Introduction Our trip through New England and New York was as much a journey through art and history as it was through towns and landscapes. We ended the day in the capitol (Albany) of one of the largest states in the Union, but we began it in the Rockwellian cottage of Stockbridge, MA–the home town of Norman Rockwell.
LEAP Ambassadors at City Hall
Norman Rockwell Museum
By Michelle Moya
For our first stop in Stockbridge, we visited the Norman Rockwell Museum. Before the trip, I had watched a documentary on Rockwell’s life and career, which gave me a deeper appreciation for what we were about to see. It traced his progression from lighthearted Saturday Evening Post covers to later works that confronted civil rights and human rights, and it gave me a better foundation for understanding the galleries.
The museum’s collection highlights Rockwell’s most iconic pieces, including the Four Freedoms series. Inspired by Franklin D. Roosevelt’s 1941 speech, these four paintings—Freedom of Speech, Freedom from Want, Freedom to Worship, and Freedom from Fear—remain some of his most recognizable works. Each takes a sweeping political idea and places it in the context of everyday life.
Freedom of Speech shows an ordinary man rising to speak at a town meeting, who appears to have a modest jacket and steady expression. Freedom from Want was Olivia’s favorite: the Thanksgiving turkey at the center of the table, family gathered in warmth and abundance. Freedom to Worship and Freedom from Fear are quieter but equally moving, offering a reminder of how Rockwell could find dignity in ordinary moments.
My own favorite was Main Street, Stockbridge at Christmas, Rockwell’s portrait of his hometown blanketed in snow and glowing with holiday lights. It is a beautiful painting, and as someone who loves Christmas, I couldn’t help but imagine what it would be like to actually visit Stockbridge during the season. It captures Rockwell at his most nostalgic, and it made me want to see the town in person during my favorite holiday.
Some of Rockwell’s later and more serious work also stood out. The Problem We All Live With, sometimes called his “Board of Education” painting, shows six-year-old Ruby Bridges walking to school, escorted by U.S. Marshals. The white wall behind her, scrawled with a racial slur and marked by a thrown tomato, makes the scene even more striking.
There were lighter touches as well. The museum includes some of Rockwell’s early commercial work, such as advertisements for Edison Mazda Lamps published in The Saturday Evening Post. These remind visitors that Rockwell was as much an illustrator as a painter, and that his storytelling instincts carried across everything he created.
A special highlight was the I Spy exhibition by Walter Wick, whose intricate dioramas and search-and-find photographs were a fun, interactive touch for children and adults. The exhibit encouraged visitors to slow down and look closely, much like Rockwell’s paintings.
It was interesting to see how the Norman Rockwell Museum fully captures the range of his career. In one place, you can see the playful, the iconic, and the deeply serious. Between Olivia’s favorite “Freedom from Want” and my own liking to “Main Street, Stockbridge at Christmas,” it was clear how Rockwell continues to connect with people in different ways.
Mass MoCA
by Olivia Discon
Our final (pure) art stop of the trip was Mass MoCA (Massachusetts Museum of Contemporary Art), a museum housed in a former industrial complex that has been repurposed into one of the largest centers for contemporary art in the country.
The building itself is a bit of a maze (ed. note: she got lost), but that only added to the fun of exploring it.
We started with James Turrell’s Roden Crater-inspired exhibit, which featured several surreal experiences centered on light and perception. One room, completely blacked out, challenged visitors to sit in total darkness for 15 minutes. While Professor Yawn and Stephanie lasted the full time, Moya and I called it quits after approximately eight minutes. In the silence, I started to see faint colors—likely just the brain reacting like when you rub your eyes too hard—but still interesting.
Other Turrell works played with color and depth perception.
One installation allowed us to walk into what looked like a glowing square of color—an endless void of pinks, greens, and yellows.
We also stepped into one of his classic Skyspaces, where the ceiling frames the sky in a way that turns shifting clouds and colors into living art.
Beyond Turrell, the museum offered much more. Louise Bourgeois’s exhibit was a highlight for me, especially her piece Entangled, which captured so much emotion through abstract form.
Sol LeWitt’s sprawling wall drawings filled a labyrinthine gallery with bold patterns in both black-and-white and vibrant colors.
We even wandered into a “music room” filled with instruments past their prime—though that didn’t stop us from making enough noise to temporarily damage our own hearing.
Mass MoCA was a perfect way to end the art portion of our trip: immersive, challenging, and just plain fun.
New York State Capitol
by Olivia Discon
For our final state of the trip, we made our way up to New York. Driving past the Hudson River on the way into Albany felt especially fitting, since the river inspired the Hudson River School painters and many transcendentalist writers, both of which we’ve touched on during this trip.
Our last stop was the New York State Capitol, one of only nine state capitols without a dome. Built over more than three decades and designed by multiple architects, the building makes up for its lack of dome with incredible stonework and elaborate detail. The grand staircase was particularly striking, lit by lamps with exposed bulbs, a symbol of modernity in its time.
Although the House and Senate chambers were closed, we managed to peek through the glass doors. The stained glass in the Assembly chamber stood out as especially beautiful, making it one of my favorite legislative chambers we’ve seen so far. The Capitol also houses the Hall of Governors, a portrait gallery of past governors—including four who went on to serve as U.S. presidents.
Art is woven throughout the building as well. We saw numerous New York landscapes and scenes…
…along with modern sculptures outside in the Empire State Plaza. Among the recognizable artists were George Rickey, Alexander Calder…
Claes Oldenburg….
…and Ellsworth Kelly.
The New York State Capitol was a wonderful conclusion to our trip. Between the history, the architecture, and the art, it was a reminder of how much one place can tell us about both state and national identity.
Concluding Thoughts
Taken together, the Norman Rockwell Museum, Mass MoCA, and the New York State Capitol highlighted the remarkable range of American creativity and civic expression.
Rockwell’s art reminded us of the power of storytelling in everyday life, while Mass MoCA challenged us to step outside the familiar and embrace new ways of seeing.
The New York State Capitol, with its blend of politics, history, and art, grounded the trip in the institutions that shape public life.
Each stop added its own layer to our journey, leaving us with a deeper appreciation for how art and architecture reflect the spirit of their time—and continue to inspire today.
Every year on the first Monday in September, Americans celebrate Labor Day. While some celebrate with a long weekend of end-of-summer festivities, the Holiday originated as a tribute to the social and economic achievements of our nation’s workers.
The Lions Club and the LEAP Ambassadors celebrate the day by planting flags–early in the morning–across the extended downtown in Huntsville, an activity undertaken on most major holidays.
11th Street, Looking East (6:20am)
For us, it is not only a community-building exercise, but also a way to remind people the meaning behind their day off work.
Michelle Moya Plants the Final Flag
Starting with municipal ordinances in the mid‑1880s and pioneering state laws—Oregon led the way in 1887, followed by states like Colorado, Massachusetts, New Jersey, and New York—more states followed suit. By 1894, 23 states had adopted the holiday—what political scientists call “policy diffusion”—and on June 28 of that year, Congress passed the law making the first Monday in September a national holiday.
Lion Liesa Hackett Distributes Flags to Runners
There’s a rivalry of sorts over who first proposed the idea—Peter J. McGuire (a noted labor leader) suggested a “general holiday for the laboring classes,” while others credit Matthew Maguire, secretary of a local union, with proposing the concept in the same year. Regardless, it was the Central Labor Union in New York City that organized the first Labor Day parade, held on September 5, 1882, setting the celebratory template of processions, picnics, and public speeches.
Over time, Labor Day has evolved into an annual celebration of American labor or, at least, a day free from labor. For the Lions Club—and by extension, the LEAP Ambassadors—it’s also a way to build stronger communities and remind people the meaning behind the holiday.
Lions and LEAP Ambassadors/Students
The LEAP Center thanks the Lions Club for permitting them to assist with the Flag Project.
The LEAP Center is known for its interdisciplinary adventures, and today was no different, as we visited another state capitol, the estate of literary lion, and a Guatemalan restaurant–in Hartford, CT, no less!
Connecticut State House
Nestled in the 41-acre Bushnell Memorial Park in Hartford, the Connecticut State Capitol first welcomed the General Assembly in January 1879 after eight years of planning and construction. A commission formed in 1871 selected architect Richard M. Upjohn, whose father also worked on the Boston Commons, providing us with generational and geographical continuity, even as we visit different sites built in different locations.
James G. Batterson supervised construction, and he significantly altered Upjohn’s design. Using marble and granite from New England, he built a beautiful sculpture that prompted the New York Times to note, that in the sun, the building “sparkled like a fairy palace of frost work.”
It didn’t sparkle on the day we visited; it rained, which also discouraged us from getting a shot of the exterior, but the LEAP Ambassadors of 2018 took a photo on a similar trip.
The building features a gold-leaf dome, and the structure is sometimes referred to as “high Victorian” and sometimes as “Eastlake,” a confusion caused, in part, by the competing visions of the architect and construction supervisor.
Both the exterior and interior feature emblems of the state’s past. One of the more interesting of these is the Charter Oak. Connecticut had a royal charter that largely gave it control over its own governance, but this was threatened in the late 1600s, when King James II tried to revoke the Charter and exert more control. When the King’s men tried to take the Charter, the colonists–Captain Joseph Wadsworth, in particular–took the document and hid it in a white oak tree, which is, not surprisingly, the state tree.
That tree became known as the Charter Oak, and although a storm toppled the tree in 1856, the wood was used to create other items, some of which can be found in the capitol. Its image is also featured on the state’s quarter and on a stamp.
Of course, the Capitol also houses both legislative chambers—the State Senate Chamber and the Hall of the House of Representatives—as well as offices for the Governor, Lieutenant Governor, and Secretary of the State.
It also houses “The Genius of Connecticut,” a 17 foot, 10 inch statue created by Randolph Rogers. The winged figure holds immortalis in her right hand; a mountain laurel (the state flower) in her right; and her head is wreathed in leaves from the white oak.
Formerly, “The Genius of Connecticut” was perched atop the capitol, but she was removed following a hurricane. The statue was melted to make ammunition during World War II. Fortunately, however, the original plaster model was found, and in 2009, a replica of the original was returned to the capitol, albeit in the rotunda rather than in the cupola/dome.
Aurora’s Restaurant
Texans believe that eating Latino cuisine outside of a border state is questionable at best and potentially dangerous. But we are not faint of heart, and we know that immigrants who know food are not limited in where they settle, so we happily braved the rain to visit Aurora’s Restaurant, which serves Guatemalan food, in Hartford, Connecticut.
The staff were welcoming and courteous. They spoke Spanish when not speaking to us, adding to what would prove to be a rewarding an authentic culinary experience.
We sampled a variety of dishes, including the Burrito Bowl, Tortillas con Chorizo, an Aurora Bowl, and plantains–the latter drizzled with crema and topped with queso fresca. All of the dishes were excellent, but the plantains were among the best we had ever had.
We left with full stomachs, and also ever more aware that, to paraphrase Mark Twain, travel is fatal to preconceptions.
Mark Twain House
by Olivia Discon
Samuel Clemens—better known as Mark Twain—was one of America’s most influential authors and storytellers. His works such The Adventures of Huckleberry Finn and Life on the Mississippi are classics. But while his writing is widely known, fewer people know about the man himself, the life he led, or his stunning Victorian home in Hartford, Connecticut.
We weren’t allowed to take photos inside, but our tour guide, Josh, brought the house to life with vivid stories. The home has had many lives—at one point an apartment building, later a school, and even a library—before being restored as a museum. Over time, renovations stripped away original touches, including designs by Louis Comfort Tiffany (which, to my dismay, were once considered unfashionable). Thankfully, the museum has worked to restore the home as closely as possible to how it looked when the Clemens family lived there, guided in part by the memories of their daughter, Clara.
The library was the most charming room. Its mantelpiece, a hand-carved work from Ireland, is extravagant. Whimsical portraits—a cat, a rabbit, and a woman in blue affectionately named Eveline by the Clemens daughters–hung on the walls. Each night, Twain would spin bedtime stories using these characters. If he ever repeated a storyline, his daughters would call him out, forcing him to start fresh. According to Josh, Twain may have done this intentionally just to test whether they were paying attention. The library also included a small conservatory filled with greenery, along with a decorative frog—a playful nod to Twain’s famous short story, The Celebrated Jumping Frog of Calaveras County.
We also visited Twain’s office, which doubled as his billiard room. It was here that he wrote, smoked cigars, played pool, and paced while working through drafts. A shelf of cubbies held his unfinished manuscripts—something I secretly envied.
The house also carries the weight of the family’s tragedies. Their daughter Susy died of meningitis in the home at just 24 years old. And, owing to financial difficulties, the family eventually had to sell the home, much to Twain’s chagrin.
Even with its history of sorrow, Twain often described the Hartford house as the setting for some of the happiest years of his life. It was, he noted, “the loveliest home that ever was.” Walking through its cozy, richly detailed rooms, we found ourselves understanding that sentiment.
Photo Ops
Following our day in Hartford, we headed north, toward Stockbridge, MA, preparing ourselves for another full day tomorrow. But along the way, we stopped to see Herman Melville’s home, “Arrowhead”…
Herman Mellville’s “Arrowhead,” (Photo by Daderot)
…and “The Mount,” the home of Edith Wharton.
Edit Wharton’s “The Mount” (Photo by David Dashiell)
Concluding Thoughts
It’s difficult to organize disparate adventures into a memorable and cohesive learning experience. But through some preparation, a desire for new experiences, and an open mind, we managed to see quite a lot and assimilate almost as much. A beautiful state capitol designed by Richard M. Upjohn, a great Guatemalan restaurant in the heart of Hartford, and the “loveliest home that ever was” by the quintessential American author–all in the day of LEAP Ambassador.
Having already learned a lot at the conference and on our own, we were ready for another day of educational excursions and events. Today’s itinerary included a plenary luncheon focused on challenges associated with the availability of primary care physicians, a site visit concerning education and workforce development, and a state dinner.
Primary Care Shortagesand Challenges
by Olivia Discon
Over a lunch of fish, rice, and broccoli—quite healthy (well, mostly), might I add!—we enjoyed some good company, a brief award ceremony, and a rich educational opportunity to learn about medical care in the 21st century.
To begin, we were happy for Rep. Kevin Ryan of Montville, NJ, who received the W. Paul White State and Regional Leadership Award.
we enjoyed hearing from Senator Gustavo Rivera of New York, chair of the CSG East Health Policy Committee, who discussed the suboptimal supply of primary care physicians.
Just a generation ago, a primary care physician was a trusted source of care and advice. Today, however, many cities struggle with finding doctors who will accept sufficient numbers of insurance patients to make a real difference in their communities.
The keynote speaker, Joe Telano, senior policy manager at the Primary Care Development Corporation, laid out the problem.
The existence of quality primary care physicians in communities has been demonstrated to lengthen lives, but not enough communities have access to those physicians. In turn, this creates greater stress on specialized medicine, as patients are delayed in having serious issues diagnosed and referred. Moreover, the lack of primary care physicians adds to community health problems: increased likelihood of pandemics, more suffering from chronic diseases (e.g., diabetes), and even more gun violence.
Currently, only about 5-7 percent of health care expenditures go toward primary care, and a greater investment, according to Telano, is needed. Of course, this is only one part of a comprehensive plan. Other needed changes include: insurance regulations, grants for low-income communities, and a broader perspective of what constitutes “public health.”
Interestingly, part of this expanded view of public health could include education and workforce development…
Building Futures: Apprenticeship and Workforce Development
By Michelle Moya
One of the conference highlights was the site visit for our Education and Workforce Development session, which a tour of Building Futures, Rhode Island’s premier pre-apprenticeship program. Olivia and I were joined by a diverse group of senators and representatives from across the country for what would become one of my favorite sessions.
Our visit began in the hands-on training space, where we witnessed day two of a five-week intensive course. The tour was led by Andrew Cortez, president of Building Futures and a former apprentice himself, who shared insight into what the program is and what makes it effective.
Building Futures connects community residents to registered apprenticeship opportunities in the building trades. The program has a dual mission: preparing individuals for apprenticeships through training and readiness while also partnering with project owners to require apprentice participation in construction. This two-pronged approach ensures both workforce preparation and job placement.
Cortez emphasized that success in the trades depends on three essentials: showing up every day on time, working hard, and applying yourself to learn. Technical skills matter, but they rest on these fundamental values of reliability, perseverance, and a willingness to grow. As a student, I found this surprisingly inspiring. It reminded me that success in any field—whether in school or in a career—often comes down to those same habits. Technical skills can be taught, but without consistency and the right attitude, it’s hard to succeed anywhere.
From the active training floor, we transitioned to a classroom setting where our group of legislators and workforce development professionals gathered around tables for a deeper conversation about the program. A highlight of our roundtable was learning about recent legislation that allows apprenticeship pathways to count toward college credit in Rhode Island. Senator Hanna Gallo, who helped lead this effort, joined us for the discussion, along with Matt Weldon, Director of the Department of Labor and Training.
The program’s impact became tangible through the graduates who shared their stories with us. Vennicia Kingston, who transitioned from banking to carpentry, now owns Eagle Eye Construction Services and employs multiple Building Futures alumni—a great example of how networking creates a cycle of opportunity. Another graduate shared how, just months after incarceration, he not only completed his apprenticeship but also bought his first home and eventually built his own million-dollar construction company.
These transformations illustrate what Cortez stressed throughout our visit: the most valuable skills are consistency, work ethic, and a learning mindset. This philosophy mirrors the character development emphasized in LEAP, where academic and career success are built on the foundation of personal responsibility and values.
As we concluded our tour and roundtable discussion, one lesson stood out clearly: good students and successful professionals are people who show up, work hard, and embrace continuous learning. This blend of character and skill creates pathways to both personal transformation and economic opportunity—lessons we will carry forward as we pursue our future goals.
State Dinner
by Olivia Discon
The conference concluded with the State Dinner, the most formal event of the conference, where we dined with some of the event organizers, an event photographer, as well as some fellow southerners. Senator Walter Michel–whom we had lunch with–and his wife, Laura, joined us for a nice meal and delightful conversation.
We also had a chance to see the host committee, who spent years planning for this event, be recognized.
The main event, however, was the meal, which featured a three-course meal including a beef entrée, asparagus, and potatoes as its main course, along with a salad and a scrumptious dessert (Chocolate Mousse).
In the background wafted the swing beat of Sinatra tunes, performed by Michael Dutra: “Simply Sinatra.”
We shared stories about our visits to waterfalls in North Carolina, where one of the event organizers is from, to challenges faced by the Mississippi Legislature, to the decreasing importance of ISO in modern cameras. It was a wonderful way to cap our evening programs at the Council of State Governments–East.
It was a day to remember: we had already luxuriated in the extravagance of the Newport Mansions; enjoyed the sun, the wind, and the rush of parasailing. And still we had much to do. We wanted to spend a little time on the beach on Aquindeck Island, seeing wildlife and enjoying the coastal breeze; trying some of Rhode Island’s tastier dinner spots; and witnessing first-hand the famed installation art Waterfire.
Aquindeck Island
You might be forgiven if you think that Rhode Island is surrounded by water. That is, after all, the definition of an island. But the state of Rhode Island isn’t an island. Originally, Rhode Island consisted of settlements such as Newport and Portsmouth, which are, in fact, on an island, plus the territory on the mainland (Providence). This, then, is the Rhode Island in the State’s name, which was technically, “Rhode Island and the Providence Plantations.”
No one, however, used the full name of the island. Still, the State stuck with “Rhode Island and the Providence Plantations” for some 300 years, only changing its name officially in 2020.
Nonetheless, Rhode Islanders do have quick access to the shore; in fact, by our calculations, everyone in the state can get to the ocean or a bay in less than 35 minutes. It may not be an island, but it can fairly call itself “The Ocean State.”
Accordingly, as part of our Rhode Island explorations, we spent considerable time alternating between land and sea–and, as we noted in our prior blog, the air.
But we also wanted a closer, more tactile feel of the Rhode Island Coastline. So we drove along Ocean Drive, walking on the rocks; traipsing along the shore, where the wet waves tickled our feet; and overall gaining a different sensory perspective of Rhode Island.
We saw more evidence of the wealth that populates the coastline…
…and we observed and listened to some of the coastal wildlife.
It was, as the photos attest, a very different experience than the beaches with which we were familiar (e.g., Galveston).
All this touring, parasailing, beachcombing, and wildlife watching helped us build up a hunger, which made (most of) us think of seafood. To that end, we researched restaurants en route to our evening conference destination, and we found Track 15, a food court on the river.
Track 15
What kind of dining establishment, you ask, is named “Track 15?” In this case, it is a dining destination at the former Union Station (1898), which housed 14 separate railroad tracks. The food court, then, is an extension of a key transportation hub in Providence’s history, the 15th Track.
The 15th Track doubles as a “third place,” a place that brings people together while also allowing the past and present to intermingle. The restaurants are adjacent to Providence’s Waterplace Park, an urban park where the land and sea merge and people gather, coming together. Even the experience of dining is reimagined, bringing the past to the present: some of the eating establishments offer menus in the shape of arrival/departure boards of the old railroad stations; and the table tops on which we and others ate were made from wood recycled from the old rail cars.
True to Rhode Island’s proximity to the sea, we enjoyed an excellent (small) seafood platter (clams, mussels and shrimp), fish, and a lobster roll.
But we mixed it up a bit, and we also tried some pasta; true to the spirit of being in a former transportation hub, we also wanted some food more common to other places.
The food was excellent. The pasta was hand-rolled and featured subtle flavors that came together just right. The lobster was creamy and fluffy; the fish buttery and flaky; and the seafood platter a surprising variety of flavors: the clams were sweet and light; the mussels more tender and briny; and the oysters clean and less salty than one would imagine.
We also enjoyed the people watching. There is both indoor and outdoor seating, and the latter features games, versatile seating, and alcoves. People played cornhole; mothers danced and laughed with daughters; and others just relaxed and listened, delighting in the nice weather.
Following this enjoyable sensory experience, we ambled on to our next stop, Waterplace Park.
Waterfire
To end our day, we attended a reception in downtown Providence organized for us by the Council of State Governments and operated by WaterFire , a nonprofit dedicated to revitalizing city life through visual and performance art.
We set up stations and split into two groups to capture different photos and videos of the evening. Hundreds of people were in attendance, including legislators, conference participants, local residents, and passersby.
As the crowd filled the beautiful space, the event began with a ceremonial gong. An eclectic playlist emanated from speakers in the park. Myriad musical styles were represented: African, Latino, 60s Rock, Classical, Rap, and Alt-Contemporary. The music was selected consciously, offering a global scope to the ceremony, reflecting the goal of bringing people together.
The installation sculpture incorporates the world’s four elements. humans sit on the earth surrounding the water. The Fire Dancer enters…
…while fire starters and fire tenders light logs on fire, and as the wind sweeps along the river, sparks fly in the air.
Conceived as performance art, the ceremony is multi-sensory: the sound of the music, the touch of the wind and the heat on the skin, the smell of the fire, and, of course, the visual spectacle of a fire coming forth from water.
The event was effective in stimulating our senses, while also playing with our expectations. What we all agreed on was that it was a thought-provoking and interesting event that brought strangers and friends together while highlighting the beauty of Providence, Rhode Island.
It was a sense-sational way to end a full day in Providence, Rhode Island.
It was an excursion day at the conference, where guests had the opportunity to go to Newport, Rhode Island and see some of the Host State’s most intriguing sites. In Rhode Island, this involves a slew of Gilded Age Mansions, and we managed to fit in three separate homes: The Breakers, the Marble House, and Rosecliff.
Newport, Rhode Island has beauty, temperate summers, and its location on a picturesque coastline have made it an ideal location for summer homes for the wealthy. Over the decades, however, not all of the owners’ descendants have wanted to maintain these homes, nor is it easy to find buyers for structures worth, according to recent estimates, 500 million.
Fortunately, the Preservation Society of Newport County purchased many of these homes over the past sixty years, and they have made them available for touring to the general public. For those interested, ticket options include The Breakers + 1 or The Breakers + 2 or specialty tours (e.g., “Under The Breakers Tour”). We opted for The Breakers + 1, with the idea that after seeing the main attraction, we would “breakup” and see different houses (Moya and Discon: Rosecliff; Mike and Stephanie: The Marble House).
The Marble House
The wealthy had lived in Newport prior to the construction of “The Marble House” by William Vanderbilt, but this home was the first of the stone-built mansions that would eventually dot the coastline. An aptly-named structure if ever there was one, the Marble House was designed by Richard Morris Hunt, featured fifty rooms, 140,000 square feet of space, and 500,000 cubic feet of marble.
William Vanderbilt gave it to Alva as a gift for her 39th birthday, which makes you wonder what he would have given to her for, say, her fiftieth birthday. We’ll never know, because she divorced him not long after, and she kept the house.
Done largely in a Beaux-Arts style, the home was unparalleled in opulence when it was completed in 1892. It sits on the Atlantic coast, overlooking the ocean, features two-story Corinthian columns, and its western facade somewhat resembles the White House. With its size and splendor, the home has been the setting for many films and television shows, including The Great Gatsby (1974), 27 Dresses, The Buccaneers, and The Gilded Age.
For those visiting in person, however, the entry is through two doors (with WV on the front) that weigh one-and-a-half tons each, an entry that offers a breath-taking view of the grand staircase.
This two-level room is inspired by both the Palace of Versailles and the Louvre. The banister is wrought iron with bronze gilding, the room gleams with yellow Siena marble, and an eighteenth century mural graces the ceiling, above a gold and crystal chandelier.
Each room offers similarly notable features. The dining room–which was unlike any room we have dined in–showcases a large table with bronze chairs with gold leaf–each weighing seventy-five pounds.
The ceiling decor included game such that might be served for dinner.
The gold room is, as one might expect, predominately gold, but it is accented by green silk drapes (by Prelle) and black.
The most ornate room, however, was the gothic room, which featured Alva Vanderbilt’s collection of medieval art and artifacts, all situated in a room with gothic elements.
By itself, the Marble House offers a class in architecture, interior design, art, history, and excess.
But it is also interesting as a window to an age in which the wealthy competed with each other for even greater conspicuous splendor, which we weren’t sure was even possible until we visited The Breakers.
The Breakers
by Olivia Discon
It’s difficult to select a favorite house, but there is a reason that The Breakers is common to most of the tours. Built in 1895 and designed by Richard Morris Hunt for the Cornelius Vanderbilt family, the home boasts 70 rooms and 138,000 square feet. With a fortune built on shipping and railroads, the Vanderbilts were one of America’s wealthiest families, and their wealth is evident everywhere in the home.
Visitors to the home first see “The Great Hall,” which was inspired by an Italian Courtyard. Not wanting a true open roof, the family opted for a ceiling with a trompe l’oeil mural to mimic the open sky.
Built in a perfect cube–50 by 50 by 50–this single room is larger than the average American house. The term “great” simply doesn’t do the hall justice.
The Billiard Room was another favorite of the group. The mosaic floor was adorned with coastal details, the walls featured “arches” painted in gold leaf, and the room was designed with numerous elements, making for a fun “I Spy” type game for visitors.
Although we were a bit tired from waking up so early, we couldn’t help but fall in love with the “Morning Room.” The room faces east, allowing the sun to pour into the chamber, and the warm lighting and yellow-hued adornments provided a welcoming warmth. The idea of having a room so opulent and just for the morning hours is such a Vanderbilt type of luxury.
One of most interesting aspects of the house is that each room offers intricate and elaborate details that are ripe for overlooking things. To take an example, the Morning Room features panels with cherubs, which, at first glance, appear to simply be classically-themed lagniappe. Upon closer look, however, you see that one cherub is holding an anchor; the other is holding a railroad spike and hammer. Both tie back into the source of the Vanderbilt’s income–the income that made such decor possible.
Each room offered something special. The Loggia offered a breath-taking view of the ocean;
…the bedrooms, although described by the owners as more “austere” than the public-facing rooms, were still opulent, each featuring separate baths, dressing rooms, and walk-in closets;
…and the library was perhaps the most stunning, with the wood doors that had gold leaf pressed into them to give an appearance of a storybook cover, and upper walls lined with green Spanish leather, providing the look of a hide-bound book.
It’s difficult to fathom that such a home was used for only part of the year, a reminder that we live in different worlds and a different age than the Vanderbilts.
Rosecliff
by Michelle Moya
After exploring The Breakers, Olivia and I were especially excited to visit another Newport mansion renowned for its elegance and beauty—Rosecliff Mansion—and it absolutely lived up to its reputation.
Commissioned in 1899 by silver heiress Teresa “Tessie” Fair Oelrichs and designed by architect Stanford White, Rosecliff draws inspiration from the Grand Trianon at Versailles. Its pale limestone façade and French neoclassical design create an elegant lightness that sets it apart from Newport’s other grand estates. While Olivia and I are still learning about various architectural styles, visiting both these homes provided a perfect opportunity to deepen our understanding.
Rosecliff’s history includes dramatic turns: it was sold for a mere $21,000 in 1941, but endured severe winter damage before the Monroes refurbished it in 1947. In 1971, the Preservation Society received the mansion as a donation, and it is now considered a historic house museum, event space, and more.
Upon entering, the first thing that caught our eye was the stunning heart-shaped frame surrounding the staircase. This feature lends the entrance hall a theatrical elegance—a design element I found particularly beautiful.
Our self-guided tour began in the French Renaissance salon, which quickly became my favorite space.
The room has coffered ceilings and classical pilasters, with chandeliers adorned by musical instruments—a homage to Teresa’s talents as a master of the flute, piano, guitar, mandolin, and banjo! Similarly, portraits of society members, painted in the grand European tradition, line the walls.
Next, the tour leads to the mansion’s crown jewel: its ballroom. The ballroom measures 40 by 80 feet with high 22-foot ceilings, making it Newport’s largest private ballroom. There are windows along both sides, creating an airy ambiance, while a masterful trompe-l’œil ceiling depicts a sky-like garden landscape. This room was Olivia’s favorite, and it’s easy to see why.
While we were reading about this space, we also learned that Teresa Fair Oelrichs truly embodied Gilded Age excess, especially in fashion. Wealthy families ordered wardrobes from Charles Frederick Worth in Paris, with ladies visiting the House of Worth twice yearly, spending roughly $30,000 per visit, the equivalent of $600,000 today. This translates to annual clothing expenditures of about $1.2 million in today’s currency, which we found absolutely crazy!
The first floor also houses the Library (or Billiard Room), showcasing Stanford White’s Jacobean styling with bleached English oak paneling and a distinctive white paint.
Additionally, the Dining Room, which is now painted white, having been originally pea-green walls, was filled gold accents, silk draperies by Jules Allard, and landscape panels.
The second floor of the mansion offers additional rooms and rotating exhibits. Currently, the room hosts “Richard Morris Hunt: In a New Light,” showcasing the architect’s contributions and career.
The exhibit displayed his personal sketchbooks…
patron collections, and his creative journey…
After a stop at the gift shop, the tour led us to the mansion’s rear, where a walkway opens onto breathtaking grounds—a view we both instantly fell in love with. Rosecliff’s 21 acres of formal gardens…
oceanfront landscapes…
…and beautiful rear exterior…
…create a stunning contrast between refined architecture and Rhode Island’s rugged coastline.
Today, Rosecliff continues to host elegant gatherings and has appeared in films such as the The Great Gatsby, True Lies, Heaven’s Gate, Amistad, 27 Dresses, and many more. It stands as a great reminder of Gilded Age grandeur and a cultural treasure that Olivia and I loved exploring!
Concluding Thoughts
As noted above, The Great Gatsby, written by F. Scott Fitzgerald, was filmed at various locations on the Newport Coast. The film tries to capture visually the spirit of the book, which addresses themes such as the American Dream and materialism of the Gilded Age and its vestiges that carried over through the 1920s, when the novel was written. It’s a harsh view of the United States, and it is perhaps unfair.
But our visit to the Newport Mansions did drive home a point made by Fitzgerald in a short story described as “an extension of ‘The Great Gatsby’, “Let me tell you about the very rich. They are different from you and me….They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves….They are different.”
Our visit to the Newport Mansions was a wonderful learning experience. We had a rare chance to see the splendor that only a few people ever get to experience, and even fewer have a chance to experience as a way of life. It was a moment to soak in, a chance to see the beauty, the craftsmanship, and the intricacy that the world’s great artists and architects could create, and it was a reminder that those who lived here enjoyed very different lives than the rest of us.
Our Northeast educational journey has taken us through historic cities, cultural landmarks, and architectural marvels that shaped American history. From exploring colonial sites to examining Gilded Age opulence, each stop has offered new perspectives on our nation’s past. Today’s adventure added a literal new perspective – one that Olivia had been dreading for days – parasailing!
After spending the entire morning exploring Newport’s famous mansions and learning about Gilded Age architecture, we found ourselves at the dock with Island Style Parasail. This shift from ground-level historical immersion to aerial perspective perfectly embodied the dynamic approach of our educational journey.
For those unfamiliar with the activity, parasailing involves being towed behind a boat while attached to a parachute, allowing participants to soar hundreds of feet above the water. This specific activity gave us the opportunity to fly above the beautiful waters of Narragansett Bay and view the rugged coastline of Newport, Rhode Island, all while gliding hundreds of feet behind a parasail boat.
Boarding the boat, I felt calm and excited, however Olivia’s apprehension was palpable—and it quickly influenced my own nerves. The crew fitted us with life jackets and briefly explained the landing mechanism we’d rely on upon landing from 1,000 feet above the bay. While the morning’s mansion tours had been comfortable and familiar, this was unquestionably a new kind of challenge.
The launch sequence proceeded smoothly yet rapidly. Within moments of sitting on the boat deck, we found ourselves ascending steadily above Narragansett Bay. The coastal panorama from that elevation was breathtaking, though admittedly intimidating. An amusing detail was our parachute’s distinctive smiley face design, which seemed to grin encouragingly as we soared through the air.
At first, we both gripped the connecting rope tightly—accompanied by many nervous screams—prioritizing safety over sightseeing. The boat looked surprisingly small below us, and the wind moving us in every direction made it all the more terrifying. After finally acclimating to the sensation of floating at such altitude, we finally built the courage to adjust the GoPro and record some footage.
The experience was both exhilarating and fun. The wind carried us above the water while we took in panoramic views of the Rhode Island coastline. From up there, you could see the beautiful homes, the Newport Bridge, and the famous Ocean Drive winding along the shore. The gentle swaying motion created an almost meditative experience, despite the initial adrenaline rush of being suspended so high above the bay.
When it came time to come down, we were both clearly relieved but proud. At the end of our flight, we took a picture on the boat as we were making our way back to shore, both of us happy that we had tried something new and pushed through our initial hesitations.
This parasailing adventure exemplified what makes LEAP so effective – combining traditional education with experiences that challenge us to see familiar places from entirely new perspectives. Sometimes the best learning happens when you’re floating 1,000 feet above your comfort zone!
When you wake up in Boston, and you need to be at a conference in Providence, Rhode Island, there is some driving to do. Fortunately, there are some things to see in between the two cities, and LEAP specializes in exploiting targets of opportunity.
To tackle an early morning with history, some human energy is required. This came in the form of a rare stop at a chain: Dunkin’ Donuts. But not just any Dunkin’ Donuts–the first-ever Dunkin’, which was founded in Quincy, MA, in 1950. Originally, it was “Open Kettle,” but the owner, William Rosenberg, noticed that his customers often dunked the donuts (5 cents) in the coffee (10 cents), and a new brand was born. It was this history–the 75th anniversary of which is being celebrated this year–that prompted LEAP to break its no-chain guideline.
Quincy, MA is known as “The Birthplace of Presidents.” Indeed, the town meets the plural requirement because both John Adams and his son, John Quincy Adams, were born there. If you are feeling generous, you could also allow Quincy to claim John Hancock, who is most famous for signing the Declaration of Independence, but who also served as President of the Continental Congress.
But the city’s most defensible claim is being the home of the two Adamses, and their both homes are side-by-side in a residential area. John Adams’ birth home dates from 1735, although some of the lumber used to make the house dates back to the 1670s, apparently recycled from another structure. John Quincy Adams was born next door in a home that dates back to 1717. John Quincy, however, did not arrive there until 1767, when he was born on July 11. The family would live in this house until 1783.
Interestingly, the property consists of 11 structures in all, one of which was built on order from John Quincy Adams’ will, which funded the construction of a stone library. This library, completed in 1870 and made of stone to prevent fire, holds Adams’ 14,000 books (in twelve languages).
Feeling suitably dispirited about our own reading habits, we moseyed south to what Trip Advisor raters ranked as the “most disappointing attraction in the United States”: Plymouth Rock. Trip Advisor clickers aren’t known for their taste, but they have a point. The rock is a small boulder that sits on the shore of Plymouth Bay. It is caged off.
It’s a disappointing rock, but in fairness, it has been treated poorly over the years, and it probably feels a bit vengeful. Across the centuries, it was painted with the numerals “1620”. When that proved unsuitable, someone decided to chip the numerals 1620 into the rock itself. People have stolen fragments from it, reducing it in size. At another point, town leaders decided to move the rock, and in doing so they broke it. Part of it was buried, which is probably the best thing for it in terms of safety. The rock is now approximately a third of the size it was originally, or so it is believed, but who knows?
Learning from Legislators
For our first day at the CSG East Conference, we split up so that we could learn directly on those topics most relevant to us, but also learn from each other in after-the-fact debriefings.
One of the key topics we explored was education, and the importance of early childhood education in children’s later development. Panelists Caroline O’Neal (CEO, Reading Assist), CT Representative Kate Farrar, Quebec Assemblywoman Marie-Belle Gendron, and RI Senator Hanna Gallo shared their experiences fighting for education for all pre-k children.
There was not a lot of ideological diversity on the panel, and as might be expected, there was a lot of agreement. All panelists agreed that the early years, when brain development is occurring most rapidly, are the most important. Living in a healthy, vocabulary-rich environment helps children reach their potential.
What was less clear was how to achieve healthy, vocabulary-rich environments for all children. Some states rely on home visits, where social workers (often health care professionals) visit the homes and provide resources to the parents, if requested. The panel was generally in agreement that Pre-K professionals should be paid the same amount and given the same respect as K-12 teachers, although little evidence was discussed to indicate that this would increase outcomes.
Perhaps most intriguingly, Representative Farrar mentioned the “Sparkler” app which parents can download and learn about developmental milestones from the ages of two months to five years. Not only does the app offer activities that can help families achieve those milestones, it also provides informational resources to parents when a child is underachieving.
Such an app is cheaper than most options, although it like many government programs, works best when families are motivated and educated. While the entire set of programs discussed are expensive, the panelists continued their unanimity in agreeing that the “cost of doing nothing,” which includes greater costs of government services and prisons, is prohibitive. And this made for a nice segue to our next session.
Criminal Justice Challenges for Youth
by Michelle Moya
One of LEAP’s core missions is cultivating well-informed professionals who can advance in their roles while gaining practical knowledge directly applicable to their work. Attending the Council of State Governments Eastern Regional Conference exemplified this mission, providing me with valuable insights that will strengthen my work for State Representative Trey Wharton and knowledge I look forward to bringing back to Texas.
On the first day of the conference, our second session was the roundtable on Emerging Criminal and Youth Justice Challenges in the Eastern Region. The discussion featured legislators from Maine, New Hampshire, Maryland, Delaware, Massachusetts, Vermont, and Rhode Island–including Representative Mary Ann Shallcross Smith, whom we had met in an earlier session…
…as well as policy analysts from New Jersey and Texas and advocates from organizations such as Casey Family Programs.
The roundtable discussion was guided by three central questions. The first asked legislators to share their most pressing challenges. New Hampshire identified the fentanyl epidemic as its greatest concern, fueling homelessness and repeated system involvement without sustainable solutions. Maryland reported rising juvenile crime rates and overcrowded facilities, disproportionately affecting minority communities. Maine emphasized inadequate behavioral health services that leave youth in correctional facilities when what they truly need is treatment. Rhode Island lawmakers described this pattern as the “criminalization door,” where children with mental health needs must go through law enforcement before receiving help, creating trauma and leaving permanent records for youth who need care, not punishment.
The second question focused on effective approaches that have been implemented in their designated states. Maryland automatically assigns public defenders to juveniles upon arrest and has a comprehensive expungement system. Rhode Island cleared more than 40,000 records through automated expungement–both efficiently and under budget. While New Hampshire strengthened constitutional privacy protections by limiting surveillance data retention to 48 hours. Some states have also adopted juvenile hearing boards as diversion alternatives and replaced school resource officers with social workers. A shared belief was shared among many: legislation alone is not enough. Effective advocacy requires direct community engagement through measures like police ride-along and town halls. One interesting example was provided, where three police officers dispatched to address a seven-year-old who hit a teacher, an incident that could be resolved only by calling the child’s grandmother. It underscored how normal childhood behavior is increasingly treated as criminal.
Another significant concern was how media coverage and public perception often overshadow data in shaping policy. Legislators noted that sensational, negative stories drive public opinion, creating fear-based narratives that are difficult to counter, even when crime rates are declining. This makes it challenging to pass reforms supported by evidence but misaligned with public perception.
As someone working for a state legislator, I found the interstate exchange of ideas particularly valuable.
Learning how other states confront shared challenges not only provided insights that could inform Texas policy development but also broadened my perspective on issues in our state.
Housing Development Through State-Municipal Cooperation
by Olivia Discon
The housing panel at the Eastern Regional Conference brought together leaders in community development from Massachusetts, New Jersey, and Connecticut to talk about how states can work with cities and towns to expand affordable housing. Noah Kazis from the University of Michigan set the stage, and then Chris Kluchman, Colleen Velez, and David Kooris walked through what their states are doing.
In Massachusetts, zoning reform has been a focus since the late 1960s. At that time, only about 7 percent of the housing stock was affordable. Today it is closer to 26 percent, with much of it located in Boston suburbs. One of the biggest tools is Chapter 40B, which allows developers to bypass some local restrictions if they include affordable units. If a town has not met the 10 percent threshold for affordability, the state can override local opposition. While effective, these kinds of requirements can also create problems. Market changes can make projects unaffordable, and strict zoning rules sometimes backfire. At the same time, the state has continued to push forward with new programs. The Healey-Driscoll administration, for example, has committed $20 million to support the creation of 4,000 new units, and more than 140 communities have now adopted multifamily zoning after initially resisting it as an unfunded mandate.
New Jersey has a long legal history in this area, dating back to its 1985 Fair Housing Act. That law created the Council on Affordable Housing, which enforces each municipality’s “fair share” of affordable units based on both local and regional needs.
Municipalities must adopt 10-year fair share plans, and the state also supports nonprofit developers through training modules on zoning, placemaking, and housing models. In addition, the Department of Community Affairs provides pre-development funding to help those organizations get projects off the ground.
Connecticut’s challenge is different. With no county governments, coordination across its 169 municipalities is difficult. The Connecticut Municipal Development Authority was created in 2019 to bridge gaps, especially around funding for housing and infrastructure. It can support a wide range of projects, from wastewater and transportation to downtown redevelopment. David Kooris, who leads the authority, described it as a carrots system, but noted that sometimes the carrot can also be used as a stick (or as he described, a “frozen carrot”). He also pushed back on the common complaint that state action takes away local control, calling it a myth. In his view, stronger partnerships actually expand what local governments are able to accomplish.
Across these states, the theme was clear. Subsidized housing alone will not solve the problem, and there is no single fix. Instead, states are using a portfolio of tools: zoning reforms, infrastructure funding, training, and impact fees to make sure developers help cover the cost of new growth. Rhode Island was noted as a positive example for requiring third-party reviews, which reduces the chance of corruption, but also as a cautionary case since reluctance to expand wastewater infrastructure has slowed housing development.
Energy: Utility Bills and Grid Investment
by Olivia Discon
The session on energy tackled another issue with both technical and political challenges: how to keep power reliable and affordable while demand keeps growing. The speakers were Rep. Chris Rabb from Pennsylvania, Asim Haque from PJM Interconnection, and Michael Downey and Sonia Griffen from the Energy Futures Initiative Foundation.
Haque explained how PJM works. It does not own any power plants or transmission lines, but instead manages the flow of electricity across multiple states, coordinating reliability, market operations, and regional planning. Reliability is the constant concern. One reason is the surge in data centers, which consume the equivalent of tens of thousands of homes each. Add to that residential growth, new manufacturing, and federal environmental rules, and the grid faces a supply and demand imbalance. Coal has largely been replaced by natural gas and nuclear, and renewables are growing quickly, but integrating them without disrupting the system is a challenge.
Downey and Griffen argued that the grid will need trillions of dollars in new transmission investment over the coming decades. The federal government cannot cover those costs alone, so policymakers will have to create the right financing structures to attract private capital. They also emphasized that building high-voltage regional transmission lines is far more cost effective than simply adding more low-voltage local lines. Texas was cited as an example of a state that invested heavily in transmission in the early 2000s and is now benefiting from it. Best practices include planning 20 years into the future, updating plans every five years, setting clear cost-allocation rules, and communicating transparently so that the public understands the value of new projects.
Rep. Rabb brought the political dimension into focus. Pennsylvania is one of the nation’s largest energy producers but does not have a strong legislative framework for energy policy. He has called for a standing committee in the House dedicated to energy and has introduced a short, two-page bill that would require utilities to explain how their votes within PJM benefit ratepayers. While simple, the bill has attracted bipartisan interest because it emphasizes accountability and transparency in a system that often feels opaque. Rabb noted that skepticism about utility rates and decision-making is widespread, and greater visibility into those processes could help rebuild trust.
The session made clear that rising demand from data centers and industry is not going away, and that reliability will require proactive investment in transmission. At the same time, policymakers are grappling with how to ensure that utilities and grid operators are accountable to the public.
Capitol Clam-Bake
With a long day of work and learning behind us, we headed to the beautiful Rhode Island State House…
…to enjoy an evening of food, music, and mixing. The staff of the CSG put together a feast for four hundred–with clams, mussels, lobsters…
…bread, cheeses, fruit, and corn.
Oh, and hot dogs for the kiddos.
After some time, we got our plates together…
…we sat back to listen to the music.
The music was performed by young adults, a group of recent Brown graduates who prefer to sing the music of old adults. Indeed, they were originally a Beach Boys Tribute Band, and they have recently branched out to other 60s-70s groups such as the Mamas and the Papas, the Beatles, The Four Tops, and others.
They were a spirited group and, at their best, had very nice harmonies.
They also had a great attitude, and their enthusiasm spilled into the crowd, who responded well to the music. Judging by crowd reaction, the favorite of the evening was Neil Diamond’s “Sweet Caroline,” which elicited much clapping, singing, and some dancing.
In these partisan times, it was good to see the Democrats and the (few) Republicans come together and bond over music.
Bipartisanship was also the theme of the night from the elected officials, who did a good job of being gracious and brief.
Senator Elgie Sims (Illinois) was particularly gracious in reminding legislators of the importance of civility–particularly in light of the shooting of Representative Melissa Hortman and her husband Mark Hortman and Senator John Hoffman and his wife, Yvette Hoffman.
It was a unifying way to end the remarks, and it is a good lesson for all to remember.
Concluding Thoughts
It’s not often that you can learn lessons in three separate towns in the same day. It’s even less often you can learn from a stop at Dunkin’ Donuts. But LEAP Ambassadors, with their resourcefulness (and love of coffee), found a way to learn in myriad ways, from diverse places, and from the generosity of policy experts who came together to share their knowledge.
Center for Law, Engagement, and Politics 
,_Pittsfield,_Massachusetts.JPG){kind=link}