LEAP Welcomes Back Students (And Faculty, Too)

By Jessica Northam

To kick off to the semester the LEAP Center opened up its doors to incoming freshman, transfer and current students to come by and see what LEAP is all about. With about roughly 70 students throughout the night, we enjoyed delicious ice cream, cookies, sweet tea, and the chance to see school friends again.

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In preparation, we set up The Holcombe Room with decorations, a prize wheel…

Brian Aldaco As Pat Sajak
Brian Aldaco As Pat Sajak

…and, of course, ice cream and other snacks and refreshments.

As might be expected with free food on campus, there was a line awaiting the open of the event.  Later, we would have a packed house.

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We were happy to note that, in addition to many students…

Alexis Gordon and Alex Galvan
Alexis Gordon and Alex Galvan

…Dean Zink, Dean Nardone, Dr. Waggener, Dr. Mahoney, Dr. Svenson, Dr. Bittick, Dr. Enia. Dr. Haase, Dr. Wang, Dr. Evans,  Kristin Trojacek, Belinda Myers, Deanna Briones, and Jennifer Knapp all attended as well.

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Although folks seemed to enjoy the prizes, the t-shirts were definitely the most wished for. But even after the prizes were gone, many of the students hung around, catching up on their summer activities and their plans for the fall.

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We hope that some of those plans will involve LEAP Center events, the dates for which were provided at the ice-cream social.  For those of you who missed it, here’s a calendar for the next month or so:

  • September 12, 19, 26, and October 3: heART of Huntsville
  • September 14 (4:30-6:00): LEAP Open House (LSC Art Gallery)
  • September 20 (2:30-3:45): Legislative Staff Panel
  • September 21 (6:00-7:15pm): Pre-Law Society Meeting
  • September 30 (6:00-8:30): Walter Brennan/John Wayne Film Festival
  • October 8 (9am-1:30pm): Mock LSAT

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Speeding through Indianapolis

As we wend our way home from “The Motor City,” we stopped in Indianapolis to see a heap of historic sites, from extensions of our research on The Vagabonds, to the Indy 500, to a presidential home, a capitol, and a fine art museum.  Although it was our second-to-last day on the road, it promised to be a full one.


Indianapolis Motor Speedway

We have friends who have been to the races here, and they indicate it’s pretty incredible.  The Museum, however, is not incredible.  It’s actually quite boring.

The Museum itself consists of approximately three rooms: a large show-case style room, a smaller room beyond the main room, and a room to the left which houses “special exhibits.”  The main room has a timeline, which consists of a series of photographs on the walls, and then the winning cars from the past 100 years of races.

Indianapolis Speedway Museum
Indy-Winning Cars on Display at the Speedway Museum

Although it is of some interest to see the evolution of cars from long ago to today (mostly, the long-ago cars were cooler), there wasn’t a whole lot of context or the interesting tidbits you can learn from even small museums.

After looking around and wondering, “Is this all there is?”, we opted for the “short video” that provided “background.”  It was short–about 8 minutes–but it provided almost no background.  It was an eight-minute commercial for the special “spirit” of the Indianapolis 500.  It provided little or no substantive information about the origin of the race, why Indianapolis became home to racing, or how things have changed over the years.  It, too, was a disappointment.

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Indiana State Capitol

Undaunted by the Speedway disappointment, we sped out of there and had breakfast at the City Cafe in downtown Indianapolis before heading to the Indiana State Capitol building.

Upon entrance to the Indiana capitol we noticed the nice but fairly typical exterior…

Indianapolis State Capitol Building
Indianapolis State Capitol Building

…but we were truly struck by the interior.

Indianapolis Capitol Dome
Indianapolis Capitol Dome

Interestingly, it houses all three branches of government; executive, legislative, and judicial. Thus we were able to see the working Governor’s office…

Governor Mike Pence's Office
Governor Mike Pence’s Office

…the House and Senate chambers, and the court room of the Indiana Supreme Court, which doesn’t resemble a lot of the past statehouse tours.

Indiana Supreme Court
Indiana Supreme Court

The interior of the Indiana Capitol is made of smooth, polished Vermont marble and Indiana limestone. The architecture is evocative of the Italian style. The rotunda at the heart of the building boasts an impressive stained-glass ceiling, and two wings that extend outwards in each direction.

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The wings mirror each other, and have large open areas that go four floors upward before terminating in a glass ceiling that lets natural light filter down to the floor. Each open space is surrounded by walkways set into the walls and supported by columns in a colonnade fashion. Of special note was the fact that all three of the classical Greek styles of columns were represented. The first floor showcased doric columns; the second floor was supported by imposing, almost un-ornamented ionic columns; and the third floor was held up by thinner, more artistic corinthian columns. All of the columns were made of grey-white marble, and lacked fluting (vertical lines running up and down the length of the column).

Our tour guide led us through this pleasant architectural feat, showing off various interesting busts of famous Hoosiers.

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He also made sure to impress upon us some pertinent facts about Indiana. We learned that the state bird is the cardinal, the state flower is the peony, the state tree is the tulip poplar, and the state song is “On the Banks of the Wabash, Far Away.” Most importantly, he told us that Indiana is one of only four states with an official state pie, which for Indiana is the sugar-cream pie.  It was a nice tour, with a very nice tour guide.

And although we missed seeing Governor Pence at the Capitol, we did see people protesting Pence.

Trump/Pence Protestors at Indiana State Capitol
Trump/Pence Protestors at Indiana State Capitol

Indiana Soldiers’ and Sailors’ Memorial

But before heading to our next historic home, we decided to go to the Indiana Soldiers’ and Sailors’ memorial.

Indiana Soldiers' and Sailors' Memorial, Indianapolis
View of Indiana Solders’ and Sailors’ Memorial from the Capitol

This edifice boasts a pool and fountain beneath a circular, raised dais decorated by various sculptures. Soaring above it all is a tower that rears upwards toward the clouds.

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You can actually climb up a set of 330 stairs on the inside of the obelisk, or take an elevator to the top for a small fee. Prof. Yawn elected to pay, while Brian and Paul adventurously took the stairs all the way to the top, compelled to do so after all of the vertigo-filled adventures of the trip. It was a beautiful view from up above, making the climb up worth it.

Brian and Paul from atop the Memorial
Brian and Paul from the Memorial’s Observation Deck

Our feat of athleticism was soon rewarded by a short visit to the Chocolate Cafe right across the street from the memorial. While sipping on a very sweet, creamy Chocolate Chai and nibbling on a very rich caramel sea salt chocolate, we people-watched.  This was made more interesting by the gathering of people in our midst.  There was, for example, a convention of sorts for Mennonites, who sang on a town square…

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Circling them, on a pedal-powered bar (“The Pickled Pedaler) was a party of some sort (perhaps a wedding based on the sign on the back, which read, “Congratulations Tom & Ed”).

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How you effectively avoid Mennonites and traffic in a town the size of Indianapolis–while drinking alcohol–is beyond us.  It’s also not clear how this doesn’t violate some drinking and driving ordinance.  Presumably, the steering-wheel operator doesn’t drink, but the people providing the power do.

Amidst all of this, it was also Gen-Con, a convention of strange people dressed as super-heroes and other characters.

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It wasn’t quite the bar scene in Star Wars, but it wasn’t far off, and it wasn’t what we were expecting from Indianpolis, “The Crossroads of America.”


Benjamin Harrison Home

Benjamin Harrison, the 23rd President of the United States of America, was a native of Indiana. He raised a regiment during the Civil War, and fought as a general on the Union side. Interestingly, he was preceded in the presidency by Grover Cleveland and was, oddly enough, succeeded by the same man! Other aspects of his presidency were how his federal spending exceeded $1 billion for the first time in American history; he started the process of preserving places of natural beauty; and he strengthened the United States by modernizing the navy, making it the 5th most powerful in the world. This later may have come in handy for the coming First World War.

As a very interesting president, his home was just as special in that 70-80% of the furniture is both authentic (not replicas) and on display.

Benjamin Harrison Home, Indianapolis
Benjamin Harrison’s Parlor

You can see his prodigious library, the many of the gifts that he was given in life, including a strange chair given by a Texan…

Benjamin Harrison's Chair
Benjamin Harrison’s Chair

…made of Longhorn horns, a bobcat hide seat, and the overall look of Texas tacky.  We also saw his death bed, which was covered with the same comforter he used…

Benjamin Harrison Bed, Indianapolis
Benjamin Harrison’s Bed

…which was not Texas-Tacky, but was tacky-cool.

Harrison was a volunteer fireman, and the staircase was fashioned from a fireman’s hose…

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…the home’s foyer was adorned with a 38-star flag (reflecting the number of states when Harrison took office)…

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…and his desk was the height of 19th-century organization which, in our book, beats 21st century simplicity.

Benjamin Harrison Desk, Indianpolis
Benjamin Harrison Desk

However, such an artifact was in no way detrimental to the rest of the home’s beauty…

Benjamin Harrison Home, Indianapolis
Paul Oliver and Brian Aldaco at the Harrison Home

…almost comparable to our next item on the day’s itinerary.


Indianapolis Museum of Art

After leaving the home, we soon reached the Indianapolis Museum of Art. The art museum, to our pleasant surprise, shared a few similarities with Harrison’s home in that within the halls were exhibited works by Jacob Cox. Cox’s works were also present inside the Hoosier president’s parlor room. He and other Indiana artists were being commemorated in the “19th Stars” special museum exhibit which included renewed artists of talent such as T.C. Steele, Robert Indiana, and George Rickey among others.

George Rickey, Indianpolis Museum of Art
George Rickey Art

After appreciating sights of silver mobiles, beautiful landscapes, and painted canvases with the intent to reflect on society’s morals, all from the creativity of Indiana natives, we continued on through the halls of the museum.

Nearing the first exhibit room we noticed that the art had been arranged in chronological order, allowing us to view a sort of art evolution. Beginning with the realist school of American painters such as Charles Wilson Peale…

Charles Wilson Peale, George Washington
“George Washington,” by Charles Wilson Peale

…Albert Bierstadt…

Albert Bierstadt, Alaska, Indianapolis Museum of Art
“Alaska” by Albert Bierstadt

and John Haberle, we were further schooled in the art of capturing the essence of reality. Such an aspect in art was truly captured in Haberle’s depiction of American currency in U.S.A. (1889). The oil painting was mistaken for real money upon unveiling which caused near tremulous sensation as viewers claimed the artist had glued money on a canvas. We later saw paintings of other American artists which we had seen on previous museums such as those by Georgia O’Keefe and a very expressive Norman Rockwell by the name of The Love Song.

Norman Rockwell, Love Song, Indianapolis Museum of Art
“Love Song,” by Norman Rockwell

Throughout the other rooms we viewed other artists of remarkable ability, one of which was George Seurat who rightfully deserves the description.  His pioneered pointillism-style of expression inspired fellow talented impressionists of his time such as Paul Signac, Henry Van de Velde,  Camille Pissarro (these being among Brian’s favorites), and Van Gogh.

Vincent Van Gogh, Indianapolis Museum of Art
Van Gogh Landscape

Wandering through the other rooms we were delighted upon nearing a ver peculiar modernist painting by the name of Man and Woman. In a style resembling that of Picasso’s cubism, the shapes of color and shadows form two figures, a man and a woman, embracing each other’s kiss. Even though the depiction in itself was phenomenal, it was the man behind the brush strokes, Fernand Leger, that caught our attention. Between the years of 1948 and 1950 a young Huntsville artist by the name of David Adickes traveled to France to study art under the teachings of Leger. Adickes, as any Hunstvillian may know, was the talented sculptor who erected the Sam Houston statute which towers at the town’s edge. Satisfied that we were able to identify with one of the celebrated artists, we toured some more of the halls to later exit onto the grounds. With a scenic gushing fountain, the grounds were decorated by sculptures by Roy Lichtenstein…

Roy Lichtenstein, Indianapolis Museum of Art
Brian and Roy Lichtenstein

…and Robert Indiana’s famous LOVE sculpture, which we have seen at three or more art museums throughout the US.

Roy Lichtenstein, Robert Indiana, Indianapolis Museum of Art
Robert Indiana and Roy Lichtenstein’s Artwork on the Lawn of Indianapolis Museum of Art

Robert Indiana, interestingly, was born Robert Clark.  But he changed his name to honor his home state.  Interestingly, one of his pieces, a 12-foot LOVE sculpture (which are obviously not unique) recently sold for 4.1 million dollars.

After enjoying the green fields of artistic delight, we regrouped in our mini-van and buckled up for our stretch towards the end of our trip. As we only have one more day left in our Mid-Western tour, we arrived in our hotel late at night eager to get some rest and prepare for an exciting last day of our odyssey, in Little Rock, Arkansas.

Robert Indiana, Indianapolis Museum of Art
Brian Aldaco Contemplates a Robert Indiana Piece

 

Holy Toledo–Art at the Toledo Museum of Art

By Brian Aldaco

After four days of researching the Vagabonds with Jeff Guinn and Jim Fuquay at the Henry Ford Museum, other attractions were bound to be something of a let down.  But the Toledo Museum of Art offered a surprisingly nice collection and a truly inspired special exhibit by Jaume Plensa.

With a Greek entrance of white marble pillars, artistically grand in its own right, the art within was just as impressive. However, before viewing the fine arts we examined the art of the political campaign thanks to the museum’s special exhibit I Approve this Message: Decoding Political Ads.

Political Ads, Toledo Museum of Art
Paul Oliver Examines Political Ads at the Toledo Museum of Art

As political science majors, Brian and Paul ventured through the floor to examine such ads as Reagan’s “The Bear” ad . This ad showcased a prowling bear through the forest and a man who forces the beast to retreat by standing up to it. Thanks to the exhibit’s captions we discovered that the bear was a symbol for Russia, thus the ad implied that Ronald Reagan’s strong will would be able to defeat the Russian menace of the time. So being we went over our president’s ads and those who had gone against them during the age of Television.

Toledo Museum of Art
                                            Brian Aldaco Runs for Office with Unfortunate Results

Leaving the floor we walked to the east wing to view the contemporary art. There we saw works by various renowned artists such as Pablo Picasso…

Picasso, Toledo Museum of Art
Picasso, in his Blue Period

…Chuck Close…

Chuck Close, Toledo Museum of Art
Chuck Close Artwork

…Childe Hassam…

Childe Hassam, Toledo Museum of Art

…Claude Monet…

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…as well as Alexander Calder, Henry Moore, and Louise Nevelson.

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There was a sense of satisfaction in being able to recognize these and other artists from within the collection.

To appreciate the sculpture garden, we stepped outside to view a George Rickey silver mobile…

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…Tony Smith’s Moses…

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and other sculptures…

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…most notably those of Jaume Plensa (who had a whole floor dedicated to his work inside the museum.)

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But before examining the indoors art, we sat on a very peculiar Polar Bear Bench by artist Judy McKie.

Toledo_MOA_Brian_Polar_Bear_Judy_McKie_Web

Not only did this sculpture offer an appropriate resting spot, it also allowed us to find a glass walled building from which the interior glistened with hues of clear, colorful glass. Upon further inspection, with a silver Chihuly hanging from the ceiling…

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…we entered the museum’s annexed Glass Pavilion. Inside we found a wide assortment of glass sculptures from the quirky glass moquettes of modern venues by Emily Brock to Roman glass decor dating back to the 4th century (all in the pristine condition from when it was first blown!) It was clear that the glass blowing techniques of the time were advanced, a technique that we witnessed inside the pavilion.

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Apart from the beautiful art within the exhibit hall, there is also a glass blowing workshop.

Toledo_MOA_Glass_Demo_Web

Inside the room stand ovens heating up to a temperature of about 2150 degrees fahrenheit, undoubtedly no ordinary oven. However, these high temperatures are essential for molding the crystalline medium. So much is the nicety to keep the glass at near melting condition that if its temperate cools off before the intended time, the modeling tools can break the glass and ruin the whole sculpture. As the team of sculptures, on who molded the glowing vase and another who blew at it to expand it from the rod’s other end, continued their process of inserting the glass in the oven followed by a spinning of the material to give it its shape, we left the workshop to view the rest of the museum on its main campus.

Upon entrance to the museum we turned to the opposite wing of which we had already toured. With pieces from Van Gogh, Claude Monet, Paul Signac…

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…and Piet Mondrian.

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…we wandered through the canvasses of bright colors, swift burst strokes, and dream-like landscapes onto a grand hall of a more a classic collection. Under the twinkling chandelier the prominence of the works exhibited were accentuated to create an effect of awe. With works by Ralph Albert Blakelock, El Greco, and   we moved through the hall into a vast room with elongated heads of women.

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Even though the sight may sound a bit macabre, the warmly lit room featured the works of Jaume Plensa and created a near meditative trance.

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Perhaps the most appealing may have been Silent Rain. With fragments from poems attached to wires hanging from the ceiling, creating an effect of raining phrases, we were astounded.

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We felt a similar pleasure and wonder from Plensa’s See no Evil, Hear No Evil, Speak No Evil…

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…but whether it was a sculpture or painting from Plensa the same was true.

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His works are successful in priming the viewer into a meditative reflection on the human spirit and expression.

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So much were we drawn to each piece that soon the doors around us were being locked, lights were being shut off, and halls were flooded with darkness. The museum was closing, therefore we left the campus to complete our evening’s drive to our resting spot. After driving through the night scene of Rutherford B. Hayes’ home in Fremont, Ohio, we reached our hotel in Milan, Ohio. So being, we finished another exciting, educational day of our return-to-home part of the trip, with high spirits and persistent a strong will to continue our LEAP adventures.

Jaume Plensa, Tree Huggers, Toledo Museum of Art
                                                                            Jaume Plensa’s Tree Huggers

Gateway to (Mid)West: St. Louis

Wednesday, July 13, 2016

It seemed too soon to reminisce about the first half of our trip, which was filled with fun activities and meeting great people.  But, as we packed for our next destination early in the morning, contemplated the great people we had met and the fun of visiting Little Rock, Memphis, Nashville, Louisville, Lexington, and Frankfort.

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Ambassadors with Cameron Ludwick and Blair Hess, Authors of “My Old Kentucky Road Trip”

But with St. Louis on our destination list for today, we hastened to pack and headed out at 4am, a bit groggy, but excited for the Midwest section of the trip.


The Old Courthouse, St. Louis

Five hours later, we were able to make our first stop: the Old Courthouse.

Dred Scott Courthouse, Missouri, St. Louis
The Old Courthouse, Where the Dred Scott Case Originated, St. Louis, MO

We were out on the road again until we reached St. Louis, Missouri where our first stop was the Old Courthouse. This courthouse is especially important because this is where the famous Dred Scott case was brought to trial. Dred Scott and his wife, Harriet, were slaves that filed a suit for their freedom against Irene Emerson, their slave owner. They tried to take advantage of the Missouri law that would allow them to buy their freedom, and after many years of hardship the judges finally came to a conclusion. In 1857, it was decided that they were not to be considered citizens of Missouri; therefore they could not sue for their freedom. Having grown tired of the slave family, the Emerson family sold them to the Blow family where the Scotts were finally set free. Sadly, Dred Scott enjoyed his freedom only for a short while as he died a year later in 1858.

There is an exhibit in the Old Courthouse where the courtroom in which this trial was heard is displayed.  It was filled with chairs for the jury, two desks for the attorneys, a desk for a bailiff, and a clerk, a chair for witnesses, and a chair for the presiding judge. We even recreated the trial ourselves!

LEAP Ambassadors Re-Enact Dred Scott Case
LEAP Ambassadors Re-Enact Dred Scott Case

Apart from its historic value, the courthouse is a beautiful structure, with a beautiful dome designed by William Rumbold.

Old Courthouse, St. Louis, Dred Scott
Old Courthouse Dome, Designed by William Rumbold with Murals by Karl Wimar

As part of LEAP, we are always seeking ways to expand our knowledge. So it is only fitting that we visit the monumental symbol of the westward expansion as our next stop.


The Gateway Arch, St. Louis

Gateway Arch, St. Louis,
Gateway Arch, St. Louis, Designed by Eero Saarinen in 1947

The westward expansion, aided greatly by the Louisiana Purchase, doubled the size of the United States in 1803. In honor of America moving into a more prosperous and hopeful state, The Arch was built as the “gateway to the west.” The Arch proudly stands at an intimidating 630 feet making it the tallest man-made monument in the nation.

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The architect, Eero Saarinen, was an immigrant from Finland and was granted this opportunity after winning a contest by the Jefferson National Expansion Memorial in 1947. After studying architecture at Yale, he believed this was the opportunity to establish himself as an architect in America and it was. Although the design for this structure was completed in 1947, the real structure was not completed until 1965! We learned that this monument was brilliantly made with 142 stainless steel triangle sections that are each 12 feet in length held together by tension bars and truss. It took 13 years to raise the 13 million dollars needed to fund this project. In 1967, a trans system was built inside the north and south legs of the arch allowing 40 people at a time to view the impressive view. It was through these same legs that we rode through in our capsules.

Gateway Arch Elevator St. Louis
Gateway Arch “Elevator” or Travel Pod

It was tremendously fun to be able to enjoy the arch’s view…

Gateway Arch
Beatriz, Kaitlyn, and Karla at Top of Gateway Arch

…and see parts of St. Louis that we looked forward to exploring.

Gateway Arch, Dred Scott Courthouse, Wainright Building
St. Louis from the top of the Gateway Arch

Once back on the ground, we were also able to watch an informative documentary about the arch and its history.  Expansion in 1803 meant a hopeful future for some and that is our motivation as we expand our education in college and on our trips.

Originally, we had planned to visit the city garden that was near the courthouse. With its luscious greenery, sparkling fountains, and marvelous art we were all prepared to relax and enjoy the perfect view of the arch it would offer. Or so we imagined. Unfortunately, time didn’t permit a trip to that destination.


Photo Ops in St. Louis

Remaining undaunted, we decided to go on a photo op adventure instead. Our first photo op stop was a Richard Haas mural.  With two of our students having been interns at the Wynne Home, his work has a special meaning to us, and fourteen of his works dot the downtown of Huntsville.

Richard Haas, St. Louis, LEAP Ambassadors
LEAP Ambassadors in front of Richard Haas Mural

None of the ones in Huntsville, however, cover the 110,000 square feet of the one adorning the Old Edison Stores Building in St. Louis.

Next, we headed over to the St. Louis Union Station  Building, which is a beautiful structure, now a Doubletree by Hilton.  But its interiors were what we found most intriguing…

Union Station in St. Louis, Double Tree
Union Station in St. Louis, MO

…even the entrance to the bathrooms were interesting!

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But the grand hall was the most beautiful part.

Doubletree, Union Station, Grand Hotel, St. Louis
Grand Hall at Union Station (Doubletree Hotel) in St. Louis, MO

Across the street is the Milles Fountain, which is also impressive and offers a nice view of the exterior of the Union Station.

Milles Fountain at Aloe Plaza, Union State, St. Louis, MO
Milles Fountain at Aloe Plaza

Amighetti’s in The Hill, St. Louis

After a morning of westward exploration and photo ops in St. Louis, we took a quick stroll down The Hill to Amighetti’s.

Amighetti's, in The Hill Section of St. Louis, MO
Amighetti’s, in The Hill Section of St. Louis, MO

Located in what could be considered St. Louis’ Little Italy, the restaurant provided a prime venue for a satisfying lunch. Under what seemed an authentic tin-lined ceiling, we looked over the menu which included, but was not limited to, the Amighetti’s Special, a ravioli plate, and Little Bit of Italy sandwich.

Little Taste of Italy, Amighetti's, The Hill, St. Louis, MO
A Little Taste of Italy, at Amighetti’s in St. Louis, MO

As for the Amighetti’s Special, the sandwich accomplished its main goal; completely stuff its eater. Made up of ham, roast beef, and Genoa salami, blanketed with a rich layer of brick cheese on a 9 inch loaf of French style bread, it was a near challenge to take a bite. However, the extra effort to open one’s jaw was worth it, for every bite was an opportunity to taste the delicious sandwich. To improve on the experience, the menu presented St. Louis’ own Ritz root-beer. The effervescent, sweet, and smooth root-beer was an enjoyable company to Amighetti’s Special. To close off our lunch we also ordered a round of gelato. Within the group we were able to enjoy a cup of a sour, but satisfying lemon ice, cherry peach, strawberry, and vanilla, all of which we considered of excellent taste. As we stood up from our seat, with a content belly and a cooled off palate, we regained the energy needed to continue our St. Louis exploration at the Frank Lloyd Wright’s Kraus Home.

On previous adventures, Alex and Ryan had already encountered this one-of-a-kind home a numerous times. Therefore, Professor Yawn decided to give them the opportunity to explore new land by the name of the St. Louis Art Museum. After dropping them off we rerouted to the Kraus home.


Frank Lloyd Wright Home at Ebsworth Park

Hidden behind lush greenery, Frank Lloyd Wright’s Kraus Home is located in the upscale Kirkwood neighborhood of Saint Louis. Taking a short drive from the art museum, we arrived for a special tour. Normally, tours are not available on Wednesday afternoons, but the staff of the home were generous enough to arrange a tour for us today! Upon arrival, we immediately gaped in awe of the unique architecture and the natural beauty surrounding the home.

Kraus Homee, Frank Lloyd Wright, Ebsworth Park
Frank Lloyd Wright Home at Ebsworth Park

To begin our tour, we watched an introductory video about the Kraus home and its architect. Frank Lloyd Wright was born in 1867 and designed more than 500 structures throughout the United States. Represented in the Kraus home were parallelograms, hexagons, and horizontal lines, all of which accentuated the Usonian vision of Wright. The Kraus home sits on 10.5 acres of land now owned by Saint Louis County as part of its parks system.

In the mid 1940’s, Russell Kraus, a Frank Lloyd Wright enthusiast, wrote to Frank Lloyd Wright requesting him to design a small and less expensive home. Nearly ten years later in 1955, the home would finally reach completion. Mr. Kraus lived there until 2001, when a non-profit raised money to purchase the home and the land was deeded to Saint Louis County.

Throughout the tour, Professor Yawn was quick to point out the horizontal attributes of the home, noting even the grooves between the brick walls were designed to draw the eye horizontally instead of vertically. The Kraus home was designed as two hexagons partially overlapping one another.  The entire home is made up of these two hexagons or its subcomponents  (parallelograms and triangles).

Frank Lloyd Wright, Kraus Home, Ebsworth Park, St. Louis, Architecture

Even the bed, for example, is a parallelogram.

We were fascinated throughout the entire tour. In order to preserve the beauty of the home, we were not allowed to take any photographs inside the home. However, we finished our tour with a few photos on the balcony…

Kraus Home, Balcony, Frank Lloyd Wright, Ebsworth Park
Balcony of Kraus Home at Ebsworth Park, Designed by Frank Lloyd Wright

…and the exterior.

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St. Louis Art Museum

Meanwhile, in the St. Louis Art Museum, Ryan and Alex were being exposed to various forms of art.

SLAM, St. Louis Art Museum
St. Louis Art Museum

One of the major aspects Missouri has to offer is the free admission into museums (excluding special exhibits).  On the three levels of the museum, there were paintings, sculptures, and artifacts from as early as 500-600 BCE to as recent as present day and everything in between. There were pieces of art from all around the world including Asia, the Americas, Africa and Europe. Several famous artists’ works could be found at the museum including Monet…

St. Louis, SLAM, Art Museum, Water Lillies, Monet
Monet’s “Water Lilies” at the St. Louis Art Museum

…van Gogh, Picasso, Seurat…

George Seurat, Pointillism, SLAM, Outer Harbor
George Seurat’s “Outer Harbor” at the St. Louis Art Museum

…Degas, Rodin, Kandinsky, Warhol, Segal, O’Keeffe, and many more. Outside, there was a short path through a small sculpture garden, mostly made up of pieces from Henry Moore.

Henry Moore's "Two-Piece Reclining Figures" at St. Louis Art Museum
Henry Moore’s “Two-Piece Reclining Figures” at St. Louis Art Museum

As we were leaving, a huge storm rolled in, cutting out our trip to a sculpture garden in the downtown area. So instead, we headed towards Bentonville, stopping for a photo-op at the world’s largest fork, and afterwards, stopping for dinner.


Dinner at Cafe Cusco, Springfield, MO

Being the home of the world’s largest fork…

World's Tallest Fork, Springfield, MO
World’s Tallest Fork, Springfield, MO

…Springfield appropriately offers numerous eateries from which to choose.

We choose Cafe Cusco, a Peruvian restaurant that has all the attributes of good Peruvian food, without the risk of Zika.

With the buildings soaking in the last rays of the day on Commercial St., we crossed the threshold into the Peruvian cuisine restaurant. As Peruvian folk music sounded its harmonious guitar in the background, we looked through the menu. With a variety of “platos” or dishes, from vegan salads to meaty steaks, the appetite of some of us were attracted to the fried rabbit, fajita saltada, BBQ pork panca, and lomo saltado. First, however, we began our taste of Peru with a seafood dip and fried avocado appetizer.

Seafood Dip, Fried Avocado, Cafe Cusco, Springfield, MO
Seafood Dip and Fried Avocado at Cafe Cusco

As the initial dishes were cleared, we readied ourselves for our main course. Soon the table was enveloped in the spicy aromas of the various dishes. As for the lomo saltado, a dish of steak cooked with bell pepper  and onions served with fries and rice, each scoop of the fork brought to one’s mouth the zesty spice of Peruvian flavor. Perhaps the best of the dishes, however, was the rabbit, which Ryan enjoyed immensely.

Rabbit Entree, Cafe Cusco, Springfield, MO
The Rabbit Dish at Cafe Cusco

In all, the restaurant was more than enough to make us go back to the corner block venue as we were forever in love with these flavorful dishes. For the meantime however, it was time get back to our traveling van for we still had half a state left to ride through.

 

 

Shaking Things Up Kentucky Style: Shaker Village, Teneia, and The Village Idiot

With a busy day planned ahead of us, we began our morning with a light breakfast at Daily Offerings Coffee Roastery…

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…a Southern hipster coffee shop offering several adventurous and traditional options. One of the more daring ambassadors tried the Lavender Honey Latte, and as Alex described it, “it felt like my mouth had just taken a bath.”

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Others went for coconut or caramel lattes, and pastries to complement their drinks: coffee cakes, chocolate cookies, and blueberry scones. Once everyone had their fill, we departed for our first destination and activity of the day, a trip to Shaker Village in Pleasant Hill.

The Shakers fled England and first settled in New Lebanon, New York. In 1805, a group of 44 Shakers settled in Kentucky. Today there are no surviving Shakers in Kentucky and only a handful in Maine, but much of their settlement is still intact within the Pleasant Hill site. The historic farms of the village are maintained by the village’s employees, and crops and livestock are used at Pleasant Hill’s restaurant.

Our drive to Shaker Village through the Kentucky countryside was beautiful — a truly pleasant ride to start the day. Upon our arrival, we exchanged our charter bus for a school bus needed to maneuver a narrow, winding road to the Kentucky River a few miles away. There we boarded the Dixie Belle Riverboat for

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…a trip downriver through the Kentucky River Palisades, so named for the steep limestone cliffs and scenic outcroppings.

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The Shakers used to travel the Kentucky River to New Orleans once or twice a year to trade goods they produced. At the time, this was a significant endeavor and few Shakers actually traveled on behalf of the community. The captain explained that the Kentucky River is 255 miles long and is normally a deep shade of green, but due to the recent rains, the water was a muddy brown (and over 14 feet deep).

We cruised alongside the limestone cliffs and the lush green trees that stood high above the riverbank, ever alert for signs of wildlife. The river is home to many types of turtles (including snapping turtles!) and snakes. Although we weren’t lucky enough to see any river critters, we enjoyed the scenic view and relaxing breeze before traveling back to the Village for the second half of the tour.

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The Village tour began with a walk down one of the main streets, the guide noting the limestone buildings among green fields, and explaining to us that during the Shaker’s lifetime in the settlement very little of the land would be left vacant. Shakers did not believe in unusable land, so they worked every plot as efficiently as possible — whether to build family dwellings, grow crops, graze livestock, or build an ice house.

Shakers were a religious group who believed the way to enhance their worship of God was to live as simply as possible and as purely as Jesus Christ. They were not Luddites, though, and believed in using technological advances to help them live simple lives. In their attempts to be close to Christ, one of the sacrifices in joining the congregation was to become celibate. Men and woman stayed segregated among family dwellings, with one half of the buildings dedicated to men and the other half to women. Men and women also maintained an arm’s length distance away from each other and had their own staircase to travel among floors in their living quarters.

The Shakers also preached a need for equality. All Shakers were equal and none deserved more attention than another, a quite different viewpoint in 1805 when several types of groups did not have equal rights. The village’s ministry, the governing religious body for each community, was composed of both men and women from various communities appointed by the Shaker’s central ministry in New Lebanon. This helped remove community ministry leaders’ potential prejudices against other members of the village. The community was further regulated by segregating the leaders to their own living quarters and workshops, both of which we were able to tour. It was an interesting twist to community governing for the political science majors in the group.

"Shaker" Attire Worn by Brian and Kaitlyn, Standing the Traditional Distance Apart
Shaker Attire Worn by Brian and Kaitlyn, Standing the Traditional Distance Apart

Unlike traditional Christian services, Shakers did not believe in one designated leader preaching at all times. Although they did make use of the King James Bible, and participated in prayer, services were led by “whoever was moved by the Holy Spirit” on that particular day. Their religious ceremonies were not constrained by time, with the shortest service in Pleasant Hill recorded at only 15 minutes and the longest at 23 hours!

During worship the Shakers were known to sing songs, especially those who were “filled with the spirit,” and members were encouraged to record their songs (in writing) and share among members of the community and of other villages. Lyrics would come from a member’s need to express their devotion towards God, and reportedly sometimes by God himself, taking hold of a member’s body and using them as a vessel, as our tour guide described it.

Further, Shakers did not believe in using instruments nor in solo demonstrations; they believed that complex musical arrangements only took away from the song’s devotional message. From these lively worships (of which non-Shakers were invited to attend) the group was termed as the Shaking Quakers, for seldom had anyone seen such an enthusiastic mode of worship composed of dancing and singing. After a brief demonstration of a few “Shaker” songs, we were ready for our next Kentucky adventure.

We didn’t have to go far, though.  We met up with the other part of our group and walked the two short blocks from our hotel to the street party the SLC had planned for attendees and their families. We reached the 5/3 Pavilion at Cheapside Park and mingled with other guests. While we were there we ran into two new friends, Chris and Marisela Darminin.  We had previously met Chris during skeet shooting, and were excited to meet Marisela. They were both from Texas and glad to visit with fellow Texans at SLC, as were we!

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After speaking to them for a while and learning much about their careers and the great organizations that they support, we headed to our dinner destination, The Village Idiot.

Local Lexington icon The Village Idiot is in a building encompassing part of Lexington’s oldest post office building, dating back to 1825. We were all eager to try their fare since we had heard great things about the restaurant. Before our food arrived, we enjoyed bowls of fries and the cheese and sausage dip. Some of us had their famous (or maybe infamous?) “Idiot Burger,” a burger patty topped with an onion ring filled with pulled pork and topped off with a pretzel bun…it looked like quite the challenge!

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Others shared the duck & waffles (on those, Beatriz said, “The sweet taste of the waffles combined with the succulence of the duck was such a great combination that [she] was left drooling for more”); the Village Idiot Cheese Platter; and a Caprese Burger. With great gusto, we savored these delightful dishes, enjoying this picturesque place rich in food and history. We left satisfied that The Village Idiot had been the “smartest” choice for dinner.

After a filling dinner, we were all ready to enjoy another event, the “preview reception” for next year’s conference, as put on by that host state.  In this case, it was – and will be –Mississippi. As soon as we arrived, we were warmly greeted by numerous elected Senators and Representatives (and other representatives) from Mississippi who were handing out warm welcomes (and goodie bags) at the door.

We had arrived in time to hear an enthusiastic, well-written speech from the Speaker of the Mississippi House of Representatives, Philip Gunn, who captured our attention and left us wanting to visit Mississippi, the home to great names such as: Jerry Rice, Jerry Lee Lewis, and John Grisham. We even had the chance to chat for a few minutes with him and his wife (who is actually a Texan!)…

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and get a quick pic.

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We also met up with an acquaintance from the night before, Ms. Leslie Hafner, who was the Senior Policy Advisor to the Governor of Tennessee.  She was very nice, and we were grateful to be able to get a photo with her before leaving the conference.

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The evening’s entertainment, native-Mississippi jazz singer, Teneia Sanders-Eichelberger, as joined by her husband, Ben Eichelberger, was great to listen to while chatting with other guests.

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She had a unique blend of blues, soul, and southern music, and we were able to briefly meet them after their performance, as well.

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After an eventful night filled with great music and great people, we left to many cheers of “See you in Biloxi!” as we trudged off toward our hotel, anxious to reenergize for the next day’s activities.