and the LEAP Center have partnered to offer a free citizenship preparatory course designed to help local immigrants prepare for the naturalization process. Over the past seventeen years, the program has served nearly 300 immigrants from 23 countries.

Led by Professor Mike Yawn with support from LEAP student volunteers, the course provides an overview of the naturalization process, from paperwork to oral interviews to English tests, and the civics portion consisting of 100 questions that immigrants must know. Immigrants enrolled in the course receive guidance on the 100-question civics test, as well as encouragement and practical support throughout the process.

The grant from the National Partnership for New Americans allows LEAP to extend this work to Montgomery County, beginning with the November celebration and continuing with a preparatory course in spring 2026.

A Community Celebration

On Saturday, November 8, 2025, from 4:00 to 5:30 p.m., the celebration will take place at the SHSU Woodlands Center. The event serves a dual purpose: honoring individuals who have recently achieved U.S. citizenship and welcoming those interested in learning about the naturalization process.

The program will feature a guest speaker who will share a few words on the importance of civic engagement and community participation. Afterward, guests are invited to enjoy conversation, fellowship, and rounds of Lotería—reimagined with a civic theme to honor the spirit of citizenship.

By bringing together naturalized citizens, aspiring citizens, and students, the celebration underscores the power of connection and culture. Citizenship — often taken for granted–embodies both rights and responsibilities; it provides a sense of confidence, freedom, and unity that strengthens our communities and our democracy.

In conjunction with this event, the LEAP Center will also announce the launch of its Spring 2026 Citizenship Preparatory Course, which will be offered in Montgomery County for the first time.

If you would like to attend the celebration, please scan the QR code below to register or contact Professor Mike Yawn at mike.yawn@shsu.edu.

Boston or Bust!

After arriving in Boston early Friday morning, LEAP officially kicked off our visit to New England! We’re here for the Council of State Governments East conference, but like any LEAP trip, we make time to absorb the cultural and intellectual atmosphere of the region.

Massachusetts State House

by Olivia Discon

Even as we approached the building, we noticed the gold dome, and we used that as a guidepost for directions to the structure. The dome, as we would later learn, was originally covered with wood shingles, but as they deteriorated, the government opted for a sturdier material. They chose Paul Revere to plate the dome, but as it weathered and turned green, another element was sought. They settled on 23-karat gold, which is, of course, distinctly different. Interestingly, the original gilding cost $3,000 (in 1872); but they expect to cost approximately 3,000,000 dollars to refurbish it today.

We learned all this from Luke, our tour guide, who gave us a great overview of the building, which was designed by Charles Bullfinch, who also designed the Maine Statehouse, University Hall at Harvard, and the updating of the US Capitol.

A highlight was the beautiful rotunda, which featured stained-glass windows and murals depicting scenes from the founding of the country. The room was built with imported Italian stone and craftsmanship, reflecting the influence of Massachusetts’ large Italian immigrant population.

From there, we entered the Great Hall of Flags, which displays 351 flags, one from each municipality in Massachusetts. The design wasn’t just symbolic, though; the flags also help improve the room’s acoustics, making it suitable for ceremonies and events.

Having seen 12 state capitol buildings, I’ve learned that the legislative chambers are often the most interesting aspects of the statehouses. In Massachusetts, the House of Representatives has 160 members, each serving two-year terms. In and of itself, this is not unusual. What is unusual is this one features a fish: a cod. The cod is such a central symbol of Massachusetts’ maritime roots that the chamber refuses to conduct business without it, although that didn’t stop Harvard students from stealing it in 1933, stopping legislative business for three days, before it miraculously returned. The sculpture is today so valued, it is known as the “Sacred Cod.”

Across the building, the State Senate chamber is home to 40 senators, also elected for two-year terms and representing roughly 175,000 people each. Their chamber is arranged in a round-table style, designed to encourage equal discussion, which is of course different from the tiered seating most state legislatures use. Indeed, Massachusetts takes this to great lengths. To ensure full equality, they actually change the heights of each chair around the table in a manner designed to ensure that each member is of equal stature while literally and figuratively occupying a Senate seat.

And because the House wouldn’t share the Sacred Cod, the Senate decided they would have their own divine creature: the “Holy Mackerel.”

In all, this visit to the Old State House was a great way to kick off the trip. It was the perfect precursor to the rest of the day and almost certainly to our time in New England. 

Freedom Trail

by Michelle Moya

While the Massachusetts’ State House can serve as a standalone site, it is also part of Boston’s official Freedom Trail, a 2.5-mile path (fully paved with red bricks) that winds through downtown and connects 16 historically significant sites. The trail proved to be the perfect introduction to the city–part history lesson, part sightseeing tour–allowing us to stand where many of the pivotal moments in America’s fight for independence unfolded.

In most states, a capitol built in 1798 would be the old state house but not in Massachusetts. The Bay State’s “Old State House” was built in 1713 and is Boston’s oldest surviving public building. Its Georgian architecture stands in stark contrast to the towering skyscrapers surrounding it. For decades, it served as the seat of the Massachusetts General Court and a symbol of royal power in the colony. But it also became a birthplace of revolution: on July 18, 1776, the Declaration of Independence was read aloud from its balcony for the first time to the citizens of Boston, transforming this seat of British authority into a herald of American freedom.

Just steps away lies the Boston Massacre Site, marked today by a simple ring of cobblestones. Modest as the marker may be, this spot witnessed a tragedy that would galvanize the colonies. On March 5, 1770, angry Bostonians clashed with British troops stationed in the city. What began with snowballs, sticks, and insults escalated when confusion gave way to gunfire. Private Hugh Montgomery, knocked down by the crowd, fired his musket, and others followed suit. Amid escalating tension, five colonists were killed: Crispus Attucks, Samuel Gray, James Caldwell, Samuel Maverick, and Patrick Carr. 

The consequences of that night are poignantly reflected at the Granary Burying Ground, established in 1660 and one of Boston’s three-oldest cemeteries.

Though only about 2,300 headstones remain visible, nearly 5,000 people are believed to be buried in this hallowed ground, including some of the Revolution’s most illustrious figures such as Paul Revere, Samuel Adams and John Hancock, and among these is one of the five victims of the Boston Massacre, Crispus Attucks. Of African and Native American descent, Attucks was a sailor and dockworker who stood at the front of the crowd that evening. His death marked not just the beginning of America’s struggle for independence but also highlighted the diverse coalition of people who would sacrifice for that cause. 

A few blocks away, the trail leads us to the Paul Revere House, built around 1680 and now the oldest surviving home in downtown Boston. Modest in size and structure, the weathered wooden dwelling still fits in among the varied architectural buildings of modern-day Boston. Revere lived here from 1770 to 1800, balancing his work as a silversmith with his pivotal role in the Patriot cause, including his famous midnight ride that would become the stuff of legend.

The Freedom Trail offered a concise, firsthand look at Boston’s role in the nation’s founding. The trail provides both residents and visitors a clear window into the events and figures that shaped early America, making it a must-see for anyone looking to understand Boston’s historical significance and, for us, a great start to exploring a new city.

Lunch and Larks

Befitting our historic tour, we had lunch at the Union Oyster House, which opened in 1826, making it the United States’ oldest restaurant. The building in which it is housed dates back even further–at least 250 years, although no firm date has been established. In addition to some Boston staples (New England Clam Chowder, oysters, Boston Cream Pie)–which we enjoyed–the restaurant has also hosted many notable public figures. Daniel Webster was a regular customer as was John F. Kennedy. Indeed, Kennedy had the Oyster House’s Clam Chowder shipped in for his inauguration.

We also plotted out paths to some sites we wanted to see that didn’t fit a themed route. This included the remnants of a partially obscured Richard Haas mural at 31 Milk Street, which someone, inexplicably, decided should be covered up by a parking garage. For a city that cares about its history–or for any city–it was an unfortunate decision.

Also of interest to us was Ten Post Office Square, which was originally home to the Boston Latin School (1635), the oldest public school in the United States. Luminaries such as John Hancock, Samuel Adams, Cotton Mather, and Benjamin Franklin attended here. Franklin, however, dropped out, a fact which partially prompted city fathers to erect a statue of him on the site in 1865, the first such public statue in the city of Boston. The site was also been home to the Suffolk County Courthouse and, in 1865, the City built a new Town Hall on the site. It is the structure that occupies the location today, a building that provided office space for 38 separate mayors, including John Fitzgerald–the future President’s grandfather.

Boston Museum of Art

After a packed first day in Boston, we headed to the Museum of Fine Arts to see “Van Gogh: The Roulin Family Portraits”- the MFA’s first Van Gogh exhibition in 25 years. With 23 works on display, many borrowed from all over the country, this represents the largest collection of Van Gogh’s work currently showing in the United States.

The exhibition focuses on Van Gogh’s 26 portraits of the Roulin family-his neighbors in Arles, France. Fourteen of these paintings are displayed together here, something that rarely happens given how scattered they are across museums worldwide.

Joseph Roulin, a local postman, appears in several portraits wearing his postal uniform…

 His wife Augustine dominates the “La Berceuse” series, where Van Gogh painted her as a maternal figure meant to comfort sailors and working people.

Their three children each get distinct personalities: Armand with his serious expression,

young Camille caught between childhood and adolescence,

and baby Marcelle with tender vulnerability.

The exhibition also includes other works from Van Gogh’s productive Arles period. The Bedroom immediately caught my attention, given its bold, simplified colors.

Alongside these, Van Gogh’s Self-Portrait from this period shows the artist at his most direct, painted just months after his breakdown in Arles…

The curators also included works by artists who influenced Van Gogh, including pieces by Rembrandt, creating a clear artistic lineage that shaped his approach to portraiture.

The exhibition ends with Van Gogh’s actual letters, written during his mental health struggles in Arles. 

Continuing On!

By Olivia Discon

From there, we wandered through the rest of the museum, trying to take in as much as we could before the end of day one.

Michelle is still figuring out her taste in art, so this visit was a great chance to see a wide range of styles and time periods all in one place.

In the American Art collection, we started in a way that mirrored the country’s own development. Early American painters leaned heavily on European influences, but as we moved forward, you could see the work gradually step into a style of its own.

Moya has grown fond of the transcendentalist crowd—Heade, Thomas Cole, and Bierstadt especially.

For me, highlights included John Singer Sargent, Childe Hassam, and Rodin.

We also stumbled on an Andy Warhol that needed a little context. After I explained the, let’s say, “golden phase” of his work, Michelle was no closer to being a Warhol fan.

There was also an impressive lineup of Monets, including one from his cathedral series. That 33-painting project captures the same cathedral at different times of day. This is pivotal to art history, and I was pleased to have seen one of them in person. 

And then came Degas’ Little Dancer. One of the 28 bronze casts, it’s indeed an incredible piece. However, if you’d rather not become disillusioned with another art piece in this blog, you probably shouldn’t ask me the backstory on this one.

On our way out, we caught sight of some Alexander Calder pieces! The wooden sculpture was particularly striking to me, and an excellent find on our way out of the museum.

Concluding Thoughts

It was such a busy day, it was easy to forget that we woke up in Houston, Texas, and spent only a partial day in Boston, MA. Nonetheless, we managed to spend a full twelve hours seeing sites, exploring a part of the country that is new to us, and reflecting anew on our nation’s history and the meaning of freedom.

Unfolding Law Enforcement Corruption and Cover-Ups

By Mayra Sofia Soto

Today we joined an exciting virtual session hosted by the Houston Area ACFE Chapter of the Association of Certified Fraud Examiners and the world’s largest anti-fraud organization and premier provider of anti-fraud training and education.

The event was led by Lawrence P. Smith, President and Founder of the STIRM Group Inc, which conducts complex investigations for law enforcement, legal entities, and private clients.

Smith, who also hosts the podcast Bribes, Lies & Alibis, is releasing a new book this fall– Six Degrees of Corruption: The Fleecing of a City– detailing corruption at the heart of institutions designed to protect the public.

The case began when a police chief approached Smith in late 2021 to investigate a forged training record tied to a former Methuen Police Department officer. What seemed at first like a simple case of document fraud unraveled into something much larger: a pattern of systemic corruption involving fraudulent certifications, fake officers, conspiracy, and significant Brady v. Maryland implication. Smith’s background in document fraud, including years with Homeland Security, allowed him to immediately spot the forgery. But the deeper he dug, the more the issue grew– from one fake cop to institutional complicity at the highest levels.

Central to the scandal was the Massachusetts Municipal Police Training Committee (MPTC), the body responsible for overseeing municipal police training statewide. Smith initially gavethem a professional courtesy call, as is customary in law enforcement when an officer is under investigation. Instead of honesty, he encountered what he believed was direct involvement andcriminal negligence by the executive director. Despite presenting overwhelming evidence such as forged academy records, evidence tampering, and false arrests. The case was rejected 11 times by the Attorney General’s Office, the District Attorney, and even the Department of Justice.

The report was not only turned down, it was impounded. Officials cited “not enough evidence” and tried to use prosecutorial discretion to avoid action. Smith detailed how elected officials and politically connected figures shielded the MPTC leadership from accountability. The MPTC agency stripped metadata from requested records, withheld documents from investigators and the media, lied to investigators and tampered with evidence. Those responsible, including Robert Ferullo, the MPTC’s executive director, faced no charges even as evidence of their active involvement increased.

These failures rippled outward. Every officer trained by the MPTC, every conviction they played a role in, now comes under question. The legal, financial, and reputational damage is profound. The scale of corruption and political protection in the state as Smith noted “is mind-numbing.”

When an accreditation body is compromised, the entire justice system is at risk ranging from civil rights violations to erosion of public trust. The fallout includes not just criminal liability, but also obstruction of justice, conspiracy and accreditation loss.

Smith emphasized that this case isn’t about money or value but it’s about protecting human rights. At the end of the day, the greatest badge of honor is honesty.

Partnership, Photography, and Philanthropy: Boy Scouts of American and the LEAP Ambassadors

The concept of helping other people is central to the BSA “Scout Oath,” while also being integral to the mission of the LEAP Ambassadors. It was perhaps no surprise, then, that these two organizations would eventually work together and, in doing so, would help others.

The partnership was prompted by Troop 114’s end-of-the-school-year celebration, a need for photography, and a request from Gene Roberts. So, in mid-May, with temperatures hovering around 95, the LEAP Ambassadors came armed with cameras to do individual, family, and group photos of the Scouts.

The immediate result was more than 200 photographs of young people, their families, and scout leaders.

The young people did a good job in the face of heat, delays, and the youthful discomfort of being the center of attention in a crowd of peers and the camera’s gaze.

It was a learning process for us as photographers. While we have a competence with the technical aspects of the camera, we do little formal photography. We also don’t do a lot of posing of other people, particularly young children and groups with extreme height differences. So, it was a little overwhelming at times, trying to keep up with camera settings, posing and positioning, backgrounds, impatience, and changing light conditions, not to mention the heat. In turn, this led to longer wait-times for the photography, which must have been frustrating to the Scouts and their families.

Nonetheless, we were able to take more 1,500 photographs in a matter of an hour, with some of the children showing an inclination for attention.

We stayed for another hour or so, photographing the Scout meeting…

…and we were generously offered meals from the Troop’s potluck dinner, and in the process, learned more about Scouts, their mission, and the contributions to those involved and to the community at large.

Indeed, although we offered to do the photography for free, many generous parents/leaders donated $360 to LEAP. In turn and in the spirit of the community-minded impulse that animates the Scouts, we matched the donation and contributed it to the Salvation Army of Kerry .